Discount applied successfully
Title |
|
Pages / Words |
Save |
Fires in the Mirror
|
|
3 / 681 |
|
Five Ways to Kill a Man
|
|
4 / 926 |
|
Flowered Memories: An Analysis of Ted Hughes' Daffodils
|
|
5 / 1279 |
|
Foolish In Twelfth Night
|
|
4 / 1095 |
|
Forget Me "Sonnet 71"
|
|
2 / 547 |
|
Francis Bacon (Nonfiction, British Author)
|
|
3 / 723 |
|
Frankenstein Kickass Paper
|
|
9 / 2506 |
|
Frankenstein Vs. Bladerunner
|
|
12 / 3098 |
|
From Past to Present:
|
|
7 / 1785 |
|
Frost At Midnight
|
|
1 / 227 |
|
Frost On Death
|
|
3 / 699 |
|
Frost's Life as a Poet
|
|
9 / 2467 |
|
Fugitive Pieces
|
|
2 / 474 |
|
GCSE Coursework Assignment
|
|
9 / 2477 |
|
Gateway To Heaven
|
|
16 / 4460 |
|
Geisha
|
|
9 / 2414 |
|
Gender Identities in Tragedy and Romance
|
|
8 / 2059 |
|
Gender Roles in Shakespeare
|
|
7 / 1775 |
|
Gender Roles in Shakespeare
|
|
7 / 1761 |
|
Gender Roles in Twelfth Night
|
|
6 / 1610 |
|
Gender roles in Shakespeare
|
|
3 / 730 |
|
General Translation Theories
|
|
18 / 4893 |
|
Geoffrey Chauser
|
|
9 / 2357 |
|
George Eliot
|
|
6 / 1599 |
|
George Gordon Lord Byron: A True Romantic
|
|
8 / 2145 |
|
Glasgow 5Th March
|
|
5 / 1241 |
|
Globe Theater
|
|
4 / 1089 |
|
Goblin Market - Poetry
|
|
4 / 1007 |
|
Goodnight Sweet Ladies
|
|
7 / 1955 |
|
Greed
|
|
7 / 1764 |
|
Greek Chorus In History
|
|
8 / 2076 |
|
Green Stone
|
|
4 / 906 |
|
Guide to Conducting Literary Research
|
|
30 / 8291 |
|
Gulliver's Travels
|
|
2 / 537 |
|
Gullivers travels
|
|
5 / 1356 |
|
Gwyn Thomas
|
|
15 / 4016 |
|
HAMLETS REVENGE
|
|
9 / 2448 |
|
HEart Of Darkness
|
|
5 / 1285 |
|
Hamlet -- is hamlet sane
|
|
3 / 738 |
|
Hamlet Character review
|
|
6 / 1567 |
|
Hamlet Essay
|
|
4 / 1095 |
|
Hamlet His own Victim
|
|
3 / 786 |
|
Hamlet Research Paper
|
|
9 / 2434 |
|
Hamlet and the motif of thought
|
|
15 / 4125 |
|
Hamlet as a Tragic Hero
|
|
6 / 1562 |
|
Hamlet coursework
|
|
7 / 1766 |
|
Hamlet'S Motive
|
|
6 / 1489 |
|
Hamlet's Delay In Murder Of Claudius
|
|
4 / 1071 |
|
Hamlet's Soliloquy - To be, or not to be
|
|
9 / 2296 |
|
Hamlet, A Story for the Ages
|
|
4 / 1011 |
|
Hamlet, why did he delay
|
|
6 / 1621 |
|
Hamlet
|
|
2 / 380 |
|
Hamlet
|
|
6 / 1413 |
|
Hamlet
|
|
5 / 1349 |
|
Hamlet
|
|
8 / 2010 |
|
Hamlet
|
|
11 / 2876 |
|
Hamlet
|
|
6 / 1566 |
|
Hamlet
|
|
7 / 1715 |
|
Hamlet
|
|
6 / 1619 |
|
Handbook for William
|
|
11 / 2880 |
|
Hayden carruth
|
|
2 / 383 |
|
Hedekthescotch
|
|
2 / 363 |
|
Help in Time of Need
|
|
4 / 1036 |
|
Hemmingway
|
|
24 / 6502 |
|
Henry David Thoreau
|
|
2 / 413 |
|
Henry David Thoreau: Transcendentalist
|
|
4 / 845 |
|
Henry Wadsworth Longfellow An American Writing Icon
|
|
7 / 1777 |
|
Henry Wadsworth Longfellow
|
|
2 / 291 |
|
Here Follows Some Verses
|
|
2 / 429 |
|
Heritage
|
|
3 / 831 |
|
Hero Archetypes and Epic Conventions in The Odyssey and Beowulf
|
|
11 / 3048 |
|
Hero of Paradie Lost
|
|
6 / 1617 |
|
Heroes in the Making - Beowulf
|
|
3 / 614 |
|
Herrick Vs Marvell
|
|
2 / 533 |
|
His
|
|
2 / 291 |
|
History Of Philippine Literature
|
|
2 / 332 |
|
History Of Philippine Literature
|
|
1 / 264 |
|
History Of Rap
|
|
5 / 1304 |
|
History of the English Language
|
|
2 / 496 |
|
History of the English Language
|
|
2 / 501 |
|
History of the Sonnet and History of Shakespeare
|
|
4 / 985 |
|
Holy Sonnet 14
|
|
4 / 956 |
|
Homer-Comparison And Contrast Of The Gods In Homer's Epics With The G
|
|
11 / 3012 |
|
How Does Breyten Breytenbach Show In His Poetry His Wife's Significanc
|
|
5 / 1159 |
|
How Does John Keats Feel About Nature?
