Discount applied successfully
| Title |
|
Pages / Words |
Save |
|
A Simple Home Recipe For Making Tasty Sounds
|
|
7 / 1774 |
|
|
A Summer Life By Gary Soto
|
|
2 / 288 |
|
|
A Window Between Worlds
|
|
23 / 6173 |
|
|
African Art
|
|
2 / 401 |
|
|
Alex vs. Beowulf: The Antithesis of a Lifetime
|
|
13 / 3551 |
|
|
All the years of her life
|
|
2 / 395 |
|
|
Angela Carter's Exploration of Masks and Society
|
|
8 / 2171 |
|
|
Another Breakfast At Tiffany's
|
|
3 / 793 |
|
|
Antigone
|
|
6 / 1498 |
|
|
Appearance vs Reality in Hamlet
|
|
5 / 1244 |
|
|
Appearance vs. Reality
|
|
2 / 509 |
|
|
Auden's Museum Of Fine Art
|
|
5 / 1204 |
|
|
Berman essay
|
|
4 / 1069 |
|
|
Blue Jeans, Black Leather Jackets,
|
|
21 / 5665 |
|
|
Boo
|
|
7 / 1751 |
|
|
Brandstreet and Female Identity
|
|
2 / 434 |
|
|
Brazil and caribbean Culture
|
|
6 / 1553 |
|
|
Bullet in the Brain
|
|
3 / 668 |
|
|
Character Development of Santiago by Paulo Coelho
|
|
7 / 1848 |
|
|
Chemical Warfare
|
|
3 / 664 |
|
|
Comparing the Unlikely
|
|
2 / 282 |
|
|
Conformity By Rebellion
|
|
6 / 1667 |
|
|
Cubism
|
|
5 / 1293 |
|
|
Death in Venice
|
|
3 / 792 |
|
|
Deception
|
|
7 / 1882 |
|
|
Doomed Youth
|
|
8 / 2049 |
|
|
Drama In Performance Is Not A Literary Text But Action In Time And Space
|
|
9 / 2278 |
|
|
Dulce Et Decorum Est
|
|
3 / 773 |
|
|
Dulce Et Decorum Est
|
|
4 / 997 |
|
|
Dulce Et Deorum Est
|
|
3 / 617 |
|
|
Dulce et Decorum Es
|
|
3 / 646 |
|
|
Dulce et Decorum Est
|
|
3 / 593 |
|
|
Dulce et Decorum est
|
|
3 / 818 |
|
|
Dulce et Decorum
|
|
4 / 1057 |
|
|
Educating Rita
|
|
19 / 5164 |
|
|
Emma/Clueless
|
|
7 / 1765 |
|
|
Ezra Pound and Dorothy Shakespear: Their Letters, 1909-1914
|
|
10 / 2573 |
|
|
Farming of Bones
|
|
5 / 1214 |
|
|
Gattaca
|
|
2 / 440 |
|
|
Gender-specific Sexual Sanctions of Intimate Relations and Imperially Oppressing Political Sphere
|
|
8 / 2234 |
|
|
Globalization
|
|
19 / 5295 |
|
|
Godard
|
|
27 / 7463 |
|
|
Golding: Lord Of The Flies
|
|
7 / 1887 |
|
|
Great Gatsby
|
|
3 / 667 |
|
|
Hamlet Vs. Macbeth
|
|
3 / 561 |
|
|
Hamlet
|
|
5 / 1178 |
|
|
Hamlet: Masks We Wear
|
|
5 / 1132 |
|
|
Harrison Bergeron
|
|
4 / 1045 |
|
|
Harrison Bergeron
|
|
2 / 455 |
|
|
Harrison Bergeron
|
|
3 / 705 |
|
|
Harrison Bergeron
|
|
2 / 441 |
|
|
Heart of Darkness
|
|
39 / 10820 |
|
|
Huck Finn
|
|
6 / 1401 |
|
|
In Act One Mrs. Linde describes Nora as “a child?” Is this a fair estimation of Nora’s character at the beginning of the play?
|
|
5 / 1317 |
|
|
Introducing Shakespeare
|
|
13 / 3422 |
|
|
Isaac Asimov: Contemporary American Mythmaker
|
|
7 / 1898 |
|
|
Jiz
|
|
2 / 410 |
|
|
Joseph Cambel
|
|
6 / 1490 |
|
|
Keeper of the House English Commentary
|
|
4 / 1009 |
|
|
Laughter In Crime And Punishment, The Invisble Man And Catch 22
|
|
10 / 2790 |
|
|
Les Miserables Overview
|
|
4 / 1093 |
|
|
Letter To Linda (Death Of A Salesman)
|
|
6 / 1529 |
|
|
Life of Pi, paper on masks Pi shows
|
|
5 / 1228 |
|
|
"Double Face" Analysis from The Joy Luck Club
|
|
2 / 475 |
|
|
"Order for Masks" by Virginia R. Moreno
|
|
3 / 630 |
|
|
a dolls house
|
|
4 / 894 |
|
|
a good man is hard to find
|
|
3 / 762 |
|
|
act 1 scene 1 romeo and juliet.
