Discount applied successfully
Title |
|
Pages / Words |
Save |
Beowulf
|
|
2 / 388 |
|
Bernard Shaw
|
|
7 / 1896 |
|
Betrayal To Avoid Consequences
|
|
5 / 1143 |
|
Biblical Appropriation in The Handmaids Tale
|
|
6 / 1623 |
|
Bildungsroman Novels
|
|
16 / 4282 |
|
Black Boy by and Go Tell it on the Mountain explore the impact of familial interactions on an individual's growth and the discovery of his unique image
|
|
11 / 3012 |
|
Blanche's Psychological Breakdown
|
|
6 / 1449 |
|
Blending In
|
|
4 / 869 |
|
Blind Ambition in Macbeth
|
|
5 / 1121 |
|
Blind Assassin
|
|
3 / 621 |
|
Blood Imagery In Macbeth
|
|
2 / 531 |
|
Blood Motif in Macbeth
|
|
3 / 626 |
|
Blood Motif
|
|
3 / 599 |
|
Blood imagery in macbeth
|
|
4 / 848 |
|
Blood in Macbeth
|
|
3 / 828 |
|
Body Image
|
|
4 / 989 |
|
Book Banning
|
|
3 / 691 |
|
Both Mary Shelley's ?Frankenstein' And Bram Stoker's ?Dracula' Are Co
|
|
7 / 1799 |
|
Boy's Life Analysis
|
|
2 / 320 |
|
Bradbury Explores The Idea Of Ignorance
|
|
3 / 577 |
|
Brendan Behan:Biography
|
|
12 / 3163 |
|
British literature
|
|
5 / 1282 |
|
Bronte's Wuthering Heights: Apollonian and Daemonic Influences
|
|
9 / 2267 |
|
CBSE ENGLISH 2002
|
|
11 / 2984 |
|
CHARACTERISTICS OF A PARAGRAPH
|
|
3 / 759 |
|
CONTEXTUAL ESSAY: THE IMPORTANCE OF BEING EARNEST
|
|
3 / 684 |
|
Caesar Info
|
|
40 / 10989 |
|
Can I Be You Dracula?
|
|
5 / 1233 |
|
Canterbury Tales
|
|
2 / 331 |
|
Canterbury Tales
|
|
5 / 1135 |
|
Canterbury Tales: Wife's Tale
|
|
10 / 2540 |
|
Capulet Party Description
|
|
2 / 301 |
|
Car
|
|
4 / 953 |
|
Carpe Diem in Cavalier Poetry
|
|
3 / 794 |
|
Cask of Amontillado
|
|
5 / 1386 |
|
Catch In the Rye
|
|
4 / 985 |
|
Catcher in the Rye
|
|
2 / 326 |
|
Catcher in the Rye
|
|
2 / 550 |
|
Cathedral
|
|
3 / 700 |
|
Cause and effect
|
|
3 / 814 |
|
Causes and Consequent Effects of Macbeth??s Crime
|
|
2 / 399 |
|
Caylee
|
|
3 / 607 |
|
Censorship in A Day No Pigs Would Die
|
|
4 / 857 |
|
Cesar
|
|
4 / 1030 |
|
Chad Hanna
|
|
12 / 3298 |
|
Chan
|
|
3 / 774 |
|
Character Analysis of Roger ChillingWorth
|
|
3 / 621 |
|
Character Connection
|
|
3 / 808 |
|
Character Construction In Chaucer's Troilus And Criseyde
|
|
11 / 2884 |
|
Character Development of Santiago by Paulo Coelho
|
|
7 / 1848 |
|
Characteristics Of A Comedy
|
|
5 / 1201 |
|
Characterization of Lady Macbeth
|
|
2 / 333 |
|
Characterization of the Prioress from The Canterbury Tales
|
|
2 / 542 |
|
Charles Dickens Biography
|
|
6 / 1445 |
|
Chaucer's Canterbury Tales
|
|
