Discount applied successfully
Title |
|
Pages / Words |
Save |
To Kill a Mockingbird: Summary
|
|
30 / 8382 |
|
To Kill a Mockingbird: Theme and Metaphor Analysis
|
|
4 / 1009 |
|
Twisted Alice in Dark Wonderland
|
|
3 / 716 |
|
Two Cities
|
|
4 / 1016 |
|
“Where Are You Going? Where Have You Been?”
|
|
4 / 962 |
|
All Quiet on the Western Front
|
|
2 / 470 |
|
Competition
|
|
4 / 919 |
|
Don Jose of Merimee’s Carmen
|
|
2 / 535 |
|
Eternal Creativity
|
|
3 / 823 |
|
Fish Crate Christmas
|
|
3 / 621 |
|
Flowers for Algernon
|
|
2 / 430 |
|
I Think I'm Pretty Sure I Remember What You Did Last Summer
|
|
15 / 4033 |
|
John Di Pippo
|
|
4 / 1029 |
|
Journalism, Real Creativity and Reactionary Creativity
|
|
3 / 801 |
|
Katherine Mansfield's "Her First Ball"
|
|
4 / 1052 |
|
King Leopold's Ghost
|
|
4 / 930 |
|
Learning the Writing Business from Book Agents and Editors
|
|
8 / 2078 |
|
My Adventure
|
|
2 / 372 |
|
My Goals
|
|
3 / 787 |
|
Myth
|
|
2 / 533 |
|
Native Son
|
|
4 / 928 |
|
Sights and Sounds of America
|
|
2 / 284 |
|
The Adventures of Tom Sawyer
|
|
2 / 546 |
|
The Beast is Silent
|
|
14 / 3771 |
|
The Crucible
|
|
2 / 465 |
|
The Ice Cream Incident
|
|
4 / 910 |
|
The Unattended Graveyard
|
|
15 / 3985 |
|
Way to Rainy Mountain
|
|
3 / 595 |
|
When the birds hit the windows.
|
|
7 / 1884 |
|
‘Saying’ as ‘Inventing’
|
|
13 / 3552 |
|
1984 vs Brave New World
|
|
5 / 1206 |
|
A Cream Cracker Under the Settee
|
|
5 / 1122 |
|
A Feminist Approach on Jonathan Swift's "Gulliver Travels"
|
|
7 / 1730 |
|
A Revelation of Granny’s Story
|
|
6 / 1440 |
|
A View from the Bridge
|
|
27 / 7334 |
|
An Examination of Southern Dialect
|
|
10 / 2794 |
|
An Inspector Calls
|
|
4 / 997 |
|
Animal farm - Communism
|
|
2 / 315 |
|
Antigone
|
|
2 / 494 |
|
Biblical Allusions in Lord of the Flies
|
|
3 / 669 |
|
Books are not Dying
|
|
3 / 764 |
|
Civilization: Savagery, Power, Fear
|
|
5 / 1297 |
|
Class Consciousness in Pride and Prejudice
|
|
4 / 1060 |
|
Comparision of Duddy Kravitz and Jay Gatsby
|
|
7 / 1852 |
|
Crime and Punishment
|
|
5 / 1281 |
|
Crime and Punishment
|
|
4 / 921 |
|
Cupidity's Stupidity
|
|
7 / 1842 |
|
Different Types of Criticism and Literary Movements in Short Stories
|
|
8 / 2059 |
|
Doppleganger Effect
|
|
3 / 685 |
|
Dr Faustus - Ambition
|
|
5 / 1236 |
|
Dr Faustus and Seven Sins
|
|
6 / 1553 |
|
Dr Faustus
|
|
7 / 1849 |
|
Duffy “Little Red Cap” poem
|
|
7 / 1802 |
|
Educating Rita
|
|
4 / 1050 |
|
Emily Dickinson
|
|
13 / 3502 |
|
Exploring the Use of Time as a Manipulative Variable
|
|
4 / 1099 |
|
Faustus: Renaissance Martyr or Tragic Hero
|
|
11 / 2899 |
|
Forthcoming of American Literature
|
|
5 / 1352 |
|
Frankenstein: Shelley Use of Mascuine and Feminine Roles
|
|
8 / 2008 |
|
Gregorik Andras
|
|
12 / 3357 |
|
Hamlet: Soliloquies
|
|
4 / 1111 |
|
Harry Potter
|
|
3 / 651 |
|
Heart of Darkness
|
|
4 / 878 |
|
Hemingway: Writer or Dreamer?
