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                    | Title |  | Pages / Words | Save | 
                
                
                                    
                        | The Elements of war |  | 5 / 1273 |  | 
                                    
                        | The Emblem of Individuality |  | 3 / 766 |  | 
                                    
                        | The Enemy Outside and Within: Grendel and His Mothe |  | 5 / 1337 |  | 
                                    
                        | The Facade of Tattoos |  | 8 / 2104 |  | 
                                    
                        | The Fall of the House of Usher by E. A. Poe |  | 3 / 665 |  | 
                                    
                        | The Fall of the House of Usher |  | 6 / 1417 |  | 
                                    
                        | The Female Sex-role Stereotyping in Boys and Girls |  | 3 / 789 |  | 
                                    
                        | The Fireman |  | 4 / 985 |  | 
                                    
                        | The Giver |  | 2 / 300 |  | 
                                    
                        | The Glass Menagerie |  | 4 / 1096 |  | 
                                    
                        | The Grandmothers Tale |  | 11 / 3056 |  | 
                                    
                        | The Grapes Of Wrath Synthesis Essay |  | 3 / 805 |  | 
                                    
                        | The Grapes Of Wrath |  | 4 / 1089 |  | 
                                    
                        | The Grasshopper and the Bell Cricket |  | 5 / 1247 |  | 
                                    
                        | The Great Gatsby - American Dream |  | 4 / 932 |  | 
                                    
                        | The Great Gatsby The Color White: Symbol of Tarnish? |  | 4 / 1064 |  | 
                                    
                        | The Great Gatsby- Color Symbolism |  | 8 / 2082 |  | 
                                    
                        | The Great Gatsby |  | 3 / 620 |  | 
                                    
                        | The Great Gatsby |  | 5 / 1203 |  | 
                                    
                        | The Great Gatsby |  | 4 / 1068 |  | 
                                    
                        | The Great Gatsby |  | 2 / 444 |  | 
                                    
                        | The Great Gatsby |  | 6 / 1471 |  | 
                                    
                        | The Great Gatsby |  | 2 / 500 |  | 
                                    
                        | The Great Gatsby |  | 40 / 10931 |  | 
                                    
                        | The Great Gatsby |  | 4 / 860 |  | 
                                    
                        | The Great Gatsby: Moral Corruption |  | 4 / 934 |  | 
                                    
                        | The Great Underpants Debate |  | 6 / 1530 |  | 
                                    
                        | The Handmaid’s Tale Composition Question |  | 3 / 729 |  | 
                                    
                        | The Harlem Renaissance |  | 6 / 1562 |  | 
                                    
                        | The Heartbeat |  | 1 / 257 |  | 
                                    
                        | The House Has Fallen |  | 4 / 920 |  | 
                                    
                        | The House Of Seven Gables: Symbolism |  | 10 / 2675 |  | 
                                    
                        | The Illusion of Tradition |  | 4 / 1061 |  | 
                                    
                        | The Importance of Being Piggy |  | 5 / 1334 |  | 
                                    
                        | The Individual and Society in 19th England |  | 5 / 1264 |  | 
                                    
                        | The Inevitable |  | 3 / 777 |  | 
                                    
                        | The Influence of Realism and Naturalism on 20th Century American Fiction |  | 8 / 2161 |  | 
                                    
                        | The Innocence of Love |  | 3 / 720 |  | 
                                    
                        | The Intrinsic Value of Relationships, and The Drastic Effects of Greed |  | 8 / 2201 |  | 
                                    
                        | The KIllers |  | 5 / 1179 |  | 
                                    
                        | The Lady with the Dog by Chekov |  | 5 / 1205 |  | 
                                    
                        | The Lagoon |  | 4 / 968 |  | 
                                    
                        | The Lesson |  | 3 / 697 |  | 
                                    
                        | The Lesson |  | 8 / 2099 |  | 
                                    
                        | The Lost Heritage - Heather Buck |  | 5 / 1346 |  | 
                                    
                        | The Lotos-Eaters By Tennyson |  | 6 / 1416 |  | 
                                    
                        | The Lottery Response Paper |  | 4 / 881 |  | 
                                    
                        | The Lottery Symbolism |  | 6 / 1536 |  | 
                                    
                        | The Lottery by Shirley Jackson: An Exposition of Conformity in Society |  | 4 / 897 |  | 
                                    
