Discount applied successfully
Title |
|
Pages / Words |
Save |
Death Of A Salesman, The Significance Of The Flute
|
|
2 / 334 |
|
Death
|
|
4 / 857 |
|
Death
|
|
6 / 1590 |
|
Deceit within Much Ado About Nothing and The Taming of the Shrew
|
|
3 / 688 |
|
Deconstructive Perspective of Frankenstein
|
|
3 / 638 |
|
Definition of American Culture
|
|
4 / 1024 |
|
Denman Leigh,
|
|
2 / 504 |
|
Depression
|
|
10 / 2709 |
|
Depression
|
|
10 / 2597 |
|
Describing and Analyzing a Transaction
|
|
9 / 2429 |
|
Desiree's Baby Analysis
|
|
5 / 1388 |
|
Desiree's Baby
|
|
4 / 876 |
|
Detective Story
|
|
16 / 4307 |
|
Detective Story
|
|
16 / 4478 |
|
Dickinson
|
|
6 / 1541 |
|
Discuss representations of one of the following social identities in the work of Austen; sisters.
|
|
8 / 2118 |
|
Discussion Of Frankenstein.
|
|
5 / 1341 |
|
Do Not Go Gentle Into That Good Night by Dylan Thomas
|
|
4 / 954 |
|
Do Not Go Gentle Into That Good Night
|
|
3 / 785 |
|
Documentation
|
|
6 / 1539 |
|
Dover Beach by Matthew Arnold
|
|
2 / 429 |
|
Dover Beach
|
|
4 / 923 |
|
Dover Beach
|
|
3 / 776 |
|
Dover Beach
|
|
4 / 1025 |
|
Dsiree's Baby
|
|
3 / 703 |
|
Duke Ellington
|
|
7 / 1733 |
|
Dumpster Diving
|
|
4 / 1106 |
|
Dustin (Narration)
|
|
5 / 1131 |
|
Dynamic Characters In A Tale Of Two Cities
|
|
4 / 1094 |
|
E.E. Cummings
|
|
6 / 1444 |
|
E.e. Cummings
|
|
6 / 1449 |
|
EE Cummings
|
|
6 / 1435 |
|
EVELINE
|
|
2 / 529 |
|
Early Feminism in Jane Eyre
|
|
20 / 5530 |
|
East Of Eden By John Steinbeck
|
|
3 / 734 |
|
East Of Eden
|
|
6 / 1591 |
|
East of Eden
|
|
3 / 708 |
|
Eating Disordes
|
|
5 / 1335 |
|
Edg.Poe
|
|
6 / 1475 |
|
Edgar Allan Poe
|
|
7 / 1709 |
|
Edgar Allan Poe
|
|
9 / 2268 |
|
Edgar Allan Poe
|
|
5 / 1382 |
|
Edgar Allan Poe: Reflection Of His Pessimistic Moods In His Work
|
|
2 / 386 |
|
Edgar Allen Poe
|
|
7 / 1852 |
|
Edna O'Brien
|
|
18 / 4769 |
|
Edna Pontellier in The Awakening
|
|
4 / 1071 |
|
Edna Pontellier vs. Mrs. Mallard
|
|
3 / 757 |
|
Edna Pontellier's Suicide
|
|
6 / 1522 |
|
Edna Pontellier
|
|
7 / 1741 |
|
Edna Pontellier: Selfish, Adulterous, and Suicidal
|
|
5 / 1289 |
|
Edna's struggle and Awakenings
|
|
4 / 1113 |
|
Edward Scissorhands Discourses of meaning
|
|
3 / 796 |
|
Effects And Techniques In Haiku
|
|
3 / 807 |
|
Emerson
|
|
5 / 1272 |
|
Emotion vs. Reason
|
|
5 / 1384 |
|
Eng. Lit- Oedipus
|
|
4 / 961 |
|
English Legal System
|
|
11 / 2868 |
|
English Taming Shrew
|
|
4 / 863 |
|
English
|
|
3 / 609 |
|
Eplication of Andre Dubus's Killings
|
|
4 / 929 |
|
Essay On Love
|
|
4 / 942 |
|
Essay on Catherine Mansfield?s "Miss Brill"
|
|
5 / 1155 |
|
Essay
|
|
4 / 1056 |
|
Essay
|
|
8 / 2084 |
|
Essay
|
|
4 / 979 |
|
Eternal Sunshine
|
|
5 / 1318 |
|
Every Grain of sand
|
|
5 / 1264 |
|
Every Woman Is A Novel :A Jest Of God
|
|
6 / 1615 |
|
Every transformed text is responding to the older known text in what it uses and in what it modifies. What has been achieved in 10 Things I Hate About You by such a response?