9 / 2338 |
|
Chaucer's The Wife of Bath
|
|
7 / 1701 |
|
Chaucer
|
|
9 / 2478 |
|
Chaucer
|
|
4 / 925 |
|
Chaucer: Its the Man's fault
|
|
8 / 2167 |
|
Chauncer Modeling
|
|
2 / 553 |
|
Chekhov And Oates "The Lady With The Pet Dog" Comparison
|
|
3 / 669 |
|
Chekhov vs. Feminism
|
|
5 / 1142 |
|
Childhood Obesity
|
|
8 / 2034 |
|
Childhood
|
|
3 / 597 |
|
Chivalry
|
|
4 / 980 |
|
Chretien de Troyes "Lancelot"
|
|
8 / 2214 |
|
Christian Symbolism in Beowulf
|
|
5 / 1376 |
|
Christian Values in Sir Gawain and the Green Knight
|
|
4 / 1003 |
|
Christian princples and practices in Piers Plowman
|
|
4 / 881 |
|
Christianity And Lord Of The Rings
|
|
13 / 3384 |
|
Chrysanthemums
|
|
3 / 791 |
|
Cinderella man
|
|
2 / 500 |
|
Cinematography In Macbeth
|
|
2 / 423 |
|
Civil Rights Movement
|
|
13 / 3424 |
|
Classification Essay
|
|
2 / 539 |
|
Claudius and Macbeth: Rogues Driven by Ambition
|
|
3 / 693 |
|
Cliffer
|
|
2 / 313 |
|
Cliques/Groups, Scapegoats, and Exclusion: The High Society of New York in The Age of Innocence
|
|
4 / 1105 |
|
Close Reading of a poem
|
|
3 / 701 |
|
Colerige's The Eolian Harp
|
|
6 / 1467 |
|
Collocative Meaning
|
|
2 / 349 |
|
Columbus
|
|
19 / 5252 |
|
Comapring two speeches from Macbeth by William Shakespeare
|
|
3 / 806 |
|
Comedy or Mockery
|
|
3 / 572 |
|
Comical Elements in Romeo & Juliet
|
|
6 / 1459 |
|
Commentary on "Where Are You Going, Where Have You Been"
|
|
6 / 1473 |
|
Commentary on "Where Are You Going, Where Have You Been"
|
|
6 / 1472 |
|
Comparative Essay : Chronicles Of A Death Foretold And Antigone
|
|
5 / 1170 |
|
Comparative Essay on Don Quixote and Sir Gawain
|
|
3 / 622 |
|
Compare And Contrast Macbeth Vs Macduff
|
|
1 / 177 |
|
Compare And Contrast Poems By John Donne And Michael Drayton
|
|
2 / 289 |
|
Compare And Contrast ‘The Day The Lady Died’ By Frank O’ Hara With ‘Mid-Term Break’ By Seamus Heaney. How Do The Poets Deal With The Experience Of Death And Grief In Two Very Different Circumstances And Culture?
|
|
10 / 2724 |
|
Compare And Contrast
|
|
4 / 931 |
|
Compare The Ways In Which Writers Tell Stories In The Following: The N
|
|
8 / 2094 |
|
Compare and Contrast To Kill a Mockingbird book and movie
|
|
3 / 778 |
|
Compare and contrast protagonists from "The Way Up To Heaven" and "The Story of An Hour"
|
|
5 / 1259 |
|
Compare and contrast the portrayal of women in three Victorian poems. How effectively have the poets used language, structure and tone to gain the reader’s sympathy for each woman’s plight?