                        | The Lottery: Symbolism |  | 2 / 446 |  | 
                                    
                        | The Love Song of J. Alfred Prufrock |  | 5 / 1171 |  | 
                                    
                        | The Madness within Ourselves |  | 1 / 107 |  | 
                                    
                        | The Masque o the Red Death |  | 2 / 431 |  | 
                                    
                        | The Masque of the Red Death: Inevitability of Death |  | 3 / 802 |  | 
                                    
                        | The Meaninglessness of Samuel Beckett's Waiting for Godot |  | 5 / 1290 |  | 
                                    
                        | The Metamorphosis of Guy Montag |  | 8 / 2008 |  | 
                                    
                        | The Metaphor of the Dawn in the Odyssey |  | 4 / 914 |  | 
                                    
                        | The Meteorologist Metaphor |  | 3 / 717 |  | 
                                    
                        | The Mississippi Poet who Drop ut of School |  | 11 / 2840 |  | 
                                    
                        | The Morality of The Scarlet Letter |  | 2 / 523 |  | 
                                    
                        | The Mosaic |  | 6 / 1640 |  | 
                                    
                        | The Mothers of Fences and Bright Morning Star |  | 8 / 1993 |  | 
                                    
                        | The Movement for Women's Rights Inside "The Yellow Wallpaper" |  | 6 / 1433 |  | 
                                    
                        | The Nature of Symbolic Language |  | 3 / 590 |  | 
                                    
                        | The Necklace |  | 2 / 535 |  | 
                                    
                        | The Open Boat |  | 4 / 1053 |  | 
                                    
                        | The Oppressing Face Of Madness In The Mirror Of Society |  | 8 / 2141 |  | 
                                    
                        | The Paper Of Great Things |  | 5 / 1193 |  | 
                                    
                        | The Passing Of Arthur And Excalibur |  | 4 / 1098 |  | 
                                    
                        | The Poetry Of A. E. Housman |  | 4 / 846 |  | 
                                    
                        | The Poetry Of E. E. Cummings |  | 6 / 1445 |  | 
                                    
                        | The Poetry of E. E. Cummings |  | 5 / 1358 |  | 
                                    
                        | The Red Badge |  | 5 / 1239 |  | 
                                    
                        | The Red Convertible |  | 6 / 1497 |  | 
                                    
                        | The Red wheelbarrow" |  | 3 / 707 |  | 
                                    
                        | The Religious Undertones in James Joyce's Araby |  | 3 / 793 |  | 
                                    
                        | The Riddle Of The Sphinx |  | 3 / 642 |  | 
                                    
                        | The Road Not Taken |  | 6 / 1414 |  | 
                                    
                        | The Road Not Taken |  | 3 / 757 |  | 
                                    
                        | The Road Not Taken |  | 3 / 794 |  | 
                                    
                        | The Rocking Horse Winner Theme Analysis |  | 4 / 891 |  | 
                                    
                        | The Rocking Horse Winner |  | 5 / 1246 |  | 
                                    
                        | The Scarlet Letter Notes |  | 34 / 9310 |  | 
                                    
                        | The Scarlet Letter |  | 4 / 1059 |  | 
                                    
                        | The Scarlet Letter |  | 6 / 1591 |  | 
                                    
                        | The Seven Key Essentials of Fiction |  | 3 / 644 |  | 
                                    
                        | The Sins of Young Goodman Brown |  | 6 / 1474 |  | 
                                    
                        | The Spire: How does Golding show the contrast between the world of faith and the real world in chapter 2? |  | 3 / 698 |  | 
                                    
                        | The Spire: How does Golding use chapters 10 and 11 to prepare the reader for the ending? |  | 5 / 1212 |  | 
                                    
                        | The Surprising Moby Dick |  | 4 / 1092 |  | 
                                    
                        | The Symbolic Nature of the Scarlett Letter |  | 9 / 2403 |  | 
                                    
                        | The Symbolism in Young Goodman Brown |  | 2 / 429 |  | 
                                    
                        | The Symbolism of Moby Dick |  | 3 / 568 |  | 
                                    
                        | The Symbolism of the "Birches" |  | 3 / 650 |  | 
                                    
                        | The Tell-Tale Heart and Symbolism |  | 5 / 1148 |  | 
                                    
                        | The Temptation of St. Pigsy, final paper |  | 4 / 898 |  | 
                                    
                        | The Things They Carried |  | 8 / 1993 |  | 
                                    
                        | The Things They Carried |  | 4 / 922 |  | 
                                    
                        | The Tone of "Bright and Morning Star" |  | 7 / 1726 |  | 
                                    
                        | The Unexpected Symbolic Outcome of "The Lottery" |  | 6 / 1454 |  | 
                                    
                        | The Use of Symbols in John Steinbeck's "The Chrysanthemums" |  | 3 / 675 |  | 
                                    
                        | The Village by the Sea |  | 3 / 668 |  | 
                                    
                        | The Wars by Timothy Findley |  | 5 / 1154 |  | 
                                    
                        | The Waste Land |  | 5 / 1341 |  | 
                                    
                        | The White Hotel |  | 10 / 2666 |  | 
                                    
                        | The Whiteness of the Whale |  | 4 / 850 |  | 
                                    
                        | The Wife And The Cat |  | 3 / 687 |  | 
                                    
                        | The Wife Of Bath |  | 4 / 902 |  | 
                                    
                        | The Wind in the Willows |  | 3 / 702 |  | 
                                    
                        | The Witches And Lady Macbeth Are Largely Responsible For Macbeth’S Downfall |  | 3 / 829 |  | 
                                    
