Discount applied successfully
Title |
|
Pages / Words |
Save |
Jose Saramago
|
|
7 / 1852 |
|
King Leer
|
|
6 / 1457 |
|
Kowit
|
|
3 / 808 |
|
LANGUAGE DEVELOPMENT
|
|
17 / 4533 |
|
Lady Chatterley's Lover
|
|
7 / 1816 |
|
Lady Macbeth In Scotland, Pa
|
|
7 / 1749 |
|
Landscape with the Fall of Icarus
|
|
3 / 614 |
|
Lanston hughes comparison of two poems
|
|
3 / 669 |
|
Latin
|
|
7 / 1740 |
|
Law Of Precedent
|
|
5 / 1354 |
|
Les Miserable
|
|
4 / 996 |
|
Les Miserables
|
|
4 / 983 |
|
Life Lived Happily Ever After
|
|
5 / 1161 |
|
Life Of Charles Dickens
|
|
6 / 1440 |
|
Life of Pi
|
|
2 / 520 |
|
Linking Texts
|
|
3 / 647 |
|
List For Lust
|
|
3 / 651 |
|
Lit Paper
|
|
4 / 916 |
|
Literary Terms and Concepts
|
|
3 / 754 |
|
Little Red Riding Hood
|
|
4 / 1012 |
|
"The Story of Hour" Irony Analysis
|
|
4 / 851 |
|
?Writers chose the Gothic mode to convey the idea that evil was within humans, "as a distortion, warping [the] mind", and not as an external malevolent force.' (Jacqueline Howard) Discuss the treatment of evil in two or three gothic novels studie...
|
|
6 / 1591 |
|
"?he's giving us the rope- so that we'll hang ourselves." To what extent do you agree with this description of the role of the Inspector?
|
|
16 / 4313 |
|
`Lo cop mortal': The evil eye and the origins of courtly love.
|
|
19 / 5123 |
|
a midsummer night's dream
|
|
15 / 3928 |
|
a rose for emily
|
|
5 / 1209 |
|
ad analysis
|
|
3 / 808 |
|
antigone
|
|
3 / 736 |
|
awakening
|
|
3 / 681 |
|
bankim
|
|
7 / 1751 |
|
bbc article
|
|
3 / 770 |
|
blakes poem
|
|
19 / 5300 |
|
booo
|
|
3 / 717 |
|
characteristics of war in the iliad
|
|
3 / 650 |
|
charles dickens
|
|
5 / 1351 |
|
deATH OF A SALESMAN ESSAY FOR HIGH SCHOOL STUDENTS
|
|
3 / 799 |
|
dead men's path
|
|
6 / 1648 |
|
death of a salesman direction
|
|
5 / 1166 |
|
death of a salesman illusion vs reality
|
|
4 / 1114 |
|
death of a salesman summary
|
|
20 / 5452 |
|
death of a salesman
|
|
2 / 464 |
|
death of a salesman
|
|
18 / 4978 |
|
dickens
|
|
28 / 7740 |
|
differences/similarites of Dorothy and William Wordsworth
|
|
2 / 468 |
|
english - stolen
|
|
4 / 858 |
|
essay
|
|
5 / 1165 |
|
etymology
|
|
4 / 927 |
|
family culture
|
|
6 / 1650 |
|
faulkner's emily rose
|
|
7 / 1730 |
|
faustus sins
|
|
7 / 1764 |
|
frontline
|
|
4 / 841 |
|
great expectations and oliver twist
|
|
7 / 1787 |
|
great expectations
|
|
5 / 1126 |
|
history of England
|
|
25 / 6726 |
|
kate chopin
|
|
3 / 698 |
|
life
|
|
4 / 952 |
|
ligalizing m
|
|
4 / 877 |
|
“A Rose for Emily” by William Faulkner (ESSAY)
|
|
6 / 1500 |
|
“The Destructors” And “The Rocking Horse Winner”
|
|
3 / 771 |
|
Lord of the Flies vs. The Narrative of the life of Frederick Douglass
|
|
3 / 770 |
|
Losing Innocence: A Comparative Analysis of Henry James’s The Turn of the Screw and Jack Clayton’s film adaptation, The Innocents
|
|
7 / 1893 |
|
Lost
|
|
6 / 1434 |
|
Louis Armstrong: From Childhood To Adulthood