|
|
2 / 372 |
|
How Does Shakespeare Use Dramatic Devices To Make Act 3 Scene 1 Such An Interesting Exciting Scene?
|
|
2 / 377 |
|
How Does Shakespeare’S Use Of Language In The Prologue To Act 1 Scene 5 Create A Sense Of Fatalism And Serve To Augment The Dramatic Events In Act 1 Scene 5?
|
|
1 / 232 |
|
How Far is Shylock a Character for Whom We Can Feel Sympathy? How Would a Contemporary Audience's Response to Him Differ from That of an Audience in Shakespeare's Time?
|
|
10 / 2687 |
|
How WW1 Changed British Literature
|
|
6 / 1661 |
|
How do I love Thee?
|
|
3 / 678 |
|
How does Ford portray the city of Parma? How might an English audience in the 1630’s respond?
|
|
4 / 1065 |
|
How does Patrick Kavanagh address the concept of landscape in his poetry?
|
|
6 / 1480 |
|
How does Shakepear use dramatic devices in Act3 Scene1 of Romeo and Juliet in order to make it such an intersting, exciting and important scene?
|
|
6 / 1584 |
|
How does Shakespeare portray the nature
|
|
5 / 1231 |
|
How does Shakespeare present love and marriage in ?Much Ado About Nothing' and how might a modern audience respond to the presentation of these themes?
|
|
6 / 1639 |
|
How does Television utilize the components of Drama, Prose, and Poetry?
|
|
3 / 589 |
|
How is contrast used in ?Two Scavengers in a truck, Two Beautiful people in a Mercedes', compared to the use of contrast in ?Nothing's Changed'?
|
|
6 / 1449 |
|
How is evil Portrayed in Macbeth?
|
|
5 / 1143 |
|
How is the Fool presented in 'King Lear'?
|
|
8 / 2000 |
|
How successful is Chinua Achebe in representing an image of Africa that "writes back" to the European coloniser?
|
|
11 / 2890 |
|
How the Elements of Poetry Indicate Tone
|
|
4 / 1113 |
|
How to Analyze Poetry
|
|
7 / 1725 |
|
Hsc Modules Overview
|
|
11 / 2967 |
|
Humanism
|
|
7 / 1705 |
|
Hume's Influences
|
|
36 / 10027 |
|
Hymn To Intellectual Beauty
|
|
7 / 1702 |
|
I Started Early-took My Dog
|
|
4 / 914 |
|
I am a Jew
|
|
6 / 1471 |
|
I heard a fly buzz when I died
|
|
4 / 1117 |
|
IF - a victim of its own success
|
|
3 / 636 |
|
Iago's Vengefulness
|
|
2 / 522 |
|
Iago's personality
|
|
2 / 329 |
|
Identity in the Poetry of Langston Hughes
|
|
10 / 2669 |
|
Imagery In Poems “Daddy” And “Lady Lazarus” By Sylvia Plath
|
|
5 / 1339 |
|
In Bad Blood, find the passage which begins in chapter 8 with ?My mother felt?' (p.125) and finishes in chapter 9 with ?I found a place to hide.' (p.131).
|
|
4 / 1112 |
|
In Cold Blood: The Devastation of an American Dream
|
|
7 / 1691 |
|
In Love and War
|
|
8 / 2040 |
|
In The Orchard
|
|
5 / 1227 |
|
In What Ways Does Shakespeare Create Sympathy For Romeo And Juliet And Their Relationship?
|
|
4 / 932 |
|
In love with Shakespeare
|
|
5 / 1198 |
|
In the Orchard by Muriel Stuart
|
|
2 / 415 |
|
In the skin of a lion
|
|
2 / 486 |
|
In this culture
|
|
4 / 909 |
|
Indian writing in English
|
|
5 / 1361 |
|
Indolence, Keats's muse of guilt
|
|
16 / 4328 |
|
Influences of Queen Elizabeth I (1558-1603)
|
|
3 / 727 |
|
Innovation & Strangeness; or, Dialogue and Monologue in the 1798 Lyric
|
|
15 / 4022 |
|
Interpretation of the Poem \
|
|
3 / 622 |
|
Intertextuality
|
|
9 / 2429 |
|
Introductory Lecture On Shakespeare's Hamlet
|
|
43 / 12028 |
|
Irony in 2 short excerpts in "The Ruined Maid"
|
|
1 / 167 |
|
Is Don John a credible villain?