|
|
18 / 5013 |
|
|
anthem
|
|
2 / 550 |
|
|
ballad of birmingham
|
|
5 / 1185 |
|
|
beatrice is the vita nuova
|
|
2 / 421 |
|
|
braveheart
|
|
2 / 438 |
|
|
cantebury
|
|
7 / 1924 |
|
|
canterbury's love
|
|
7 / 1803 |
|
|
critical review of death race
|
|
2 / 523 |
|
|
dr jekyll and mr hyde
|
|
5 / 1195 |
|
|
dulce et decorum est
|
|
4 / 1045 |
|
|
femininity in Euripides’ ‘Medea’ and Jean Rhys’ ‘Wide Sargasso Sea’.
|
|
5 / 1227 |
|
|
green chiles analysis
|
|
3 / 691 |
|
|
haindi
|
|
2 / 495 |
|
|
hamlet
|
|
7 / 1689 |
|
|
“King Lear Is A Play Whose Full Meaning Cannot Be Comprehended Because Different Directors Bring Such Different Perspectives To The Text”
|
|
6 / 1620 |
|
|
Lord Of The Flies - What's The Point?
|
|
5 / 1333 |
|
|
Lord of the Flies
|
|
7 / 1691 |
|
|
Macbeth Research Paper
|
|
6 / 1423 |
|
|
Macbeth
|
|
3 / 614 |
|
|
Man's Blinding Greed for money damages his soul
|
|
2 / 445 |
|
|
Maureen Peal & Imitation of life
|
|
2 / 425 |
|
|
Merchant Of Venice
|
|
91 / 25243 |
|
|
Mine
|
|
6 / 1675 |
|
|
Mrs. Miniver
|
|
3 / 705 |
|
|
Mrs
|
|
15 / 4194 |
|
|
Much Ado About Nothing
|
|
14 / 3894 |
|
|
My First Horror Movie
|
|
3 / 713 |
|
|
My Romeo and Juliet
|
|
2 / 507 |
|
|
My Teacher
|
|
7 / 1784 |
|
|
NYC
|
|
8 / 2016 |
|
|
Neck Guards in Hockey
|
|
6 / 1657 |
|
|
NorwayVs.PuetoRico
|
|
4 / 909 |
|
|
Othello: Shakespeare vs. Parker
|
|
3 / 596 |
|
|
Panoramic Poe
|
|
2 / 503 |
|
|
Paulo Freire: ‘Banking’ Concept of Education
|
|
5 / 1159 |
|
|
Pink Floyd's The Wall - "Mother"
|
|
19 / 5280 |
|
|
Power of Youth and Beauty
|
|
7 / 1778 |
|
|
Reflection
|
|
2 / 352 |
|
|
Reliability of the Media
|
|
4 / 931 |
|
|
Rhetorical Figures in Yeats's \
|
|
5 / 1241 |
|
|
Richard Corey Summary
|
|
2 / 290 |
|
|
Romeo and Juliet
|
|
6 / 1648 |
|
|
Romeo
|
|
4 / 1002 |
|
|
Rushdie's The Moor's Last Sigh as a story of Bombay City
|
|
6 / 1523 |
|
|
School Uniforms
|
|
2 / 333 |
|
|
Sophocles
|
|
4 / 854 |
|
|
Staging of a Tragic Drama
|
|
3 / 563 |
|
|
Stanley Renshons' High Hopes: Clinton's Actions
|
|
9 / 2312 |
|
|
Star Wars Vs. Star Trek
|
|
4 / 848 |
|
|
Such A Good Boy: How A Pampered Son's Greed Led To Murder: Summary
|
|
9 / 2387 |
|
|
Symbolism in Lord Of The Flies
|
|
6 / 1628 |
|
|
Tartuffe
|
|
8 / 2140 |
|
|
Tess of the D'Urbervilles
|
|
3 / 644 |
|
|
Test Of Courage
|
|
4 / 904 |
|
|
The Art of Carrying Out Successful Drive Bys
|
|
4 / 1008 |
|
|
The Flicks
|
|
3 / 725 |
|
|
The Good, The Bad, and the Ugly
|
|
5 / 1348 |
|
|
The Great Gatsby The Color White: Symbol of Tarnish?
|
|
4 / 1064 |
|
|
The Great Gatsby
|
|
3 / 743 |
|
|
The Heavenly Twins
|
|
6 / 1511 |
|
|
The Importance Of Being Earnest
|
|
7 / 1770 |
|
|
The Importance of Being Earnest Play/Film Comparitive Essay
|
|
5 / 1376 |
|
|
The Invisible Man
|
|
173 / 48269 |
|
|
The Lion King
|
|
3 / 599 |
|
|
The Mask
|
|
3 / 830 |
|
|
The Masque of the Red Death: Inevitability of Death
|
|
3 / 802 |
|
|
The Nightmare in Edward Albee's "Who's afraid of Virginia Wolf?"
