Discount applied successfully
| Title |
|
Pages / Words |
Save |
|
Frends forever
|
|
4 / 1038 |
|
|
Genesis
|
|
19 / 5318 |
|
|
Hero
|
|
2 / 372 |
|
|
Infinity in a Moment
|
|
4 / 916 |
|
|
Inherit The Wind
|
|
3 / 582 |
|
|
Katherine Mansfield's "Her First Ball"
|
|
4 / 1052 |
|
|
King Leopold's Ghost
|
|
4 / 930 |
|
|
Love Lost
|
|
1 / 210 |
|
|
Love story set in WWI
|
|
18 / 4942 |
|
|
Making Career Decision
|
|
13 / 3548 |
|
|
Misery of Mind
|
|
2 / 487 |
|
|
My Adventure
|
|
2 / 372 |
|
|
My Father's Life
|
|
6 / 1460 |
|
|
Native Son
|
|
4 / 928 |
|
|
November Rain
|
|
4 / 886 |
|
|
On Top of the World
|
|
2 / 389 |
|
|
Open Mine Eyes
|
|
2 / 462 |
|
|
Picture Perfect
|
|
1 / 194 |
|
|
Realization
|
|
6 / 1433 |
|
|
Ribbon
|
|
11 / 2941 |
|
|
School On Alert
|
|
2 / 388 |
|
|
Slain
|
|
9 / 2265 |
|
|
Stung by a Wasp
|
|
1 / 264 |
|
|
Sylvia's Use of Senses in Ariel
|
|
8 / 2141 |
|
|
T.P.
|
|
4 / 1119 |
|
|
The Adventures of Tom Sawyer
|
|
2 / 546 |
|
|
The Beast is Silent
|
|
14 / 3771 |
|
|
The Cuban Change
|
|
2 / 482 |
|
|
The Ice Cream Incident
|
|
4 / 910 |
|
|
The Red Shoes
|
|
3 / 830 |
|
|
The Rewards of Homeschooling
|
|
2 / 462 |
|
|
The Smell
|
|
3 / 804 |
|
|
The Unattended Graveyard
|
|
15 / 3985 |
|
|
The Unknown - Chapter 1
|
|
8 / 2085 |
|
|
The Waiting Room
|
|
11 / 2819 |
|
|
Tom Sawyer
|
|
2 / 450 |
|
|
U.F.O and Aliens
|
|
3 / 644 |
|
|
What Matters?
|
|
2 / 502 |
|
|
When Is It Stalking
|
|
4 / 1051 |
|
|
When the birds hit the windows.
|
|
7 / 1884 |
|
|
Dance
|
|
2 / 473 |
|
|
A Cream Cracker Under the Settee
|
|
5 / 1122 |
|
|
A Doll House
|
|
4 / 1110 |
|
|
A Doll's House (The Transformation of Nora)
|
|
5 / 1204 |
|
|
A Goodness in Humankind
|
|
5 / 1222 |
|
|
A Prayer for Owen Meany
|
|
5 / 1277 |
|
|
A Streetcar Named Desire
|
|
6 / 1449 |
|
|
A View from the Bridge
|
|
27 / 7334 |
|
|
Abortion
|
|
2 / 336 |
|
|
An Analysis of Gatsby’s Success and Failure
|
|
4 / 868 |
|
|
Antigone
|
|
4 / 903 |
|
|
Before The Law
|
|
3 / 647 |
|
|
Bob Marley
|
|
5 / 1178 |
|
|
Change of Jem and Scout
|
|
3 / 588 |
|
|
Civilization: Savagery, Power, Fear
|
|
5 / 1297 |
|
|
Cloning
|
|
3 / 771 |
|
|
Creon: Accused and Accuser
|
|
3 / 754 |
|
|
Crime and Punishment
|
|
4 / 921 |
|
|
Dr Faustus and Seven Sins
|
|
6 / 1553 |
|
|
Duffy “Little Red Cap” poem
|
|
7 / 1802 |
|
|
Emily Dickinson
|
|
13 / 3502 |
|
|
Ender's Shadow or Ender's Game
|
|
12 / 3149 |
|
|
Ernest Hemingway
|
|
4 / 858 |
|
|
Forthcoming of American Literature
|
|
5 / 1352 |
|
|
Frankenstein: Shelley Use of Mascuine and Feminine Roles
|
|
8 / 2008 |
|
|
Frends Forever
|
|
4 / 1038 |
|
|
Gregorik Andras
|
|
12 / 3357 |
|
|
Hamlet: Soliloquies
|
|
4 / 1111 |
|
|
Harry Potter
|
|
3 / 651 |
|
|
Heart of Darkness
|
|
4 / 878 |
|
|
Hemingway: Writer or Dreamer?