                        | The Yellow Wall-paper |  | 10 / 2696 |  | 
                                    
                        | The Yellow Wallpaper |  | 6 / 1403 |  | 
                                    
                        | The Yellow Wallpaper |  | 4 / 884 |  | 
                                    
                        | The Yellow Wallpaper |  | 4 / 1114 |  | 
                                    
                        | The american dream |  | 5 / 1252 |  | 
                                    
                        | The cask amontillado |  | 5 / 1297 |  | 
                                    
                        | The catcher in the Rye: Holden's adolescent mentality |  | 5 / 1291 |  | 
                                    
                        | The character og Iago |  | 15 / 4017 |  | 
                                    
                        | The davinci code |  | 6 / 1461 |  | 
                                    
                        | The house of Seven Gables Analysis |  | 8 / 2091 |  | 
                                    
                        | The lord of flies |  | 7 / 1926 |  | 
                                    
                        | The lottery: violence nad human nature |  | 4 / 1040 |  | 
                                    
                        | The necklace |  | 4 / 1116 |  | 
                                    
                        | The paradox of confinement and freedom in A Doll's House and Like Water For Chocolate by Laura Esquivel. |  | 5 / 1316 |  | 
                                    
                        | The story of an hour |  | 3 / 585 |  | 
                                    
                        | The tempest |  | 6 / 1672 |  | 
                                    
                        | The use of food to enhance charecterisation |  | 6 / 1631 |  | 
                                    
                        | The use of symbolism in rappaccini's daughter |  | 5 / 1267 |  | 
                                    
                        | The yellow wallpaper |  | 2 / 509 |  | 
                                    
                        | Thematic Essay |  | 3 / 610 |  | 
                                    
                        | Theme On Byron's "Prisoner Of Chillon" |  | 3 / 826 |  | 
                                    
                        | Theme based on the Movie Crash, screenwriter Paul Haggis |  | 4 / 937 |  | 
                                    
                        | Themes and Styles of Ralph Ellison |  | 12 / 3288 |  | 
                                    
                        | Themes in LOTF |  | 7 / 1821 |  | 
                                    
                        | Themes in "Lord of the Flies" |  | 3 / 574 |  | 
                                    
                        | Things Fall Apart, Joy Luck Club comparison essay |  | 3 / 651 |  | 
                                    
                        | Things Fall Apart |  | 3 / 795 |  | 
                                    
                        | Tim Burton the man behind the movies |  | 6 / 1447 |  | 
                                    
                        | Time tarries only for those who use it |  | 4 / 1008 |  | 
                                    
                        | Tinter Abbey |  | 10 / 2730 |  | 
                                    
                        | Title acceptation to the Crucible |  | 3 / 666 |  | 
                                    
                        | Tkam |  | 4 / 901 |  | 
                                    
                        | To Kill A Mockingbird Essay - Issues Which Are Still Relevent In Todays Society. |  | 5 / 1190 |  | 
                                    
                        | To Kill A Mockingbird Symbolism |  | 3 / 617 |  | 
                                    
                        | To Kill A Mockingbird |  | 4 / 965 |  | 
                                    
                        | To Kill A mockingbird themes |  | 4 / 973 |  | 
                                    
                        | To Kill a Mockingbird prejudice |  | 2 / 517 |  | 
                                    
                        | To kill a Mockingbird |  | 4 / 1085 |  | 
                                    
                        | Transformations and Symbolism in Frank Kafka’s "The Metamorphosis" |  | 7 / 1738 |  | 
                                    