|
|
15 / 3927 |
|
Love Song- By William Carlos Williams
|
|
6 / 1463 |
|
Love and Repression in Chopin's "Story of an Hour"
|
|
3 / 610 |
|
Love
|
|
2 / 324 |
|
MODERN HISTORY CHANGES THE FAMILY
|
|
5 / 1153 |
|
Macbeth Background and Theme
|
|
1 / 268 |
|
Macbeth Film Interpretation
|
|
4 / 1032 |
|
Madonna-Whore Complex in The Catcher in the Rye
|
|
4 / 1106 |
|
Mark Antony's Speech
|
|
3 / 811 |
|
Mark Twains views on society
|
|
10 / 2627 |
|
Marketing
|
|
4 / 939 |
|
Marriage
|
|
39 / 10818 |
|
Mary Oliver - Representation of the American Indians
|
|
5 / 1360 |
|
Mary Oliver and North American Indians
|
|
3 / 769 |
|
Mary Oliver nature poems
|
|
5 / 1252 |
|
Maxx Barry- Syrup, Jennifer Government, Company
|
|
9 / 2428 |
|
Mc Beth
|
|
1 / 273 |
|
Mcteague and the mayor of casterbridge
|
|
8 / 2065 |
|
Medea
|
|
10 / 2701 |
|
Media
|
|
16 / 4399 |
|
Men and Women, Perspectives on Communication
|
|
5 / 1392 |
|
Merchant of Venice
|
|
5 / 1302 |
|
Metamorphosis
|
|
47 / 13143 |
|
Metaphor
|
|
4 / 1038 |
|
Metaphors or Arguments
|
|
4 / 902 |
|
Michael Crichton
|
|
8 / 2229 |
|
Miltons Life
|
|
7 / 1832 |
|
Miltons paridise
|
|
11 / 2931 |
|
Misery Of Mind
|
|
3 / 631 |
|
Moliere's Tartuffe
|
|
4 / 889 |
|
Moliere's Tartuffe
|
|
2 / 515 |
|
Morale changes in Huck Finn
|
|
4 / 951 |
|
Mr Mole
|
|
3 / 618 |
|
Mr.
|
|
14 / 3858 |
|
Multiple Intelligence Theory
|
|
11 / 2837 |
|
My Friend Hamilton -Who I shot
|
|
24 / 6645 |
|
My Last Duchess
|
|
3 / 619 |
|
My Modest Proposal
|
|
9 / 2434 |
|
My Pizza
|
|
5 / 1246 |
|
My realization of thanks
|
|
4 / 959 |
|
Nathaniel Hawthorne
|
|
4 / 971 |
|
Nathaniel Hawthrone'S Use Of Allegory
|
|
4 / 883 |
|
Native Son
|
|
6 / 1444 |
|
Native son
|
|
8 / 2089 |
|
Natural Religeon
|
|
3 / 702 |
|
Night before x-mas parody
|
|
2 / 508 |
|
Northern Ireland
|
|
9 / 2450 |
|
OWEN: IMAGERY
|
|
21 / 5714 |
|
Obesity
|
|
5 / 1337 |
|
Oedipus the King
|
|
3 / 597 |
|
Oliver Twist
|
|
6 / 1571 |
|
Oliver Twist
|
|
8 / 2099 |
|
Oliver Twist
|
|
4 / 871 |
|
Oliver Twist
|
|
3 / 811 |
|
Oliver Twist
|
|
2 / 380 |
|
Oliver Twist
|
|
14 / 3798 |
|
Oliver Twist: The Anchor Of Character Development
|
|
5 / 1222 |
|
Ollie Vs. The Dragon
|
|
3 / 574 |
|
Orwell's Messge Through Animal Farm
|
|
8 / 2229 |
|
Oscar Wilde's The Importance Of Being Earnest
|
|
4 / 853 |
|
Othello, the Romatic Figure
|
|
32 / 8762 |
|
Othello- Good Vs Evil-
|
|
10 / 2574 |
|
Othello: Shakespeare vs. Parker
|
|
3 / 596 |
|
Paris vs. Hector
|
|
4 / 988 |
|
Passion
|
|
1 / 269 |
|
Patty Herst vs. Connie
|
|
3 / 822 |
|
Pauls Case
|
|
3 / 774 |
|
Pericles and the Prince of Tyre
|
|
4 / 919 |
|
Petuchio: In the Eyes of Society
|
|
5 / 1195 |
|
Phantom of the opera
|
|
4 / 1007 |
|
Philately
|
|
3 / 830 |
|
Physical Inoculation and Moral Invulnerability:
|
|
12 / 3160 |
|
Physical Journeys
|
|
6 / 1497 |
|
Picture
|
|
2 / 506 |
|
Pip's Transformations in the Perspective
|
|
23 / 6345 |
|
