Discount applied successfully
| Title |
|
Pages / Words |
Save |
|
Two Empires In Japan
|
|
7 / 1861 |
|
|
1984 Julia's Story Creative Piece
|
|
3 / 789 |
|
|
Are You Really In Love?
|
|
2 / 349 |
|
|
Celebration of Multiculturalism
|
|
2 / 403 |
|
|
Competition
|
|
4 / 919 |
|
|
Eradication of Corruption
|
|
2 / 543 |
|
|
Flowers for Algernon
|
|
2 / 430 |
|
|
Free from Humans
|
|
2 / 355 |
|
|
How People Remember Events
|
|
4 / 847 |
|
|
Katherine Mansfield's "Her First Ball"
|
|
4 / 1052 |
|
|
King Leopold's Ghost
|
|
4 / 930 |
|
|
Mega Rex
|
|
13 / 3402 |
|
|
My Father's Life
|
|
6 / 1460 |
|
|
Native Son
|
|
4 / 928 |
|
|
Organizational Safety Concerns and Measures
|
|
4 / 849 |
|
|
Six Weeks
|
|
3 / 722 |
|
|
Sylvia's Use of Senses in Ariel
|
|
8 / 2141 |
|
|
Taken Over By A Computer Game
|
|
4 / 1095 |
|
|
The Beast is Silent
|
|
14 / 3771 |
|
|
The Best and The Proud
|
|
3 / 721 |
|
|
The Red Shoes
|
|
3 / 830 |
|
|
To Be Ready or Not to Be Ready?: What a Stupid Question
|
|
2 / 527 |
|
|
U.F.O and Aliens
|
|
3 / 644 |
|
|
Way to Rainy Mountain
|
|
3 / 595 |
|
|
Dance-Christianity
|
|
2 / 338 |
|
|
‘Saying’ as ‘Inventing’
|
|
13 / 3552 |
|
|
1984 vs Brave New World
|
|
5 / 1206 |
|
|
A Feminist Approach on Jonathan Swift's "Gulliver Travels"
|
|
7 / 1730 |
|
|
A View from the Bridge
|
|
27 / 7334 |
|
|
Animal farm - Communism
|
|
2 / 315 |
|
|
Animal Farm
|
|
3 / 754 |
|
|
Antigone
|
|
3 / 719 |
|
|
Bats! Flying Creatures of the Night!
|
|
3 / 642 |
|
|
Beowulf vs. Gilgamesh
|
|
2 / 530 |
|
|
Civilization: Savagery, Power, Fear
|
|
5 / 1297 |
|
|
Cloning
|
|
3 / 771 |
|
|
Comparision of Duddy Kravitz and Jay Gatsby
|
|
7 / 1852 |
|
|
Crime and Punishment
|
|
5 / 1281 |
|
|
Crime and Punishment
|
|
4 / 921 |
|
|
Cupidity's Stupidity
|
|
7 / 1842 |
|
|
Different Types of Criticism and Literary Movements in Short Stories
|
|
8 / 2059 |
|
|
Dr Faustus - Ambition
|
|
5 / 1236 |
|
|
Dr Faustus and Seven Sins
|
|
6 / 1553 |
|
|
Emily Dickinson
|
|
13 / 3502 |
|
|
euthanasia
|
|
2 / 412 |
|
|
Faustus: Renaissance Martyr or Tragic Hero
|
|
11 / 2899 |
|
|
Filthy Food
|
|
3 / 811 |
|
|
Forthcoming of American Literature
|
|
5 / 1352 |
|
|
Frankenstein: Shelley Use of Mascuine and Feminine Roles
|
|
8 / 2008 |
|
|
Friendship Theme in Gilgamesh
|
|
4 / 944 |
|
|
Gregorik Andras
|
|
12 / 3357 |
|
|
Grendel: Apples and Pain
|
|
4 / 883 |
|
|
Hamlet: Soliloquies
|
|
4 / 1111 |
|
|
Healthcare in the US
|
|
5 / 1234 |
|
|
Hemingway: Writer or Dreamer?
|
|
28 / 7782 |
|
|
Hope
|
|
4 / 935 |
|
|
How Plot, Setting and Characters Influence Readers Response
|
|
3 / 837 |
|
|
How successful is Dickens in his presentation of female characters?
|
|
4 / 924 |
|
|
Human Consciousness
|
|
7 / 1734 |
|
|
Human Heart
|
|
4 / 1028 |
|
|
It's Raining in Mango
|
|
4 / 1110 |
|
|
Ivan Denisovich and Humanity
|
|
4 / 1108 |
|
|
Jane Eyre: Religion
|
|
2 / 408 |
|
|
Kerouac and Tyler, On the Road and Saint Maybe
|
|
8 / 1977 |
|
|
Knowledge in Name of the Rose
|
|
8 / 2015 |
|
|
Literature?