|
|
4 / 1078 |
|
Expectations
|
|
4 / 941 |
|
Explication Of Sharon Old's Poem, "Late Poem To My Father"
|
|
4 / 986 |
|
Explication of Ch. 17 of The Awakening
|
|
3 / 718 |
|
Explore how the character of Prospero develops in the course of The Tempest. How does the Prospero of Act One Scene Two compare to that we hear in the final scene of the play? Compare your interpretation of the play with that of other critics.
|
|
6 / 1609 |
|
Explore through comparison Plath’s presentation of mental instability in The Bell Jar and Ariel.
|
|
10 / 2713 |
|
Extract from Regeneration by Pat Barker
|
|
4 / 854 |
|
FTA
|
|
3 / 628 |
|
Fahrenheit 451 Outline of Pgs 99-101
|
|
2 / 477 |
|
Fahrenheit 451
|
|
5 / 1135 |
|
Fahrenheit 451
|
|
3 / 826 |
|
Faith of Elie in "night"
|
|
2 / 321 |
|
Far From The Maddening Crowd
|
|
3 / 822 |
|
Felicity
|
|
6 / 1649 |
|
Female Characters In CHOPIN'S AWAKENING
|
|
6 / 1567 |
|
Feminism in The Story of an Hour
|
|
8 / 2226 |
|
Feminist Movement
|
|
6 / 1480 |
|
Feminist Theory and "The Awakening"
|
|
7 / 1939 |
|
Feminsism
|
|
7 / 1866 |
|
Ferry
|
|
4 / 1050 |
|
Fiction
|
|
4 / 1084 |
|
Film: Philadelphia, Aids/Gay
|
|
7 / 1853 |
|
Flowers for Algernon
|
|
3 / 633 |
|
Foils In Hamlet
|
|
3 / 771 |
|
For Whom The Bell Tolls(term-paper)
|
|
6 / 1670 |
|
Frankenstein, the Novel
|
|
6 / 1598 |
|
Frankenstein
|
|
5 / 1376 |
|
Frankenstein
|
|
5 / 1359 |
|
Frankenstein
|
|
5 / 1217 |
|
Frankenstein
|
|
9 / 2458 |
|
Franny Zooey And The Razor's Edge
|
|
14 / 3658 |
|
Freedom Story of an hour
|
|
2 / 313 |
|
From Mild to Montrous: The Narrator's Deterioration of Love
|
|
4 / 1064 |
|
Funpix
|
|
77 / 21509 |
|
GCSE Coursework Assignment
|
|
9 / 2477 |
|
Games At Twighlight
|
|
2 / 291 |
|
Garden Party: When heaven and Hell Collide
|
|
4 / 1049 |
|
Gateway To Heaven
|
|
16 / 4460 |
|
Gender Roles in Shakespeare
|
|
7 / 1775 |
|
Gender Roles in Shakespeare
|
|
7 / 1761 |
|
Generation Internet
|
|
3 / 764 |
|
George'S Steps To Maturation
|
|
8 / 1971 |
|
Gilgamesh, The Illiad, The Aeneid
|
|
6 / 1551 |
|
Go Forth And Sin No More
|
|
6 / 1517 |
|
Goethe's statement 'treat people as if they were what they ought to be
|
|
3 / 702 |
|
Good Girls Gone Bad
|
|
3 / 835 |
|
Gossip and Deceit in Much Ado About Nothing
|
|
6 / 1434 |
|
Great Expectations Questions
|
|
3 / 618 |
|
Great Expectations and Jane Eyre: Comparing and Contrasting Two Bildu
|
|
8 / 2077 |
|
Great Expectations- Character Analysis
|
|
37 / 10108 |
|
Great Gatsby - personalities of the lost generation
|
|
6 / 1405 |
|
Great Gatsby
|
|
3 / 676 |
|
Greed
|
|
7 / 1764 |
|
Growing Up as Teenagers
|
|
7 / 1739 |
|
Guide to Conducting Literary Research
|
|
30 / 8291 |
|
Hamlet Literary Analysis
|
|
5 / 1201 |
|
Hamlet Recreation
|
|
3 / 819 |
|
Hamlet V. Laertes
|
|
3 / 620 |
|
Hamlet vs. Laertes
|
|
4 / 902 |
|
Hamlet's Ophellia
|
|
4 / 975 |
|
Hamlet's Soliloquies Reveal His Personality
|
|
8 / 2098 |
|
Hamlet-identity Crisis
|
|
7 / 1771 |
|
Hamlet
|
|
2 / 495 |
|
Hamlet
|
|
2 / 412 |
|
Hamlet
|
|
4 / 950 |
|
Hamlet
|
|
3 / 626 |
|
Handmaid's tale
|
|
13 / 3413 |
|
Happy Endings
|
|
5 / 1171 |
|
Hatred Poisons Soul
|
|
2 / 462 |
|
He Stom And The Story Of An Hour
|
|
3 / 620 |
|
Heart of Darkness/Things Fall Apart
|
|
5 / 1298 |
|
Hello
|
|
1 / 278 |
|
Hemmingway
|
|
3 / 618 |
|
Her life in one hour
|
|
1 / 248 |
|
Hercules
|
|
3 / 757 |
|
Holes
|
|
4 / 899 |
|
Horatio's story
|
|
3 / 575 |
|
Horrible Happiness
|
|
2 / 291 |
|
House on Mango Street
|
|
3 / 811 |
|
How To Make An Ice Cream
|
|
15 / 4045 |
|
How WW1 Changed British Literature
|
|
6 / 1661 |
|
How Would You Wrap That?