|
|
28 / 7782 |
|
Hierarchy and the Disorder of Separation in the Bible
|
|
5 / 1355 |
|
Home Schooling
|
|
2 / 530 |
|
Hope
|
|
4 / 935 |
|
How Plot, Setting and Characters Influence Readers Response
|
|
3 / 837 |
|
How successful is Dickens in his presentation of female characters?
|
|
4 / 924 |
|
How the Colonization Era affected Authors
|
|
4 / 1044 |
|
Human Heart
|
|
4 / 1028 |
|
Impact of setting on EAP's House of Usher
|
|
2 / 313 |
|
Inspector Calls
|
|
7 / 1818 |
|
It's Raining in Mango
|
|
4 / 1110 |
|
Ivan Denisovich and Humanity
|
|
4 / 1108 |
|
Journey's End by R.C Sherriff
|
|
3 / 705 |
|
Kerouac and Tyler, On the Road and Saint Maybe
|
|
8 / 1977 |
|
Knowledge in Name of the Rose
|
|
8 / 2015 |
|
Literature?
|
|
8 / 2078 |
|
Logic of the Absurds
|
|
6 / 1452 |
|
Loman & the American Dream
|
|
4 / 1022 |
|
Lord of the Files
|
|
2 / 484 |
|
MacBeth
|
|
4 / 865 |
|
Masculinity in Hemingway
|
|
5 / 1195 |
|
Matrix
|
|
2 / 505 |
|
Milton’s Paradise Lost
|
|
15 / 4162 |
|
Mindless Existence in Fahrenheit 451
|
|
2 / 530 |
|
Much Ado About Nothing
|
|
13 / 3465 |
|
My Papas Waltz
|
|
1 / 267 |
|
Nietzsche on Religion: Rhetorical Devices
|
|
3 / 793 |
|
Oedipus MD
|
|
6 / 1635 |
|
Oedipus the King
|
|
10 / 2601 |
|
Oedipus
|
|
6 / 1491 |
|
On the Unfairness of A Teacher
|
|
7 / 1695 |
|
Orwell and Foucault
|
|
5 / 1359 |
|
Paid Term Paper Sites Exposed!
|
|
6 / 1513 |
|
Play called Absent Friends
|
|
5 / 1205 |
|
Present Provoking Past
|
|
5 / 1327 |
|
Romeo & Juliet
|
|
9 / 2316 |
|
Russian Revolution and Orwell (Animal Farm)
|
|
2 / 519 |
|
Say it isn't so...
|
|
2 / 465 |
|
Say it, Write it, Defend it and Judge it – in English!
|
|
14 / 3676 |
|
Scene Seven
|
|
2 / 379 |
|
Snap Shot of a Dog
|
|
3 / 752 |
|
Stoker and Wilde
|
|
9 / 2336 |
|
Symbology in Ethan Frome
|
|
1 / 244 |
|
The Chosen
|
|
6 / 1581 |
|
The Chrysalids
|
|
2 / 552 |
|
The Glass Menagerie
|
|
3 / 701 |
|
The Great American Illusion
|
|
3 / 781 |
|
The Great Gatsby
|
|
7 / 1728 |
|
The Handmaid's Tale
|
|
4 / 878 |
|
The Internet a Blessing or a Curse
|
|
2 / 452 |
|
The Last of the Mohicans as a Mixture of Genres
|
|
10 / 2573 |
|
The Paradox of Perfection
|
|
4 / 873 |
|
The Poison Wood Bible
|
|
1 / 253 |
|
The role of the Inspector in 'An Inspector Calls.'
|
|
17 / 4682 |
|
The Sentiment, Mood, and Philosophy of “The Best Slow Dancer”
|
|
4 / 973 |
|
The Storm, The Yellow Wallpaper, Young Goodman Brown
|
|
5 / 1141 |
|
Tragedy
|
|
8 / 2224 |
|
Trip to United States
|
|
5 / 1205 |
|
Unzipped
|
|
5 / 1186 |
|
Volpone Ben Jonson
|
|
5 / 1123 |
|
What Are Adjectives?
|
|
5 / 1300 |
|
What Do You Find Interesting About The Ways The Writer Presents?