|
|
8 / 2078 |
|
|
Logic of the Absurds
|
|
6 / 1452 |
|
|
Lord of the Files
|
|
2 / 484 |
|
|
Love Your Enemies
|
|
2 / 496 |
|
|
Maggie Girl of the Streets & Huck Finn - Family Life
|
|
4 / 888 |
|
|
Mary Shelley and Parallels
|
|
4 / 990 |
|
|
Matrix
|
|
2 / 505 |
|
|
Milton’s Paradise Lost
|
|
15 / 4162 |
|
|
Misdirection of Anger
|
|
5 / 1313 |
|
|
Nietzsche on Religion: Rhetorical Devices
|
|
3 / 793 |
|
|
Oedipus MD
|
|
6 / 1635 |
|
|
Oedipus the King
|
|
10 / 2601 |
|
|
On the Unfairness of A Teacher
|
|
7 / 1695 |
|
|
Ordinary Men
|
|
3 / 568 |
|
|
Orwell and Foucault
|
|
5 / 1359 |
|
|
Present Provoking Past
|
|
5 / 1327 |
|
|
Regarding Henry
|
|
2 / 541 |
|
|
Rhinoceros
|
|
2 / 488 |
|
|
Romeo & Juliet
|
|
9 / 2316 |
|
|
Russian Revolution and Orwell (Animal Farm)
|
|
2 / 519 |
|
|
Say it, Write it, Defend it and Judge it – in English!
|
|
14 / 3676 |
|
|
Scene Seven
|
|
2 / 379 |
|
|
Similarities and Difference between Oceania in 1984 and the USA
|
|
6 / 1535 |
|
|
Social Ostracism in Adventures of Huckleberry Finn
|
|
5 / 1126 |
|
|
Stoker and Wilde
|
|
9 / 2336 |
|
|
Tess of the D'Urbervilles
|
|
4 / 1083 |
|
|
The Chosen
|
|
6 / 1581 |
|
|
The Credibility of Expository Texts RE 'Unzipped' - Bronwyn Donaghy
|
|
3 / 760 |
|
|
The Great American Illusion
|
|
3 / 781 |
|
|
The Great Gatsby
|
|
7 / 1728 |
|
|
The Handmaid's Tale
|
|
4 / 878 |
|
|
The Internet a Blessing or a Curse
|
|
2 / 452 |
|
|
The Jilting of Granny Weatherall
|
|
3 / 822 |
|
|
The Last of the Mohicans as a Mixture of Genres
|
|
10 / 2573 |
|
|
The Macbeth Witches
|
|
3 / 727 |
|
|
The Moral Maturation of Huckelberry Finn
|
|
5 / 1186 |
|
|
The Paradox of Perfection
|
|
4 / 873 |
|
|
The Passage for Nietzsche on Religion: Rhetorical Devices
|
|
2 / 340 |
|
|
The Sentiment, Mood, and Philosophy of “The Best Slow Dancer”
|
|
4 / 973 |
|
|
The Servants of Twilight
|
|
3 / 626 |
|
|
The Stranger
|
|
5 / 1131 |
|
|
Tragedy
|
|
8 / 2224 |
|
|
Truth
|
|
2 / 481 |
|
|
Unzipped
|
|
5 / 1186 |
|
|
We the People
|
|
2 / 499 |
|
|
What Are Adjectives?
|
|
5 / 1300 |
|
|
What Do You Find Interesting About The Ways The Writer Presents?
|
|
4 / 878 |
|
|
Industrial Revolution
|
|
3 / 747 |
|
|
Inspector Calls Coursework
|
|
8 / 1977 |
|
|
Life Changes During the Industrial Revolution
|
|
5 / 1191 |
|
|
Policy Proposal for Economic Reform in Russia
|
|
10 / 2642 |
|
|
Southern Cyprus
|
|
16 / 4284 |
|
|
The "Phenomenon" of Greece
|
|
20 / 5380 |
|
|
The Age of Reason
|
|
3 / 799 |
|
|
The Industrial Revolution
|
|
5 / 1283 |
|
|
The Italian Wars
|
|
7 / 1756 |
|
|
The Most Effective Absolute Rulers in my Opinion
|
|
4 / 1072 |
|
|
Voltaire: A History That Never Moved
|
|
12 / 3225 |
|
|
Why was Karl Marx so disparaging of the utopian socialists
|
|
8 / 2156 |
|
|
1960's
|
|
18 / 4933 |
|
|
Ancient Olympics in Greek
|
|
4 / 1041 |
|
|
Architecture of Transition and Production of Meaning
|
|
13 / 3593 |
|
|
British Monarchy
|
|
21 / 5772 |
|
|
Cyprus
|
|
14 / 3668 |
|
|
Did the 1920's Roar for Canada?