|
|
4 / 904 |
|
Is Krishna an effective teacher?
|
|
3 / 709 |
|
Is Poetry Dead
|
|
3 / 770 |
|
Israfel By Edgar Allan Poe
|
|
7 / 1708 |
|
Issue Of Mortality: “naiv Is Bliss And Maturity Is Egocentric”
|
|
7 / 1949 |
|
Italian Renaissance Art
|
|
8 / 2189 |
|
James joyce Dubliners
|
|
5 / 1227 |
|
Jane Austen’s novels and the contemporary social and literary conventions.
|
|
46 / 12664 |
|
Jane Eyre and Victorian Era
|
|
11 / 2930 |
|
Jane Eyre, Hamlet And Keats
|
|
6 / 1566 |
|
Jane Eyre
|
|
6 / 1423 |
|
John Donne - The Indifferent
|
|
5 / 1164 |
|
John Donne Poetry Analysis
|
|
10 / 2665 |
|
John Donne as a metaphysical poet
|
|
4 / 1006 |
|
John Donne vs. The Elizabethan Lyric
|
|
6 / 1580 |
|
John Donne's Songs and Sonets
|
|
5 / 1121 |
|
John Donne
|
|
3 / 798 |
|
John Donne
|
|
24 / 6511 |
|
John Donne
|
|
6 / 1468 |
|
John Dryden
|
|
1 / 280 |
|
John Keats
|
|
4 / 1089 |
|
John Keats
|
|
4 / 1099 |
|
John Keats
|
|
11 / 2995 |
|
John Updike
|
|
4 / 1048 |
|
Journey into the Puritan Heart: Nathaniel's Hawthorne's Young Goodman
|
|
12 / 3188 |
|
Joyful Noise
|
|
3 / 688 |
|
Judith Ortiz Cofer: Understanding a Writer
|
|
5 / 1147 |
|
Judith Wright
|
|
5 / 1200 |
|
Jules verne
|
|
3 / 740 |
|
Julius Caesar Shakespeare Comparison Outline
|
|
10 / 2642 |
|
Justice In Hamlet
|
|
5 / 1237 |
|
Keats
|
|
2 / 301 |
|
Kerouac
|
|
5 / 1294 |
|
King Arthur
|
|
15 / 4002 |
|
King Lear - How are the women presented in Act IV? Who would disagree with how they are presented?
|
|
3 / 667 |
|
King Lear
|
|
7 / 1938 |
|
King Lear
|
|
3 / 705 |
|
King Leer
|
|
6 / 1457 |
|
Kite Runner
|
|
4 / 943 |
|
Kowit
|
|
3 / 808 |
|
Kubla Kahn
|
|
2 / 333 |
|
Kubla Khan
|
|
3 / 623 |
|
Lady Lazarus, Sylvia Plath and the Art of Dying
|
|
3 / 652 |
|
Lady Macbeth
|
|
5 / 1272 |
|
Lady Mary Wortley Montagu
|
|
2 / 336 |
|
Lady Mary Wortley Montagu
|
|
3 / 690 |
|
Lady Mary
|
|
2 / 413 |
|
Lagston Hughes
|
|
4 / 985 |
|
Langston Hughes And Bob Dylan
|
|
4 / 961 |
|
Langston Hughes and Emily Dickinson
|
|
4 / 850 |
|
Langston Hughes' Influence on American Literature
|
|
5 / 1289 |
|
Langston Hughes, Dream Deferred
|
|
3 / 586 |
|
Langston Hughes
|
|
6 / 1468 |
|
Langston Hughes
|
|
2 / 281 |
|
Langston Hughes
|
|
7 / 1951 |
|
Langston Hughes
|
|
3 / 612 |
|
Langston Hughes
|
|
4 / 940 |
|
Langston Hughes
|
|
4 / 938 |
|
Langston Hughes
|
|
5 / 1151 |
|
Langston Hughes
|
|
1 / 194 |
|
Langston Hughes
|
|
5 / 1164 |
|
Langston Hughes: In the beginning there was language
|
|
4 / 1031 |
|
Lanston hughes comparison of two poems
|
|
3 / 669 |
|
Larkin, Philip Comments On This Be The Verse
|
|
5 / 1270 |
|
Latin
|
|
7 / 1740 |
|
Lawrence Ferlinghetti: An American Poet
|
|
4 / 946 |
|
Le Cid
|
|
3 / 713 |
|
Leaving your city: Analysis
|
|
3 / 612 |
|
Leda and the Swan
|
|
17 / 4605 |
|