|
|
6 / 1405 |
|
Compare/Contrast the treatment of femininity in Pygmalion and Medea
|
|
5 / 1331 |
|
Comparing And Contrasting Hitchcock And Spielberg
|
|
5 / 1183 |
|
Comparing Productions Of Hamlet
|
|
5 / 1350 |
|
Comparing and Contrasting Characters in Our Town
|
|
2 / 324 |
|
Comparison between \
|
|
4 / 1008 |
|
Comparison essay between 1984 and BNW
|
|
5 / 1255 |
|
Comparison of Original Blade Runner film and Director's Cut
|
|
7 / 1857 |
|
Comparison of Pygmalion and The Secret Agent
|
|
4 / 1110 |
|
Comparison of Van Gogh and Zora Neale Hurston
|
|
5 / 1338 |
|
Comparison of a ’true’ fragment to a ’complete’ fragment
|
|
8 / 2123 |
|
Comparison of the Female Characters in Romeo and Juliet
|
|
5 / 1236 |
|
Comparison: "The Raven" & "Annabel Lee"
|
|
2 / 333 |
|
Comparisons
|
|
3 / 704 |
|
Comparsion of Kincaid and Walker
|
|
6 / 1420 |
|
Conflict and Alienation in Kafka's Metamorphosis
|
|
10 / 2557 |
|
Conflict and Violence are central to the play "Romeo and Juliet". Discuss this with reference to Act 1 Scene 1 and Act 3 Scene 1.
|
|
7 / 1750 |
|
Conflict in Jame's Joyce's "Araby"
|
|
4 / 918 |
|
Conformity and Individuality in a Small Town
|
|
6 / 1454 |
|
Consequence of a Rebellious Adolesant
|
|
6 / 1451 |
|
Corruption in Cry, the beloved country
|
|
5 / 1179 |
|
Countee Cullen
|
|
4 / 1095 |
|
Countee Cullen: A Reniassance Man
|
|
4 / 1095 |
|
Courage In To Kill A Mockingbird
|
|
2 / 518 |
|
Courtesy through Satire
|
|
4 / 852 |
|
Courtship Interrupted
|
|
6 / 1652 |
|
Courtship
|
|
4 / 1022 |
|
Coy Mistress
|
|
3 / 600 |
|
Creative Play: A Royal Life
|
|
3 / 569 |
|
Creative Writing: The County Courthouse
|
|
2 / 466 |
|
Creon is the True Tragic Hero
|
|
6 / 1411 |
|
Critical Abstract-MacBeth
|
|
2 / 481 |
|
Critical Analysis: MAcbeth
|
|
2 / 371 |
|
Critical Appreciation of Robert Herrick’s "Delight in Disorder".
|
|
3 / 691 |
|
Critical Lens
|
|
3 / 632 |
|
Critical Study Of Text – Speeches
|
|
13 / 3364 |
|
Critical analysis on "A good man is hard to find"
|
|
9 / 2347 |
|
Critical essay on Jane Austen
|
|
5 / 1195 |
|
Critical lens essay-macbeth, animal farm
|
|
2 / 377 |
|
Cuckoos Nest
|
|
6 / 1632 |
|
Cultural diversity
|
|
6 / 1622 |
|
Cyclic Segregation and Chauvinism
|
|
5 / 1129 |
|
Cyclical Victimization in Death of a Salesman
|
|
7 / 1869 |
|
DIVERTEDSELF
|
|
4 / 949 |
|
Daisy Miller
|
|
2 / 328 |
|
Daivd Copperfield Characters
|
|
3 / 645 |
|
Dames, Coppers, and Crooks: A L:ook At Film Noir
|
|
11 / 2877 |
|
Dante Algiheri
|
|
5 / 1178 |
|
Dante's Inferno
|
|
7 / 1787 |
|
Dante
|
|
19 / 5218 |
|
Dark &Amp; Light Imagery In Shakespeare’S Macbeth
|
|
3 / 825 |
|
Darkness Imagery In Macbeth
|
|
4 / 899 |
|
Darkness in Macbeth
|
|
1 / 29 |
|
Dealing With Teenagers
|
|
5 / 1170 |
|
Death As Life
|
|
4 / 978 |
|
Death Of A Salesman (Happy)
|
|
2 / 403 |
|
Death Of A Salesman Essay
|
|
6 / 1419 |
|
Death Of Salesman
|
|
3 / 839 |
|
Death in the Woods
|
|
2 / 500 |
|
Death of An Illusion
|
|
3 / 728 |
|
Death of a Salesman-Is Willy a modern tragic hero?