|
|
28 / 7782 |
|
|
Hierarchy and the Disorder of Separation in the Bible
|
|
5 / 1355 |
|
|
Home Schooling
|
|
2 / 530 |
|
|
How successful is Dickens in his presentation of female characters?
|
|
4 / 924 |
|
|
How the Colonization Era affected Authors
|
|
4 / 1044 |
|
|
Human Consciousness
|
|
7 / 1734 |
|
|
Importance of Fathers
|
|
2 / 366 |
|
|
Innocent Victim of Love
|
|
3 / 678 |
|
|
It's Raining in Mango
|
|
4 / 1110 |
|
|
Ivan Denisovich and Humanity
|
|
4 / 1108 |
|
|
Juliet Capulet
|
|
2 / 442 |
|
|
Kerouac and Tyler, On the Road and Saint Maybe
|
|
8 / 1977 |
|
|
Kindergarteners
|
|
4 / 998 |
|
|
Knowledge in Name of the Rose
|
|
8 / 2015 |
|
|
Lord of the Files
|
|
2 / 484 |
|
|
Lord of the Flies - Savagery
|
|
4 / 929 |
|
|
Maggie Girl of the Streets & Huck Finn - Family Life
|
|
4 / 888 |
|
|
Mary Shelley and Parallels
|
|
4 / 990 |
|
|
Milton’s Paradise Lost
|
|
15 / 4162 |
|
|
Misdirection of Anger
|
|
5 / 1313 |
|
|
Mother Courage and Capitulation
|
|
2 / 427 |
|
|
Much Ado About Nothing
|
|
13 / 3465 |
|
|
Odysseus: Epic Hero?
|
|
3 / 603 |
|
|
Oedipus the King
|
|
10 / 2601 |
|
|
Oedipus
|
|
6 / 1491 |
|
|
Orwell and Foucault
|
|
5 / 1359 |
|
|
Play called Absent Friends
|
|
5 / 1205 |
|
|
Present Provoking Past
|
|
5 / 1327 |
|
|
Primal Instinct
|
|
3 / 771 |
|
|
Racism in "Master Harold"
|
|
7 / 1727 |
|
|
Red Badge of Courage
|
|
3 / 576 |
|
|
Resplendent Rivendel
|
|
3 / 579 |
|
|
Romeo & Juliet
|
|
9 / 2316 |
|
|
Say it, Write it, Defend it and Judge it – in English!
|
|
14 / 3676 |
|
|
Scene Seven
|
|
2 / 379 |
|
|
Similarities and Difference between Oceania in 1984 and the USA
|
|
6 / 1535 |
|
|
Smoking
|
|
6 / 1428 |
|
|
Social Ostracism in Adventures of Huckleberry Finn
|
|
5 / 1126 |
|
|
Stoker and Wilde
|
|
9 / 2336 |
|
|
Strindberg's Miss Julie and Beckett's Waiting for Godot
|
|
9 / 2340 |
|
|
Sun Bear Bile Extraction
|
|
4 / 915 |
|
|
Technology
|
|
3 / 743 |
|
|
Tess of the D'Urbervilles
|
|
4 / 1083 |
|
|
The Chrysalids
|
|
2 / 552 |
|
|
The Courtroom
|
|
6 / 1449 |
|
|
The Credibility of Expository Texts RE 'Unzipped' - Bronwyn Donaghy
|
|
3 / 760 |
|
|
The Crucible
|
|
5 / 1222 |
|
|
The Echoing Green
|
|
3 / 705 |
|
|
The Great Gatsby
|
|
7 / 1728 |
|
|
The Jilting of Granny Weatherall
|
|
3 / 822 |
|
|
The role of the Inspector in 'An Inspector Calls.'
|
|
17 / 4682 |
|
|
The Storm, The Yellow Wallpaper, Young Goodman Brown
|
|
5 / 1141 |
|
|
The Winslow Boy by Terrance Rattigan
|
|
4 / 906 |
|
|
Tragedy
|
|
8 / 2224 |
|
|
Trip to United States
|
|
5 / 1205 |
|
|
Understanding Drama!
|
|
1 / 59 |
|
|
Unzipped
|
|
5 / 1186 |
|
|
Volpone Ben Jonson
|
|
5 / 1123 |
|
|
What Happens to a Dream Deferred?
