Discount applied successfully
Title |
|
Pages / Words |
Save |
To Kill a Mockingbird
|
|
11 / 2856 |
|
To Kill a Mockingbird
|
|
8 / 1995 |
|
To Kill a Mockingbird: Summary
|
|
30 / 8382 |
|
To Kill a Mockingbird: Theme and Metaphor Analysis
|
|
4 / 1009 |
|
Twisted Alice in Dark Wonderland
|
|
3 / 716 |
|
Two Cities
|
|
4 / 1016 |
|
A Trip To Egypt
|
|
4 / 999 |
|
A Warning to Society
|
|
3 / 734 |
|
All Quiet on the Western Front
|
|
2 / 470 |
|
Competition
|
|
4 / 919 |
|
Daffyd's Journey
|
|
3 / 708 |
|
Eternal Creativity
|
|
3 / 823 |
|
Genesis
|
|
19 / 5318 |
|
Group & Teamwork Experiences: The Good, The Bad & The Ugly
|
|
2 / 302 |
|
Hunting is not the Answer
|
|
3 / 607 |
|
I Think I'm Pretty Sure I Remember What You Did Last Summer
|
|
15 / 4033 |
|
Journalism, Real Creativity and Reactionary Creativity
|
|
3 / 801 |
|
Just Another Day at the Office
|
|
3 / 818 |
|
Learning the Writing Business from Book Agents and Editors
|
|
8 / 2078 |
|
Love Lost
|
|
1 / 210 |
|
Love story set in WWI
|
|
18 / 4942 |
|
Mega Rex
|
|
13 / 3402 |
|
My Favorite Restaurants
|
|
3 / 682 |
|
Oprah Winfrey
|
|
3 / 701 |
|
Organizational Safety Concerns and Measures
|
|
4 / 849 |
|
Personal Reflective on a Photo
|
|
4 / 958 |
|
Pressures
|
|
1 / 189 |
|
Slain
|
|
9 / 2265 |
|
Slow Ride
|
|
2 / 347 |
|
Sylvia's Use of Senses in Ariel
|
|
8 / 2141 |
|
Taken Over By A Computer Game
|
|
4 / 1095 |
|
The Beast is Silent
|
|
14 / 3771 |
|
The Duel
|
|
9 / 2512 |
|
The Secrets of "Hunters in the Snow"
|
|
3 / 778 |
|
The Smell
|
|
3 / 804 |
|
The Unknown - Chapter 1
|
|
8 / 2085 |
|
The Waiting Room
|
|
11 / 2819 |
|
To Be Ready or Not to Be Ready?: What a Stupid Question
|
|
2 / 527 |
|
What makes a good teacher?
|
|
2 / 410 |
|
What Matters?
|
|
2 / 502 |
|
What's up!
|
|
3 / 812 |
|
When the birds hit the windows.
|
|
7 / 1884 |
|
‘Saying’ as ‘Inventing’
|
|
13 / 3552 |
|
1984 vs Brave New World
|
|
5 / 1206 |
|
A Cream Cracker Under The Settee
|
|
3 / 588 |
|
A Feminist Approach on Jonathan Swift's "Gulliver Travels"
|
|
7 / 1730 |
|
A View from the Bridge
|
|
27 / 7334 |
|
An Analysis of Gatsby’s Success and Failure
|
|
4 / 868 |
|
An Inspector Calls
|
|
4 / 997 |
|
Antigone
|
|
3 / 790 |
|
Beowulf vs. Gilgamesh
|
|
2 / 530 |
|
Change of Jem and Scout
|
|
3 / 588 |
|
Comparision of Duddy Kravitz and Jay Gatsby
|
|
7 / 1852 |
|
Crime and Punishment
|
|
5 / 1281 |
|
Dr Faustus and Seven Sins
|
|
6 / 1553 |
|
Dr Faustus
|
|
7 / 1849 |
|
Duffy “Little Red Cap” poem
|
|
7 / 1802 |
|
Educating Rita
|
|
4 / 1050 |
|
Ender's Shadow or Ender's Game
|
|
12 / 3149 |
|
Faustus: Renaissance Martyr or Tragic Hero
|
|
11 / 2899 |
|
Filthy Food
|
|
3 / 811 |
|
Frankenstein: Shelley Use of Mascuine and Feminine Roles
|
|
8 / 2008 |
|
Healthcare in the US
|
|
5 / 1234 |
|
Hemingway: Writer or Dreamer?
|
|
28 / 7782 |
|
Hierarchy and the Disorder of Separation in the Bible
|
|
5 / 1355 |
|
Hope
|
|
4 / 935 |
|
How successful is Dickens in his presentation of female characters?
