Discount applied successfully
Title |
|
Pages / Words |
Save |
The Crucible
|
|
2 / 465 |
|
The Duel
|
|
9 / 2512 |
|
The Red Shoes
|
|
3 / 830 |
|
A Cream Cracker Under the Settee
|
|
5 / 1122 |
|
A Cream Cracker Under The Settee
|
|
3 / 588 |
|
A Doll House
|
|
4 / 1110 |
|
A Doll's House (The Transformation of Nora)
|
|
5 / 1204 |
|
A Doll's House
|
|
4 / 975 |
|
A Feminist Approach on Jonathan Swift's "Gulliver Travels"
|
|
7 / 1730 |
|
A Goodness in Humankind
|
|
5 / 1222 |
|
A View from the Bridge
|
|
27 / 7334 |
|
An Analysis of Gatsby’s Success and Failure
|
|
4 / 868 |
|
An Inspector Calls
|
|
3 / 830 |
|
An Inspector Calls
|
|
4 / 997 |
|
Animal farm - Communism
|
|
2 / 315 |
|
Antigone
|
|
4 / 903 |
|
Antigone
|
|
5 / 1189 |
|
Biblical Allusions in Lord of the Flies
|
|
3 / 669 |
|
Change of Jem and Scout
|
|
3 / 588 |
|
Civilization: Savagery, Power, Fear
|
|
5 / 1297 |
|
Class Consciousness in Pride and Prejudice
|
|
4 / 1060 |
|
Comparision of Duddy Kravitz and Jay Gatsby
|
|
7 / 1852 |
|
Creon: Accused and Accuser
|
|
3 / 754 |
|
Crime and Punishment
|
|
5 / 1281 |
|
Crime and Punishment
|
|
4 / 921 |
|
Cupidity's Stupidity
|
|
7 / 1842 |
|
Different Types of Criticism and Literary Movements in Short Stories
|
|
8 / 2059 |
|
Dr Faustus - Ambition
|
|
5 / 1236 |
|
Dr Faustus and Seven Sins
|
|
6 / 1553 |
|
Dr Faustus
|
|
7 / 1849 |
|
Educating Rita
|
|
4 / 1050 |
|
Emerson's Individualism
|
|
3 / 835 |
|
Emily Dickinson
|
|
13 / 3502 |
|
Faustus: Renaissance Martyr or Tragic Hero
|
|
11 / 2899 |
|
Forthcoming of American Literature
|
|
5 / 1352 |
|
Frank Black
|
|
2 / 344 |
|
Frankenstein: Shelley Use of Mascuine and Feminine Roles
|
|
8 / 2008 |
|
Hemingway: Writer or Dreamer?
|
|
28 / 7782 |
|
Hierarchy and the Disorder of Separation in the Bible
|
|
5 / 1355 |
|
Home Schooling
|
|
2 / 530 |
|
Hope
|
|
4 / 935 |
|
How Plot, Setting and Characters Influence Readers Response
|
|
3 / 837 |
|
How successful is Dickens in his presentation of female characters?
|
|
4 / 924 |
|
Human Heart
|
|
4 / 1028 |
|
Immortal Life vs. Immortal Name: Gilgamesh and Beowulf
|
|
5 / 1242 |
|
Innocent Victim of Love
|
|
3 / 678 |
|
Ironman
|
|
2 / 374 |
|
Itchoua
|
|
3 / 732 |
|
It's Raining in Mango
|
|
4 / 1110 |
|
Ivan Denisovich and Humanity
|
|
4 / 1108 |
|
Jou Luck Club - Symbol and Image
|
|
2 / 547 |
|
Journey's End by R.C Sherriff
|
|
3 / 705 |
|
Juliet Capulet
|
|
2 / 442 |
|
Kerouac and Tyler, On the Road and Saint Maybe
|
|
8 / 1977 |
|
Knowledge in Name of the Rose
|
|
8 / 2015 |
|
Loman & the American Dream
|
|
4 / 1022 |
|
Lord of the Files
|
|
2 / 484 |
|
Lord of the Flies - Savagery
|
|
4 / 929 |
|
Macbeth Symbolism
|
|
4 / 939 |
|
Masculinity in Hemingway
|
|
5 / 1195 |
|
Matrix
|
|
2 / 505 |
|
Milton’s Paradise Lost
|
|
15 / 4162 |
|
Mindless Existence in Fahrenheit 451
|
|
2 / 530 |
|
Misdirection of Anger
|
|
5 / 1313 |
|
Mother Courage and Capitulation
|
|
2 / 427 |
|
Mr Collins: Character Review
|
|
4 / 1077 |
|
Much Ado About Nothing
|
|
13 / 3465 |
|
My Ambition
|
|
2 / 343 |
|
My Papas Waltz
|
|
1 / 267 |
|
Nietzsche on Religion: Rhetorical Devices
|
|
3 / 793 |
|
Oedipus the King
|
|
10 / 2601 |
|
Oedipus
|
|
6 / 1491 |
|
On the Unfairness of A Teacher
|
|
7 / 1695 |
|
Ordinary Men
|
|
3 / 568 |
|
Orwell and Foucault
|
|
5 / 1359 |
|
Primal Instinct
|
|
3 / 771 |
|
Resplendent Rivendel
|
|
3 / 579 |
|
Rhinoceros
|
|
2 / 488 |
|
Romeo & Juliet
|
|
9 / 2316 |
|
Russian Revolution and Orwell (Animal Farm)
|
|
2 / 519 |
|
Say it isn't so...