|
|
6 / 1452 |
|
|
The Perfect Crime
|
|
3 / 703 |
|
|
The Sinister Soliloquy: An indepth look at "Othello" 2:1:308-314
|
|
6 / 1623 |
|
|
The Theater Of Dionysus
|
|
5 / 1123 |
|
|
The Themes of Macbeth
|
|
5 / 1378 |
|
|
The Weeding
|
|
3 / 807 |
|
|
The Yellow Wallpaper
|
|
8 / 1966 |
|
|
The sacrificial egg
|
|
3 / 685 |
|
|
Themes in the Colour Purple
|
|
36 / 9932 |
|
|
There are many critical interpretations of Iago’s character. Was he a ‘skillful villain’? Or perhaps he was a ‘mysterious creature of unlimited cynicism’? Or was he simply a ‘wronged man’? More sinned against than sinning?
|
|
9 / 2517 |
|
|
To Kill a Mockingbird
|
|
4 / 868 |
|
|
To kill a mockingbird
|
|
5 / 1213 |
|
|
Toni Morrison
|
|
5 / 1296 |
|
|
Transnational Actors and International Organizations in Global Politics
|
|
40 / 11084 |
|
|
Truman Show
|
|
2 / 438 |
|
|
Uncle Vanya
|
|
5 / 1282 |
|
|
Unless you were there
|
|
5 / 1226 |
|
|
Video Games and effects on kids
|
|
3 / 828 |
|
|
Violence and Society
|
|
3 / 575 |
|
|
Wasteland: War And Wilfred Owen'S Poetry
|
|
11 / 2965 |
|
|
We Wear the Mask
|
|
3 / 575 |
|
|
What Causes Our Environmental Issues And How Can We Avoid Further Damages?
|
|
2 / 389 |
|
|
What Is The Importance Of Symbols In The Novel, Such As The Conch, The Pig’S Head And The Mask?
|
|
7 / 1758 |
|
|
What is Greek Tragedy?
|
|
4 / 1029 |
|
|
What is Love, a comparison of love in othello and king lear
|
|
5 / 1281 |
|
|
Where Do You Get Love
|
|
2 / 505 |
|
|
William Butler Yeats
|
|
20 / 5540 |
|
|
Yeats: Enlarging Friends and Family to heroic proportions
|
|
14 / 3646 |
|
|
music in Much Ado About nothing
|
|
7 / 1709 |
|
|
pirandello
|
|
14 / 3671 |
|
|
poetics aristotle
|
|
22 / 6100 |
|
|
prufrock
|
|
3 / 802 |
|
|
sybolism in gatsby
|
|
8 / 2137 |
|
|
vers le sud
|
|
2 / 525 |
|
|
walt disney
|
|
2 / 553 |
|
|
17th centry teater
|
|
6 / 1424 |
|
|
"Evacuation was a great success" Discuss using the sources and your own knowledge
|
|
5 / 1243 |
|
|
A Hairy Find
|
|
2 / 342 |
|
|
A Study of Small Sculpture from the Mesoamerican
|
|
10 / 2526 |
|
|
ANCIENT GREEK THEATER
|
|
3 / 642 |
|
|
Africa
|
|
2 / 512 |
|
|
African Arts
|
|
2 / 401 |
|
|
American Indian Movement
|
|
11 / 3003 |
|
|
Ancient Chamorro
|
|
4 / 984 |
|
|
Ancient Egypt
|
|
7 / 1829 |
|
|
Ancient Egypt
|
|
2 / 397 |
|
|
Ancient Egypt
|
|
7 / 1891 |
|
|
Ancient Egyptian Civilizations
|
|
3 / 664 |
|
|
Ancient Egyptian
|
|
14 / 3695 |
|
|
Ancient Greek Art And Architecture
|
|
5 / 1277 |
|
|
Ancient Rome's Animal Cruelty for Entertainment in the Amphi-theatre a
|
|
7 / 1795 |
|
|
Animals in Art
|
|
2 / 425 |
|
|
Arlecchino, Servant of Two Masters
|
|
7 / 1707 |
|
|
Arthur Neville Chamberlain
|
|
8 / 2141 |
|
|
Assess The Extent To Which Archaeological Evidence Uncovered By Heinrich Schliemann Supports Homer’S Existence Of Troy.
|
|
5 / 1227 |
|
|
ancient egyption pottery
|
|
3 / 629 |
|
|
asian history
|
|
8 / 2221 |
|
|
Bhopal, India Chemical accident, 1984
|
|
9 / 2484 |
|
|
Black Skin White Mask
|
|
2 / 300 |
|
|
Burial Practices Of The Ancient Egyptian And Greco-Roman Cultures
|
|
6 / 1450 |
|
|
Chewa
|
|
13 / 3598 |
|
|
Commedia Dell' Arte and Influences on Modern Theatre
|
|
4 / 1015 |
|
|
Compairson Between the Inca Government and American Government
|
|
13 / 3618 |
|
|
Culture
|
|
4 / 963 |
|
|
compare the experiences of the tw irelands in the second world war
|
|
7 / 1794 |
|
|
Day Of The Dead
|
|
1 / 261 |
|
|
Day of the Dead
|
|
7 / 1804 |
|