|
|
8 / 2198 |
|
Death of a Salesman
|
|
13 / 3412 |
|
Deceit-based relationships
|
|
3 / 765 |
|
Deception And Recklessness
|
|
2 / 381 |
|
Deception in Twelfth Night
|
|
7 / 1704 |
|
Defending A Man's Honor
|
|
5 / 1310 |
|
Delusion
|
|
8 / 2176 |
|
Describe Shaksepaers Theme Of Love In Twelth Night
|
|
4 / 931 |
|
Desription of Mary
|
|
3 / 762 |
|
Development of Women
|
|
7 / 1686 |
|
Dialogue in William Shakespeare's Macbeth
|
|
2 / 447 |
|
Dialouge in Pride and Prejudice
|
|
5 / 1397 |
|
Diary of Old Major
|
|
2 / 428 |
|
Didacticism in Frank Norris' McTeague
|
|
5 / 1151 |
|
Differences Between the Epic "Beowulf" and John Gardner's Novel "Grendel"
|
|
3 / 604 |
|
Differences between Il Pecorne and A Merchant of Venice
|
|
3 / 706 |
|
Differences
|
|
3 / 667 |
|
Discuss The Dramatic Development Of Lady Macbeth
|
|
1 / 240 |
|
Discuss representations of one of the following social identities in the work of Austen; sisters.
|
|
8 / 2118 |
|
Discuss the differences between Beatrice and Hero in the early scenes of the play
|
|
5 / 1191 |
|
Discuss the importance of Act Three, Scene 5. How does Shakespeare use dramatic devices in order to make it such an interesting and important scene?
|
|
6 / 1634 |
|
Discuss the role of the witches in Macbeth
|
|
8 / 2088 |
|
Discuss “The Duchess of Malfi” as a revenge tragedy.
|
|
5 / 1306 |
|
Divine Secrets of the Ya-Ya Sisterhood
|
|
10 / 2634 |
|
Doe Season
|
|
6 / 1408 |
|
Does vanity has a price?
|
|
4 / 936 |
|
Dorian Gray
|
|
4 / 1117 |
|
Doubt Of Shakespeare's Authorship Of His Plays
|
|
9 / 2389 |
|
Down With The Kings
|
|
2 / 479 |
|
Downfall of Lady Macbeth
|
|
2 / 554 |
|
Dr.
|
|
4 / 936 |
|
Dracula, Culture and Values from Mediums
|
|
6 / 1443 |
|
Dramatic Textual Analysis of Oscar Wilds-The Importance of Being Earnest Act 3
|
|
3 / 803 |
|
Dreams Impossible: Hope in Of Mice and Men
|
|
4 / 904 |
|
Driving Stereotypes
|
|
5 / 1319 |
|
During The Course Of The Initial Three Scenes In ‘Othello’ We See The Character Of Othello Turn From “Valiant Othello” (I.3 .48) A Character Of True Principles And Values Into A Vengeful And Mistrusting ‘Monster.’
|
|
2 / 325 |
|
Dying to Survive : An Analysis of Edith Wharton's The House of Mirth
|
|
15 / 4023 |
|
Early Feminism in Jane Eyre
|
|
20 / 5530 |
|
Earnest Hemingway
|
|
11 / 2826 |
|
Earnest Hemmingway
|
|
11 / 2932 |
|
Economics Of War And Peace
|
|
3 / 647 |
|
Economics test
|
|
3 / 633 |
|
Edgar Allan Poe
|
|
2 / 483 |
|
Edgar Allan Poe
|
|
7 / 1931 |
|