Discount applied successfully
Title |
|
Pages / Words |
Save |
Everyday Use...Alice Walker
|
|
4 / 1033 |
|
Exploration Of Social Issues In Once Upon A Time
|
|
4 / 920 |
|
Explore The Use Of Disguise And Deception In Twelfth Night
|
|
9 / 2307 |
|
Explore how the character of Prospero develops in the course of The Tempest. How does the Prospero of Act One Scene Two compare to that we hear in the final scene of the play? Compare your interpretation of the play with that of other critics.
|
|
6 / 1609 |
|
Explore the Evolution of Pip and Joe's Relationship ? How it Changes and Develops
|
|
8 / 1963 |
|
Explore the narrative techniques used by Atwood to portray the inner life of Offered in ?The Handmaid's Tale'.
|
|
7 / 1938 |
|
Fahrenhiet 451
|
|
3 / 589 |
|
Fairy Story
|
|
6 / 1541 |
|
Fallen Angels Response Paper
|
|
1 / 270 |
|
False Comparisons
|
|
4 / 1029 |
|
Farewell To Arms
|
|
2 / 281 |
|
Farrenheit 451; Clarisse
|
|
3 / 569 |
|
Fight Club: An Awakening to Life
|
|
3 / 631 |
|
Focus Statement Essay: Romeo & Juliet
|
|
3 / 568 |
|
Foil Of An Investigation
|
|
7 / 1868 |
|
For Whom The Bell Tolls(term-paper)
|
|
6 / 1670 |
|
FountainHead
|
|
2 / 546 |
|
Frankenstein Essay
|
|
3 / 785 |
|
Frankenstein, Dracula and Spiritualism
|
|
6 / 1591 |
|
Frankenstein
|
|
5 / 1217 |
|
Frankenstein: Less Human Than His Creation
|
|
4 / 948 |
|
Franz Kafka
|
|
2 / 543 |
|
Frederick Douglass
|
|
2 / 425 |
|
Fredrick Douglas
|
|
6 / 1542 |
|
Fried Green Tomatoes
|
|
6 / 1467 |
|
Friendship
|
|
6 / 1451 |
|
Fuente Ovejuna
|
|
2 / 480 |
|
Fulfillment in The Awakening
|
|
3 / 754 |
|
Gene's Everyman Qualities
|
|
3 / 823 |
|
Giant Dreams, Midget Abilities
|
|
2 / 538 |
|
Gilamesh
|
|
2 / 452 |
|
Gilgamesh and Sohrab and Rostam
|
|
4 / 868 |
|
Girl With A Pearl Earring Journal
|
|
17 / 4635 |
|
Girl with a pearl earring
|
|
4 / 996 |
|
Glass Menagerie, Death of a Salesman, Oedipus Rex theme
|
|
5 / 1336 |
|
Glen Gary Glen Ross
|
|
8 / 2108 |
|
Going Green
|
|
3 / 758 |
|
Goleman- The Game Of Happy Family
|
|
5 / 1223 |
|
Good Man is Hard to Find
|
|
4 / 950 |
|
Good Role Model
|
|
4 / 870 |
|
Good Will Hunting
|
|
4 / 983 |
|
Government Control On Political Ads
|
|
2 / 497 |
|
Grapes of Wrath
|
|
3 / 815 |
|
Great Enterntainers
|
|
7 / 1729 |
|
Great Gatsby In comparison To Catcher in the Rye
|
|
6 / 1621 |
|
Greed in Macbeth
|
|
4 / 843 |
|
Greed
|
|
7 / 1764 |
|
Greek Mythology
|
|
4 / 1022 |
|
Grendel Essay
|
|
2 / 464 |
|
Grendel
|
|
2 / 445 |
|
Griffins Text
|
|
3 / 805 |
|
Growing Up With Video Games
|
|
3 / 652 |
|
Guess who
|
|
4 / 844 |
|
Guest of the Nation by Frank O' Connor
|
|
2 / 441 |
|
Guitars and Cadillacs
|
|
2 / 451 |
|
Guys And Girls
|
|
2 / 427 |
|
Hackers
|
|
11 / 2847 |
|
Hacking
|
|
20 / 5600 |
|
Hahalemon
|
|
6 / 1628 |
|
Hamlet vs. Oedipus
|
|
4 / 859 |
|
Hamlet's Deciet
|
|
12 / 3222 |
|
Hamlet's soliloquy
|
|
3 / 701 |
|
Hamlet, Laertes & Fortinbras: Avenging Their Fathers
|
|
5 / 1220 |
|
Hamlet
|
|
4 / 997 |
|
Hamlet: Avenging their fathers
|
|
5 / 1303 |
|
Handmaid's tale
|
|
13 / 3413 |
|
Harry Potter and the goblet of fire
|
|
8 / 2193 |
|
Harry Potter vs. Neverwhere
|
|
11 / 2909 |
|
Hawthorne?s "Rappaccini?s Daughter"
|
|
32 / 8880 |
|
Hear him Roar
|
|
3 / 656 |
|
Heart of Darkness
|
|
5 / 1259 |
|
Heart of Darkness
|
|
4 / 896 |
|
Heart of Darkness
|
|
39 / 10820 |
|
Help your children live Up to their full potential
|
|
2 / 452 |
|
Hemingway Analysis: A Clean Well Lighted Place
|
|
6 / 1569 |
|
Hero of Paradie Lost
|
|
6 / 1617 |
|
Heroes
|
|
2 / 480 |
|
Heroic Code in the Iliad and the Odyssey
|
|
4 / 948 |
|
Hills Like White Elephants
|
|
5 / 1129 |
|
Hiroshima
|
|
2 / 468 |
|
His Own Worst Enemy
|
|
5 / 1253 |
|
History In The Making
|
|
4 / 916 |
|
House On Mango Street, This Is A Report About The Chapter "Sire", In
|
|
2 / 550 |
|
How I Met My Husband - Literary Essay
|
|
3 / 644 |
|
How To Change A Tire
|
|
4 / 1048 |
|
How To Throw A Kegger
|
|
3 / 585 |
|
How did Arnold deliver the subject/theme of ?°Dover Beach?±
|
|
3 / 757 |
|
How does Miller dramatise the downfall of Eddie Carbone?