|
|
4 / 924 |
|
How the Colonization Era affected Authors
|
|
4 / 1044 |
|
How to Write an Essay
|
|
2 / 377 |
|
Human Consciousness
|
|
7 / 1734 |
|
Igor Stravinsky
|
|
2 / 476 |
|
Inspector Calls
|
|
7 / 1818 |
|
Itchoua
|
|
3 / 732 |
|
It's Raining in Mango
|
|
4 / 1110 |
|
Ivan Denisovich and Humanity
|
|
4 / 1108 |
|
Journey's End by R.C Sherriff
|
|
3 / 705 |
|
Juliet Capulet
|
|
2 / 442 |
|
Kindergarteners
|
|
4 / 998 |
|
Knowledge in Name of the Rose
|
|
8 / 2015 |
|
Leiningen Versus The Ants
|
|
3 / 578 |
|
Logic of the Absurds
|
|
6 / 1452 |
|
Lord of the Files
|
|
2 / 484 |
|
Macbeth Symbolism
|
|
4 / 939 |
|
Matrix
|
|
2 / 505 |
|
Milton’s Paradise Lost
|
|
15 / 4162 |
|
Mindless Existence in Fahrenheit 451
|
|
2 / 530 |
|
Mr Collins: Character Review
|
|
4 / 1077 |
|
Nietzsche on Religion: Rhetorical Devices
|
|
3 / 793 |
|
Oedipus MD
|
|
6 / 1635 |
|
Oedipus the King
|
|
10 / 2601 |
|
Oedipus
|
|
6 / 1491 |
|
Ordinary Men
|
|
3 / 568 |
|
Orwell and Foucault
|
|
5 / 1359 |
|
Paid Term Paper Sites Exposed!
|
|
6 / 1513 |
|
Primal Instinct
|
|
3 / 771 |
|
Racism in "Master Harold"
|
|
7 / 1727 |
|
Red Badge of Courage
|
|
3 / 576 |
|
Resplendent Rivendel
|
|
3 / 579 |
|
Rhinoceros
|
|
2 / 488 |
|
Romulus and Remus
|
|
3 / 633 |
|
Russian Revolution and Orwell (Animal Farm)
|
|
2 / 519 |
|
Say it, Write it, Defend it and Judge it – in English!
|
|
14 / 3676 |
|
Smoking
|
|
6 / 1428 |
|
Stoker and Wilde
|
|
9 / 2336 |
|
Sun Bear Bile Extraction
|
|
4 / 915 |
|
Syllabus vs Curriculum
|
|
15 / 3986 |
|
The Chosen
|
|
6 / 1581 |
|
The Chrysalids
|
|
2 / 552 |
|
The Credibility of Expository Texts RE 'Unzipped' - Bronwyn Donaghy
|
|
3 / 760 |
|
The Echoing Green
|
|
3 / 705 |
|
The Great American Illusion
|
|
3 / 781 |
|
The Great Gatsby
|
|
7 / 1728 |
|
The Internet a Blessing or a Curse
|
|
2 / 452 |
|
The Jilting of Granny Weatherall
|
|
3 / 822 |
|
The Last of the Mohicans as a Mixture of Genres
|
|
10 / 2573 |
|
The Participial Adjective Part of English
|
|
5 / 1191 |
|
The Poison Wood Bible
|
|
1 / 253 |
|
The role of the Inspector in 'An Inspector Calls.'
|
|
17 / 4682 |
|
The Sentiment, Mood, and Philosophy of “The Best Slow Dancer”
|
|
4 / 973 |
|
The Servants of Twilight
|
|
3 / 626 |
|
Unzipped
|
|
5 / 1186 |
|
What Dilemma Did to Him
|
|
4 / 961 |
|
What Happens to a Dream Deferred?
|
|
3 / 771 |
|
Berlin Wall
|
|
9 / 2519 |
|
Impact of the Proposed Devolution for Scotland
|
|
8 / 2217 |
|
Inspector Calls Coursework
|
|
8 / 1977 |
|
Kissinger, Metternich, Realism
|
|
4 / 887 |
|
Napoleon
|
|
13 / 3381 |
|
Policy Proposal for Economic Reform in Russia
|
|
10 / 2642 |
|
Revolution
|
|
6 / 1480 |
|
Southern Cyprus
|
|
16 / 4284 |
|
Stalin
|
|
2 / 391 |
|
The "Phenomenon" of Greece
|
|
20 / 5380 |
|
The Effect of One Tribe on an Entire Nation
|
|
3 / 764 |
|
Three Most significant Absolute Monrchs in European History
|
|
2 / 348 |
|
1960's
|
|
18 / 4933 |
|
Canadian Flag
|
|
3 / 810 |
|
Did the 1920's Roar for Canada?