|
|
4 / 878 |
|
Inspector Calls Coursework
|
|
8 / 1977 |
|
Mycenaean Civilization
|
|
6 / 1598 |
|
The Alamo
|
|
8 / 2126 |
|
Voltaire: A History That Never Moved
|
|
12 / 3225 |
|
1960's
|
|
18 / 4933 |
|
British Monarchy
|
|
21 / 5772 |
|
Colonization of America
|
|
3 / 667 |
|
Cyprus
|
|
14 / 3668 |
|
Education in the 1800's
|
|
3 / 631 |
|
Iraq War Is Both Necessary and Justified
|
|
6 / 1526 |
|
Italian Immigration
|
|
6 / 1509 |
|
Ramases II
|
|
14 / 3845 |
|
The "Sans-Cullotes" During the French Revolution
|
|
3 / 673 |
|
The Alamo
|
|
8 / 2078 |
|
The Manhattan Project
|
|
6 / 1570 |
|
Urbanization
|
|
4 / 936 |
|
Alienation in Modern Society
|
|
5 / 1263 |
|
Citizen Kane: An Accurate Portrayal of William Randolph Hearst?
|
|
14 / 3847 |
|
Congo: The Novel and the Movie
|
|
2 / 542 |
|
Critique La Ventura
|
|
3 / 813 |
|
Critique on Open City
|
|
4 / 1101 |
|
George of the Jungle
|
|
2 / 521 |
|
Glory
|
|
2 / 283 |
|
Heathers and Shame
|
|
9 / 2323 |
|
If Someone Did You a Favor
|
|
8 / 2115 |
|
Joy Luck Club
|
|
4 / 985 |
|
Luc Besson
|
|
11 / 2855 |
|
Man with a Movie Camera vs Run Lola Run
|
|
12 / 3083 |
|
Matrix Reloaded
|
|
14 / 3755 |
|
Meet me in St. Louis
|
|
2 / 421 |
|
Movies
|
|
2 / 463 |
|
Reservoir Dogs
|
|
3 / 624 |
|
Save the Last Dance
|
|
4 / 873 |
|
Save the Last Dance
|
|
2 / 557 |
|
Saving Private Ryan
|
|
4 / 1019 |
|
Smoke Signals - Personal Reflection
|
|
2 / 450 |
|
Star Wars: Episode I: The Phantom Menace
|
|
2 / 331 |
|
The Effect of Opening Scenes on Plot Setting and Characters
|
|
3 / 784 |
|
The Magnificent Ambersons
|
|
9 / 2302 |
|
The Matrix
|
|
31 / 8428 |
|
The Matrix
|
|
2 / 388 |
|
Beowulf
|
|
3 / 804 |
|
Desert Places - A Journey of a Human Mind
|
|
4 / 844 |
|
Difficulties of Identifying Sexual Status in Donne's 'The Flea'
|
|
5 / 1226 |
|
Ginsberg's Howl: A Counterculture Manifesto
|
|
14 / 3788 |
|
I Am Someone
|
|
2 / 453 |
|
If
|
|
2 / 492 |
|
Jim Morisson
|
|
24 / 6621 |
|
Poems for the Eye
|
|
7 / 1789 |
|
Poetry Intertextual
|
|
9 / 2331 |
|
Porphyria’s Lover
|
|
16 / 4295 |
|
Resurrection of Nature and Modernity in Merwin's Drunk in the Furnace
|
|
6 / 1532 |
|
Revenge of Beowulf
|
|
4 / 1092 |
|
Robert Frost's "The Road Not Taken"
|
|
3 / 733 |
|
Ted Hughes' 'The Jaguar'
|
|
9 / 2414 |
|
The Tatyana-caste
|
|
7 / 1826 |
|
To My Books
|
|
2 / 348 |
|
A View From The Bridge
|
|
10 / 2731 |
|
Ambition
|
|
3 / 691 |
|
Analysing Shylock's Dual-Role as Villain and Victim
|
|
6 / 1476 |
|
Analysis of Othello and Iago in Act 1
|
|
3 / 612 |
|
Androgyny: Will of Shakespeare's Female Characters
|
|
6 / 1437 |
|
Appearance vs. Reality
|
|
4 / 1034 |
|
As you like it - Act 1
|
|
5 / 1277 |
|
Baz Luhrman?s Version of Romeo and Juliet
|
|
3 / 721 |
|
Benedick Transformed
|
|
6 / 1600 |
|
Biography and Theatre
|
|
8 / 2043 |
|
Brutus
|
|
7 / 1945 |
|
Classical Imagery in Shakespeare's Much Ado About Nothing
|
|
13 / 3449 |
|
Comedy in Shakespeare
|
|
8 / 2176 |
|
Falstaff + Hotspur = Prince Hal: Their Actions on the Battlefield
|
|
4 / 941 |
|
Fate on Juliet in William Shakespeare's Romeo and Juliet
|
|
8 / 2240 |
|
Fate Playing a Role
|
|
6 / 1642 |
|
Fools and Foolishness in King Lear
|
|
6 / 1504 |
|
Gender Roles And Macbeth
|
|
7 / 1884 |
|