|
|
10 / 2743 |
|
How does Miller dramatise the downfall of Eddie Carbone?
|
|
10 / 2743 |
|
How does Shakepear use dramatic devices in Act3 Scene1 of Romeo and Juliet in order to make it such an intersting, exciting and important scene?
|
|
6 / 1584 |
|
How does Shakespeare present love and marriage in ?Much Ado About Nothing' and how might a modern audience respond to the presentation of these themes?
|
|
6 / 1639 |
|
How does loneliness affect the characters in “Of Mice and Men”?
|
|
4 / 877 |
|
How does the director, Steven Spielberg, create suspense, and scare the audience in the 1970's film, Jaws?
|
|
10 / 2730 |
|
How does the film "witness" show the clash between Amish and modern American culture?
|
|
10 / 2534 |
|
How to make a bbj
|
|
3 / 628 |
|
How to win friends and influence people
|
|
11 / 2862 |
|
Huck Finn Essa
|
|
4 / 916 |
|
Huck Finn
|
|
7 / 1933 |
|
Huck Finn
|
|
6 / 1543 |
|
Huck Finns Ending
|
|
5 / 1276 |
|
Huckleberry Finn
|
|
3 / 643 |
|
Huckleberry Finn
|
|
9 / 2246 |
|
Huckleberry Finn
|
|
3 / 621 |
|
Huckleberry Finn
|
|
5 / 1218 |
|
Hulga in “Good Country People”
|
|
4 / 1117 |
|
I Am Nuts
|
|
2 / 401 |
|
I Heard The Owl Call My Name
|
|
3 / 736 |
|
Identity in America
|
|
7 / 1685 |
|
Iliad's conflict
|
|
3 / 678 |
|
Illiad
|
|
4 / 919 |
|
Imagery In Macbeth
|
|
5 / 1398 |
|
Imagery in Macbeth
|
|
4 / 874 |
|
Imagery in Macbeth
|
|
5 / 1309 |
|
Importance Of Teamwork
|
|
2 / 448 |
|
Importance of the Monkey Garden in The House on Mango Street
|
|
3 / 695 |
|
Important Elements Of A Campaign Strategy
|
|
4 / 1046 |
|
In Cold Blood: The Devastation of an American Dream
|
|
7 / 1691 |
|
In Mary Shelley's ?Frankenstein', how does the creator's feeling towards the monster change throughout the novel?
|
|
8 / 1966 |
|
In The Orchard
|
|
5 / 1227 |
|
In The Skin Of A Lion
|
|
5 / 1251 |
|
Inman’s Spiritual Journey in Cold Mountain
|
|
5 / 1149 |
|
Interpretation of "Good Country People" by Flannery O'Connnor through imagery/symbolism.
|
|
5 / 1165 |
|
Intolerance Within The Novel
|
|
5 / 1123 |
|
Introducing Shakespeare
|
|
13 / 3422 |
|
Introductory Lecture On Shakespeare's Hamlet
|
|
43 / 12028 |
|
Invisible Man
|
|
7 / 1863 |
|
Irresponsibile Biff in Arthur Miller's Death of a Salesman
|
|
2 / 427 |
|
Is A Clockwork Orange reactionary or radical in its meaning?
|
|
8 / 1983 |
|
Is Bridget jones nothing more than Pride and Prejudice in modern dress?
|
|
5 / 1272 |
|
Is Today's News What It Should Be?