|
|
7 / 1705 |
|
|
Indutrial Revolution
|
|
4 / 988 |
|
|
Italian City
|
|
4 / 1031 |
|
|
Jean-Louis David + Jean-Jacques Rousseau
|
|
5 / 1357 |
|
|
Martin Luther King Jr. and Malcolm X
|
|
4 / 852 |
|
|
Muhammad Ibn Abdullah: Good or Bad? You Decide
|
|
6 / 1516 |
|
|
Napoleon a Hero
|
|
4 / 860 |
|
|
Somalia vs United States
|
|
6 / 1439 |
|
|
The Black Plague
|
|
3 / 584 |
|
|
The Roman games
|
|
4 / 1068 |
|
|
What is History?
|
|
2 / 428 |
|
|
A Small Look Inside Lebanon
|
|
12 / 3244 |
|
|
Israel P.L.O. Peace Treaty
|
|
12 / 3132 |
|
|
Pakistan
|
|
6 / 1428 |
|
|
The Balkans
|
|
17 / 4737 |
|
|
Blade Runner
|
|
3 / 570 |
|
|
Critique La Ventura
|
|
3 / 813 |
|
|
Critique on Open City
|
|
4 / 1101 |
|
|
George of the Jungle
|
|
2 / 521 |
|
|
Heathers and Shame
|
|
9 / 2323 |
|
|
Luc Besson
|
|
11 / 2855 |
|
|
Man with a Movie Camera vs Run Lola Run
|
|
12 / 3083 |
|
|
Once Were Warriors
|
|
16 / 4422 |
|
|
Rainman
|
|
4 / 937 |
|
|
The Matrix
|
|
31 / 8428 |
|
|
The Matrix
|
|
2 / 388 |
|
|
And They Obey
|
|
1 / 198 |
|
|
At Cooloola
|
|
2 / 469 |
|
|
Beowolf - The Ideal Epic Hero
|
|
3 / 616 |
|
|
Beowulf Young and Old
|
|
3 / 675 |
|
|
Beowulf
|
|
2 / 510 |
|
|
Compare the Poems “Havisham” and “The Laboratory”.
|
|
2 / 544 |
|
|
Desert Places - A Journey of a Human Mind
|
|
4 / 844 |
|
|
Donne
|
|
8 / 1981 |
|
|
Dulce et Deorum Est
|
|
8 / 2120 |
|
|
Ginsberg's Howl: A Counterculture Manifesto
|
|
14 / 3788 |
|
|
If
|
|
2 / 492 |
|
|
Immortal Poetry
|
|
6 / 1453 |
|
|
Inferno
|
|
6 / 1465 |
|
|
Jim Morisson
|
|
24 / 6621 |
|
|
Poems for the Eye
|
|
7 / 1789 |
|
|
Poems, their subject and purpose
|
|
3 / 639 |
|
|
Poetry Intertextual
|
|
9 / 2331 |
|
|
Porphyria’s Lover
|
|
16 / 4295 |
|
|
Quote the Parrot, “Nevermore”
|
|
2 / 558 |
|
|
Resurrection of Nature and Modernity in Merwin's Drunk in the Furnace
|
|
6 / 1532 |
|
|
Revenge of Beowulf
|
|
4 / 1092 |
|
|
Robert Frost's "The Road Not Taken"
|
|
3 / 733 |
|
|
Sylvia Path's Daddy
|
|
3 / 755 |
|
|
Sylvia Plath
|
|
8 / 1984 |
|
|
The Hawk Essay
|
|
4 / 961 |
|
|
The Struggle of Art in Kubla Khan
|
|
4 / 960 |
|
|
The Tatyana-caste
|
|
7 / 1826 |
|
|
To My Books
|
|
2 / 348 |
|
|
A View From The Bridge
|
|
10 / 2731 |
|
|
Analysing Shylock's Dual-Role as Villain and Victim
|
|
6 / 1476 |
|
|
Analysis of Othello and Iago in Act 1
|
|
3 / 612 |
|
|
Androgyny: Will of Shakespeare's Female Characters
|
|
6 / 1437 |
|
|
As you like it - Act 1
|
|
5 / 1277 |
|
|
Brutus
|
|
7 / 1945 |
|
|
Character Analysis of Macbeth
|
|
4 / 978 |
|
|
Character Profile of Friar Lawrence
|
|
3 / 613 |
|
|
Comedy in Shakespeare
|
|
8 / 2176 |
|
|
Evil character of Lady Macbeth
|
|
4 / 1117 |
|
|
Falstaff + Hotspur = Prince Hal: Their Actions on the Battlefield
|
|
4 / 941 |
|
|
Fools and Foolishness in King Lear
|
|
6 / 1504 |
|
|
Gender Roles And Macbeth
|
|
7 / 1884 |
|
|
Hamlet
|
|
4 / 876 |
|
|
Hamlet
|
|
4 / 1043 |
|
|
Hamlet
|
|
4 / 1002 |
|
|
Julius Ceasar
|
|
26 / 7125 |
|