                        | Trifles, Susan Glaspell |  | 3 / 738 |  | 
                                    
                        | Trifles |  | 2 / 443 |  | 
                                    
                        | Trinitarian symbolism in Tennyson |  | 5 / 1300 |  | 
                                    
                        | True Human Nature (Criticism Of Lord Of The Flies) |  | 4 / 872 |  | 
                                    
                        | Truly A Living Hell |  | 8 / 2005 |  | 
                                    
                        | Twentieth Century Modernism |  | 13 / 3542 |  | 
                                    
                        | Twinkle, Little Star |  | 6 / 1499 |  | 
                                    
                        | Two Kinds Vs. Yellow Wallpaper |  | 6 / 1554 |  | 
                                    
                        | Two Kinds |  | 2 / 480 |  | 
                                    
                        | Uncontrolled Insanity |  | 5 / 1222 |  | 
                                    
                        | Unmoored From Reality -Uncompleted =S |  | 6 / 1497 |  | 
                                    
                        | Use Of Symbolism In "The Catcher In The Rye" and "The Great Gatsby" |  | 3 / 789 |  | 
                                    
                        | Use of Gothic Elements in Charlotte Bronte's Jane Eyre |  | 7 / 1686 |  | 
                                    
                        | Use of Prosody in the selected poems of Gwendolyn Brooks and Langston Hughes |  | 7 / 1805 |  | 
                                    
                        | Use the passage at the begging of pg 178 to pg 179 "If Mr. Thornton?sheltered behind a woman" as a starting point for a discussion about Gaskell's presentation of Thornton and his development. |  | 7 / 1718 |  | 
                                    
                        | Veiled Femininity |  | 4 / 1110 |  | 
                                    
                        | Victor Hugo- styles and themes |  | 7 / 1885 |  | 
                                    
                        | W.B. Yeats Poetry Analysis |  | 5 / 1214 |  | 
                                    
                        | WASHINGTON SQUARE HENRY JAMES |  | 5 / 1369 |  | 
                                    
                        | Walt Whittman |  | 7 / 1958 |  | 
                                    
                        | Wayson Choy Literary Biography |  | 2 / 449 |  | 
                                    
                        | What Is The Importance Of Symbols In The Novel, Such As The Conch, The Pig’S Head And The Mask? |  | 7 / 1758 |  | 
                                    
                        | What Makes Smith Run? |  | 2 / 547 |  | 
                                    
                        | What Makes a Hero? A comparison between The Great Gatsby and American Beauty, with reference to author's context and the corruption of The American Dream. |  | 3 / 779 |  | 
                                    
                        | What Message Does The Novel, To Kill A Mockingbird, Convey About Prejudice? |  | 6 / 1642 |  | 
                                    
                        | What Message Does The Novel, To Kill A Mockingbird, Convey About Prejudice? |  | 7 / 1735 |  | 
                                    
                        | What does the Opening Chapter of the Mayor of Casterbridge reveal to us about the characters, issues to come in the novel and Hardy's style? |  | 18 / 4916 |  | 
                                    
                        | What is the primary cause for Macbeth's descent into wickedness? summary & analysis |  | 7 / 1904 |  | 
                                    
                        | What to Read? The Contributing Factors to the Process of Book Selection |  | 16 / 4318 |  | 
                                    
                        | What's Hidden in Kate Chopin's "The Storm"? |  | 6 / 1486 |  | 
                                    
                        | When Lilacs Last in the Dooryard Bloom'd |  | 5 / 1348 |  | 
                                    
                        | White Privilege |  | 4 / 960 |  | 
                                    
                        | Who is Responsible of the demise of the central characters in Macbeth? |  | 3 / 715 |  | 
                                    
                        | Who is responsible for the tragedy in the play? |  | 2 / 504 |  | 
                                    
                        | William Blake: A marxist Before Marxism |  | 6 / 1672 |  | 
                                    
                        | William Butler Yeats |  | 20 / 5540 |  | 
                                    
                        | With reference to the plays context, explore the techniques used by Shakespeare to establish the mood and plot of Hamlet in Act One, Scene One? |  | 6 / 1599 |  | 
                                    
                        | Words On "to His Coy Mistress" |  | 3 / 815 |  | 
                                    
                        | World Literature |  | 4 / 1120 |  | 
                                    
                        | Wyatt and Sidney |  | 4 / 989 |  | 
                                    
                        | Yeats |  | 7 / 1911 |  | 
                                    
                        | Yeats |  | 7 / 1728 |  | 
                                    
                        | Yeats |  | 6 / 1419 |  | 
                                    
                        | Yeats |  | 2 / 377 |  | 
                                    
                        | Yeats |  | 7 / 1882 |  | 
                                    
                        | You Can Run, But You Can't Hide |  | 5 / 1151 |  | 
                                    
                        | Young Goodman Brown - A Thematic Illustration |  | 3 / 835 |  | 
                                    
                        | Young Goodman Brown |  | 5 / 1238 |  | 
                                    
                        | Young Goodman Brown |  | 4 / 1120 |  | 
                                    
                        | Young Goodman Brown |  | 6 / 1445 |  | 
                                    
                        | Young Goodman Brown |  | 3 / 704 |  |