|
|
4 / 1045 |
|
It Began as a Beautiful Morning
|
|
3 / 792 |
|
It's a Utopia?
|
|
9 / 2287 |
|
JUDE THE SHALLOW
|
|
6 / 1609 |
|
Jane Austen and Charles Dickonson analytical analysis
|
|
3 / 748 |
|
Jane Eyre
|
|
5 / 1368 |
|
Japanese Education
|
|
6 / 1571 |
|
Journey From Childhood to Adults
|
|
4 / 1012 |
|
Judith Guest's Ordinary People: Internal & External Conflicts As They Result from the Suppression of Emotions
|
|
5 / 1257 |
|
Jules Verne
|
|
4 / 920 |
|
Julius Caesar Analysis
|
|
4 / 969 |
|
KIte Runner
|
|
5 / 1322 |
|
Katherine Mansfield's Taking the Veil Analisys
|
|
3 / 639 |
|
Ken Kesey
|
|
2 / 336 |
|
King Lear Essay Lear's descent into madness and his subsequent recognition of his faults
|
|
3 / 656 |
|
King Lear
|
|
4 / 1075 |
|
Kite Runner Summary
|
|
41 / 11304 |
|
Lady Chatterley's Lover
|
|
7 / 1816 |
|
Lady Lazarus, Sylvia Plath and the Art of Dying
|
|
3 / 652 |
|
Language As An Identity
|
|
4 / 990 |
|
Larkin, Philip Comments On This Be The Verse
|
|
5 / 1270 |
|
Laurence'S &Quot;The Stone Angel&Quot;
|
|
4 / 1078 |
|
Lawrence
|
|
5 / 1282 |
|
Leading Change
|
|
12 / 3135 |
|
Learning How to Learn
|
|
5 / 1246 |
|
Leda and the Swan
|
|
17 / 4605 |
|
Les Miserables Overview
|
|
4 / 1093 |
|
Life As A Kaffir Boy
|
|
3 / 586 |
|
Life Of Pi close textural analysis of pg 253
|
|
2 / 444 |
|
Life
|
|
14 / 3863 |
|
Light but Sound - Kitsch and Desire in the works of Marguerite Duras and Milan Kundera
|
|
9 / 2509 |
|
Literary Analysis of “Survivor Type” by Stephen King
|
|
3 / 776 |
|
Live like a dog
|
|
4 / 985 |
|
Lives of girls and women
|
|
5 / 1366 |
|
"In what ways is ?The Taming of the Shrew' an appropriate title for the play?". An exploration of Shakespeare's dramatic presentation of Katherina.
|
|
6 / 1435 |
|
"To kill a Mockingbird" Quotes and Notes
|
|
11 / 3028 |
|
?Writers chose the Gothic mode to convey the idea that evil was within humans, "as a distortion, warping [the] mind", and not as an external malevolent force.' (Jacqueline Howard) Discuss the treatment of evil in two or three gothic novels studie...
|
|
6 / 1591 |
|
"?he's giving us the rope- so that we'll hang ourselves." To what extent do you agree with this description of the role of the Inspector?
|
|
16 / 4313 |
|
a brief story
|
|
6 / 1425 |
|
a heroes tale
|
|
17 / 4633 |
|
a single shard summary
|
|
7 / 1901 |
|
a worn path
|
|
3 / 605 |
|
abortrion
|
|
2 / 441 |
|
ad analysis
|
|
3 / 808 |
|
against the grain
|
|
5 / 1124 |
|
analysis of stephen king
|
|
3 / 708 |
|
anaylisis
|
|
7 / 1681 |
|
angry men
|
|
3 / 745 |
|
animal experimentation radio interview
|
|
3 / 697 |
|
antigone
|
|
3 / 736 |
|
archetypes in frankenstien and the birthmark
|
|
7 / 1929 |
|
argument paper on animal rights
|
|
9 / 2245 |
|
aristotle's definition of tragedy
|
|
3 / 563 |
|
assessment
|
|
8 / 2142 |
|
attendace is it necessary?
|
|
6 / 1488 |
|
basking shark
|
|
2 / 419 |
|
beloved
|
|
9 / 2335 |
|
beowu;f
|
|
2 / 463 |
|
black boy
|
|
6 / 1406 |
|
bounty hunter
|
|
1 / 243 |
|
cannery Row character sketch
|
|
1 / 246 |
|
catering
|
|
8 / 2010 |
|
cathedral
|
|
6 / 1515 |
|
cell phone
|
|
2 / 368 |
|
character sketch
|
|
2 / 480 |
|
characterization
|
|
3 / 718 |
|
cheating
|
|
3 / 614 |
|
cheats
|
|
11 / 2899 |
|
chorus role in medea
|
|
3 / 682 |
|
chrysanthemums
|
|
5 / 1271 |
|
cinderella
|
|
1 / 263 |
|