|
|
4 / 981 |
|
How did Arnold deliver the subject/theme of ?°Dover Beach?±
|
|
3 / 757 |
|
How do I love Thee?
|
|
3 / 678 |
|
How does Arthur Miller build tension in Acts 1 and 2 and up to the entrance of George on page 138?
|
|
6 / 1523 |
|
How does Steinbeck's distinctive use of language/ structure/ imagery contribute to the themes in Of Mice And Men?
|
|
4 / 945 |
|
How does Willy Russell show the differences between Mickey and Eddie in Blood Brothers?
|
|
10 / 2615 |
|
How is contrast used in ?Two Scavengers in a truck, Two Beautiful people in a Mercedes', compared to the use of contrast in ?Nothing's Changed'?
|
|
6 / 1449 |
|
How much sympathy does the reader feel for Jane Eyre at Different stages in the story?
|
|
5 / 1296 |
|
How nation sees itself goes a long way in shaping that nation's literature.
|
|
7 / 1940 |
|
Huckleberry Finn
|
|
3 / 791 |
|
Human truths in Silas Marner
|
|
3 / 743 |
|
Humanities
|
|
6 / 1425 |
|
Hunger of memory
|
|
5 / 1248 |
|
Hurston
|
|
2 / 500 |
|
Hussein maghrabi
|
|
2 / 486 |
|
I Stand Here Ironing
|
|
2 / 372 |
|
I am someone
|
|
2 / 366 |
|
Identify Some of the Contributing Factors to a Good Lifestyle and Discuss the Benefits to Be Derived
|
|
4 / 880 |
|
Identity
|
|
9 / 2257 |
|
If Macbeth Chooses To Do Evil, Can He Be Regarded As A Tragic Hero?
|
|
7 / 1729 |
|
Immigrants At Central Station
|
|
3 / 695 |
|
In A Baloon
|
|
7 / 1882 |
|
In Mary Shelley's ?Frankenstein', how does the creator's feeling towards the monster change throughout the novel?
|
|
8 / 1966 |
|
In Response To "Those Winter Sunday's"
|
|
3 / 710 |
|
Interpretation of "Good Country People" by Flannery O'Connnor through imagery/symbolism.
|
|
5 / 1165 |
|
Irony and Abuse in the Story Of an Hour
|
|
2 / 490 |
|
Is Don John a credible villain?
|
|
4 / 904 |
|
Israfel By Edgar Allan Poe
|
|
7 / 1708 |
|
Issue Of Mortality: “naiv Is Bliss And Maturity Is Egocentric”
|
|
7 / 1949 |
|
Jack London
|
|
10 / 2620 |
|
James Joyce The Dead
|
|
3 / 671 |
|
James Joyce and "The Dead"
|
|
4 / 1054 |
|
Jane Eyre Nature Analysis
|
|
3 / 618 |
|
Jane Eyre Thematic
|
|
5 / 1183 |
|
Jane Eyre, Hamlet And Keats
|
|
6 / 1566 |
|
Jennifer Huson
|
|
7 / 1933 |
|
John Cheever
|
|
2 / 551 |
|
John Proctor
|
|
5 / 1281 |
|
Journal Of Short Stories
|
|
8 / 1997 |
|
Journey
|
|
7 / 1682 |
|
Journeys
|
|
3 / 800 |
|
Judith Ortiz Cofer: Understanding a Writer
|
|
5 / 1147 |
|
Judith Wright
|
|
5 / 1200 |
|
Julius Caesar SUmmary
|
|
4 / 1096 |
|
Julius Caesar Vs Mark Anthony
|
|
4 / 1105 |
|
KATE CHOPIN: BOLD WRITER ? AHEAD OF HER TIME
|
|
9 / 2377 |
|
Kate Chopin Story of an Hour
|
|
5 / 1274 |
|
Kate Chopin's \
|
|
3 / 632 |
|
Kate Chopin's "The Storm"
|
|
2 / 396 |
|
Kate Chopin, "The Story of an Hour" on Mrs. Mallard
|
|
7 / 1716 |
|
Kate Chopin
|
|
6 / 1539 |
|