|
|
3 / 771 |
|
|
Inspector Calls Coursework
|
|
8 / 1977 |
|
|
Kissinger, Metternich, Realism
|
|
4 / 887 |
|
|
Lives of Women in the Renaissance
|
|
9 / 2408 |
|
|
Mary, Queen of Scots
|
|
3 / 756 |
|
|
Napoleon
|
|
13 / 3381 |
|
|
Southern Cyprus
|
|
16 / 4284 |
|
|
The "Phenomenon" of Greece
|
|
20 / 5380 |
|
|
The Alamo
|
|
8 / 2126 |
|
|
Voltaire: A History That Never Moved
|
|
12 / 3225 |
|
|
Why was Karl Marx so disparaging of the utopian socialists
|
|
8 / 2156 |
|
|
Aboriginal Customary Laws and Australian Contemporary Laws
|
|
2 / 551 |
|
|
Australia's Involvement in the Vietnam War
|
|
5 / 1159 |
|
|
Basic Greek History
|
|
6 / 1501 |
|
|
British Monarchy
|
|
21 / 5772 |
|
|
Cyprus
|
|
14 / 3668 |
|
|
Is it Constitutional to Bare Arms?
|
|
3 / 583 |
|
|
Roosevelt's Response to the Great Depression
|
|
5 / 1362 |
|
|
Tale Of Two Cities
|
|
4 / 898 |
|
|
The Italian Wars
|
|
7 / 1720 |
|
|
The Mystery of Dunkeld
|
|
5 / 1349 |
|
|
The Roman games
|
|
4 / 1068 |
|
|
Vietnam War Memorial
|
|
0 / 0 |
|
|
Walt Disney and Disneyland
|
|
6 / 1584 |
|
|
Analysis of Kurdish Geopolitics Past and Present
|
|
8 / 1989 |
|
|
Alienation in Modern Society
|
|
5 / 1263 |
|
|
Citizen Kane: An Accurate Portrayal of William Randolph Hearst?
|
|
14 / 3847 |
|
|
Critique La Ventura
|
|
3 / 813 |
|
|
Critique on Open City
|
|
4 / 1101 |
|
|
If Someone Did You a Favor
|
|
8 / 2115 |
|
|
Joy Luck Club
|
|
4 / 985 |
|
|
Matrix Reloaded
|
|
14 / 3755 |
|
|
Once Were Warriors
|
|
16 / 4422 |
|
|
Saving Private Ryan
|
|
4 / 1019 |
|
|
Smoke Signals - Personal Reflection
|
|
2 / 450 |
|
|
The Breakfast Club
|
|
4 / 921 |
|
|
The Intent of Forrest Gump
|
|
4 / 932 |
|
|
The Matrix
|
|
31 / 8428 |
|
|
And They Obey
|
|
1 / 198 |
|
|
At Cooloola
|
|
2 / 469 |
|
|
Beowolf - The Ideal Epic Hero
|
|
3 / 616 |
|
|
Beowulf
|
|
2 / 510 |
|
|
British Poetry
|
|
15 / 4006 |
|
|
Brown Eyed Girl
|
|
2 / 334 |
|
|
Compare the Poems “Havisham” and “The Laboratory”.
|
|
2 / 544 |
|
|
Dulce et Deorum Est
|
|
8 / 2120 |
|
|
Ginsberg's Howl: A Counterculture Manifesto
|
|
14 / 3788 |
|
|
I Am Someone
|
|
2 / 453 |
|
|
Immortal Poetry
|
|
6 / 1453 |
|
|
Jim Morisson
|
|
24 / 6621 |
|
|
Poems for the Eye
|
|
7 / 1789 |
|
|
Poetry Intertextual
|
|
9 / 2331 |
|
|
Porphyria’s Lover
|
|
16 / 4295 |
|
|
Seven Ages
|
|
1 / 149 |
|
|
Sylvia Plath
|
|
8 / 1984 |
|
|
Ted Hughes' 'The Jaguar'
|
|
9 / 2414 |
|
|
The Echoing Green
|
|
3 / 705 |
|
|
The Flea
|
|
3 / 684 |
|
|
The Hawk Essay
|
|
4 / 961 |
|
|
The Struggle of Art in Kubla Khan
|
|
4 / 960 |
|
|
The Tatyana-caste
|
|
7 / 1826 |
|
|
Theme of Beowulf
|
|
3 / 649 |
|
|
A Mid Overlook of Shakespeare
|
|
2 / 336 |
|
|
A View From The Bridge
|
|
10 / 2731 |
|
|
Analysing Shylock's Dual-Role as Villain and Victim
|
|
6 / 1476 |
|
|
Androgyny: Will of Shakespeare's Female Characters
|
|
6 / 1437 |
|
|
Appearance vs. Reality
|
|
4 / 1034 |
|
|
As you like it - Act 1
|
|
5 / 1277 |
|
|
Biography and Theatre
|
|
8 / 2043 |
|
|
Character Sketch on Juliet
|
|
1 / 90 |
|
|
Classical Imagery in Shakespeare's Much Ado About Nothing
|
|
13 / 3449 |
|
|
Comedy in Shakespeare
|
|
8 / 2176 |
|