|
|
7 / 1705 |
|
Intellectual Life of the Painters of the Early Renaissance
|
|
8 / 2191 |
|
Is it Constitutional to Bare Arms?
|
|
3 / 583 |
|
Jean-Louis David + Jean-Jacques Rousseau
|
|
5 / 1357 |
|
Knights
|
|
2 / 285 |
|
Muhammad Ibn Abdullah: Good or Bad? You Decide
|
|
6 / 1516 |
|
Ramases II
|
|
14 / 3845 |
|
Salem/European Witch Trials Compared to the McCarthy Hearings
|
|
6 / 1606 |
|
The "Sans-Cullotes" During the French Revolution
|
|
3 / 673 |
|
The Italian Wars
|
|
7 / 1720 |
|
The Manhattan Project
|
|
6 / 1570 |
|
The Mystery of Dunkeld
|
|
5 / 1349 |
|
The Roman games
|
|
4 / 1068 |
|
Walt Disney and Disneyland
|
|
6 / 1584 |
|
What is History?
|
|
2 / 428 |
|
Analysis of Kurdish Geopolitics Past and Present
|
|
8 / 1989 |
|
Lebanese Awakening
|
|
3 / 735 |
|
Superstitious Beliefs
|
|
2 / 493 |
|
The Balkans
|
|
17 / 4737 |
|
All the President's Men
|
|
3 / 586 |
|
Citizen Kane: An Accurate Portrayal of William Randolph Hearst?
|
|
14 / 3847 |
|
Critique La Ventura
|
|
3 / 813 |
|
General Patton Part III
|
|
1 / 168 |
|
Heathers and Shame
|
|
9 / 2323 |
|
If Someone Did You a Favor
|
|
8 / 2115 |
|
Joy Luck Club
|
|
4 / 985 |
|
Lifting Up an African Hero
|
|
2 / 323 |
|
Luc Besson
|
|
11 / 2855 |
|
Man with a Movie Camera vs Run Lola Run
|
|
12 / 3083 |
|
Matrix Reloaded
|
|
14 / 3755 |
|
Once Were Warriors
|
|
16 / 4422 |
|
The Matrix
|
|
31 / 8428 |
|
At Cooloola
|
|
2 / 469 |
|
Bad Apples
|
|
3 / 655 |
|
Beowulf
|
|
3 / 804 |
|
British Poetry
|
|
15 / 4006 |
|
Brown Eyed Girl
|
|
2 / 334 |
|
Dante's Inferno
|
|
1 / 263 |
|
Desert Places - A Journey of a Human Mind
|
|
4 / 844 |
|
Ginsberg's Howl: A Counterculture Manifesto
|
|
14 / 3788 |
|
Immortal Poetry
|
|
6 / 1453 |
|
Inferno
|
|
6 / 1465 |
|
Jim Morisson
|
|
24 / 6621 |
|
Poems, their subject and purpose
|
|
3 / 639 |
|
Poetry Intertextual
|
|
9 / 2331 |
|
Porphyria’s Lover
|
|
16 / 4295 |
|
Quote the Parrot, “Nevermore”
|
|
2 / 558 |
|
The Echoing Green
|
|
3 / 705 |
|
The Hawk Essay
|
|
4 / 961 |
|
The Life of William Carlos Williams
|
|
4 / 957 |
|
A View From The Bridge
|
|
10 / 2731 |
|
Ambition (in general)
|
|
2 / 511 |
|
Ambition
|
|
3 / 691 |
|
Analysing Shylock's Dual-Role as Villain and Victim
|
|
6 / 1476 |
|
Androgyny: Will of Shakespeare's Female Characters
|
|
6 / 1437 |
|
Appearance vs. Reality
|
|
4 / 1034 |
|
As you like it - Act 1
|
|
5 / 1277 |
|
Benedick Transformed
|
|
6 / 1600 |
|
Brutus
|
|
7 / 1945 |
|
Character Profile of Friar Lawrence
|
|
3 / 613 |
|
Classical Imagery in Shakespeare's Much Ado About Nothing
|
|
13 / 3449 |
|
Comedy in Shakespeare
|
|
8 / 2176 |
|
Fate on Juliet in William Shakespeare's Romeo and Juliet
|
|
8 / 2240 |
|