Platton The Movie Review
|
|
2 / 400 |
|
Poe's "the Conqueror Worm": Deeper Meaning To The Poem
|
|
3 / 759 |
|
Political Correctness in Oleanna
|
|
5 / 1252 |
|
Politically Correct to a Fault
|
|
14 / 3912 |
|
Poverty in Your Cup of Coffee
|
|
7 / 1700 |
|
Presentation of Kate in All My Sons
|
|
3 / 812 |
|
Quest For Personal Identity In Toni Morrison's The Bluest Eye
|
|
11 / 2820 |
|
RADICAL DRAMA IN SOCIETY TODAY
|
|
1 / 252 |
|
ROMEO and Juliet essay fate
|
|
3 / 761 |
|
Racism in Othello
|
|
2 / 474 |
|
Rasomon
|
|
2 / 429 |
|
Realism and Romanticism in the Poetry of Emily Dickinson
|
|
4 / 1065 |
|
Recovering Identity through Myth, History and Place
|
|
15 / 4029 |
|
Red Convertible
|
|
3 / 813 |
|
Reference and the Concept of Identification: a Contrastive Study
|
|
14 / 3819 |
|
Reflections
|
|
4 / 883 |
|
Relationship between stories
|
|
8 / 2010 |
|
Research
|
|
6 / 1440 |
|
Resons for Dante's Divine Comedy
|
|
11 / 3029 |
|
Revenge Of Medea And Creon
|
|
8 / 2030 |
|
Richard Cory
|
|
4 / 1070 |
|
Richard Ii
|
|
2 / 446 |
|
Robert Browning and the Dramatic Monologue
|
|
5 / 1370 |
|
Robert Herrick’s “To Daffodils
|
|
5 / 1140 |
|
Robinson Jeffers
|
|
9 / 2359 |
|
Rocking Horse Winner Literary Devices
|
|
5 / 1210 |
|
Romeo And Juliet Film Review
|
|
3 / 660 |
|
Romeo And Juliet: From Play To Big Screen
|
|
7 / 1839 |
|
Run a Muk
|
|
4 / 1046 |
|
SIGNIFYIN' HAGAR'S DAUGHTER
|
|
9 / 2433 |
|
Sacks
|
|
4 / 897 |
|
Salem's Lot and The Shining
|
|
2 / 485 |
|
Scarlet Letter Literary Criticism
|
|
4 / 883 |
|
Sequel to a Divorce
|
|
1 / 258 |
|
Sex Sells
|
|
8 / 1977 |
|
Shakespere 12th Night
|
|
2 / 497 |
|
Shel Silverstein \
|
|
4 / 868 |
|
Short Summary of The Great Gatsby
|
|
40 / 10957 |
|
Short story plot analysis
|
|
4 / 972 |
|
Shrek appeals to a wide range of audiences. How have the makers of the film enabled this to happen?
|
|
4 / 1087 |
|
Simplistic death of kafka
|
|
3 / 572 |
|
Slang
|
|
33 / 9214 |
|
Society's Reactions To Walden
|
|
8 / 1980 |
|
Society's Sexism In The Yellow Wall-paper
|
|
4 / 1080 |
|
South Park Satire
|
|
4 / 1107 |
|
Spider-Man Essay
|
|
6 / 1550 |
|
Sporadic Alzheimer’S Disease: The Disease Of The Century
|
|
8 / 2199 |
|
Stalin and 1984
|
|
8 / 2036 |
|
Star Wars
|
|
2 / 371 |
|
Stephen King
|
|
6 / 1427 |
|
Student
|
|
2 / 435 |
|
Student
|
|
2 / 549 |
|
Subversion In Women's Fiction: Power Relations And Alienation In Jean Rhys's "Wide Sargasso Sea" And Arundhati Roy's "The God Of Small Things"
|
|
24 / 6607 |
|
Summary of "Value/Evaluation" by Barbara Hernstein Smith
|
|
5 / 1253 |
|
THE POLITICAL AND RELIGIOUS WINDS OF THE SEVENTEENTH CENTURY FROM CHA
|
|
10 / 2725 |
|
TV violence
|
|
6 / 1464 |
|
Taming of the Shrew
|
|
3 / 572 |
|
Tanning Salon Orals
|
|
3 / 574 |
|
Tartuff
|
|
3 / 590 |
|
Tempory
|
|
116 / 32453 |
|
Tempting Fate: Essay on "The Monkey's Paw"
|
|
3 / 632 |
|
Test
|
|
11 / 3066 |
|
The Amazing Life of F. Scott Fitzgerald
|
|
4 / 1047 |
|