|
|
2 / 465 |
|
Scene Seven
|
|
2 / 379 |
|
Stoker and Wilde
|
|
9 / 2336 |
|
Strindberg's Miss Julie and Beckett's Waiting for Godot
|
|
9 / 2340 |
|
Sun Bear Bile Extraction
|
|
4 / 915 |
|
Syllabus vs Curriculum
|
|
15 / 3986 |
|
Symbology in Ethan Frome
|
|
1 / 244 |
|
Tess of the D'Urbervilles
|
|
4 / 1083 |
|
The Chosen
|
|
6 / 1581 |
|
The Credibility of Expository Texts RE 'Unzipped' - Bronwyn Donaghy
|
|
3 / 760 |
|
The Crucible
|
|
5 / 1222 |
|
The Echoing Green
|
|
3 / 705 |
|
The Glass Menagerie
|
|
3 / 701 |
|
The Great American Illusion
|
|
3 / 781 |
|
The Great Gatsby
|
|
7 / 1728 |
|
The Handmaid's Tale
|
|
4 / 878 |
|
The Last of the Mohicans as a Mixture of Genres
|
|
10 / 2573 |
|
The Life and Writings of St. Paul
|
|
3 / 684 |
|
The Macbeth Witches
|
|
3 / 727 |
|
The Paradox of Perfection
|
|
4 / 873 |
|
The Participial Adjective Part of English
|
|
5 / 1191 |
|
The Poison Wood Bible
|
|
1 / 253 |
|
The role of the Inspector in 'An Inspector Calls.'
|
|
17 / 4682 |
|
The Sentiment, Mood, and Philosophy of “The Best Slow Dancer”
|
|
4 / 973 |
|
The Winslow Boy by Terrance Rattigan
|
|
4 / 906 |
|
Tragedy
|
|
8 / 2224 |
|
Truth
|
|
2 / 503 |
|
Volpone Ben Jonson
|
|
5 / 1123 |
|
What Dilemma Did to Him
|
|
4 / 961 |
|
What Do You Find Interesting About The Ways The Writer Presents?
|
|
4 / 878 |
|
British Foreign Relationships
|
|
8 / 2135 |
|
Gin Act
|
|
3 / 617 |
|
Impact of the Proposed Devolution for Scotland
|
|
8 / 2217 |
|
Industrial Revolution
|
|
3 / 747 |
|
Inspector Calls Coursework
|
|
8 / 1977 |
|
Kissinger, Metternich, Realism
|
|
4 / 887 |
|
Napoleon
|
|
13 / 3381 |
|
Southern Cyprus
|
|
16 / 4284 |
|
The Crusades
|
|
4 / 914 |
|
The Most Effective Absolute Rulers in my Opinion
|
|
4 / 1072 |
|
Three Most significant Absolute Monrchs in European History
|
|
2 / 348 |
|
Why was Karl Marx so disparaging of the utopian socialists
|
|
8 / 2156 |
|
Architecture of Transition and Production of Meaning
|
|
13 / 3593 |
|
Australia
|
|
5 / 1161 |
|
Canadian Flag
|
|
3 / 810 |
|
Causes of WW1
|
|
8 / 2226 |
|
Intellectual Life of the Painters of the Early Renaissance
|
|
8 / 2191 |
|
Muhammad Ibn Abdullah: Good or Bad? You Decide
|
|
6 / 1516 |
|
Ramases II
|
|
14 / 3845 |
|
Religious Festivals
|
|
5 / 1160 |
|
Styal Mill
|
|
4 / 972 |
|
The Italian Wars
|
|
7 / 1720 |
|
The Nation-State, Core and Periphery: A Brief sketch of Imperialism
|
|
7 / 1901 |
|
To what extent is Germany responsible for World War I and II?
|
|
4 / 1094 |
|
Origins of Islamic Policy
|
|
4 / 862 |
|
Alienation in Modern Society
|
|
5 / 1263 |
|
Analysis of Easy Rider
|
|
4 / 915 |
|
Blade Runner
|
|
3 / 570 |
|
Critique on Open City
|
|
4 / 1101 |
|
General Patton Part II
|
|
1 / 128 |
|
General Patton Part III
|
|
1 / 168 |
|
General Patton Part IV
|
|
1 / 142 |
|
Heathers and Shame
|
|
9 / 2323 |
|
If Someone Did You a Favor
|
|
8 / 2115 |
|
Lord of the Rings
|
|
3 / 598 |
|
Luc Besson
|
|
11 / 2855 |
|
Matrix Reloaded
|
|
14 / 3755 |
|
Meet me in St. Louis
|
|
2 / 421 |
|
Movies
|
|
2 / 463 |
|
Once Were Warriors
|
|
16 / 4422 |
|
Rainman
|
|
4 / 937 |
|
Saving Private Ryan
|
|
4 / 1019 |
|
Smoke Signals - Personal Reflection
|
|
2 / 450 |
|
The Breakfast Club
|
|
4 / 921 |
|
The Intent of Forrest Gump
|
|
4 / 932 |
|
The Magnificent Ambersons
|
|
9 / 2302 |
|
The Matrix
|
|
31 / 8428 |
|
"Design"
|
|
1 / 276 |
|
Analysis of "My Papa's Waltz"
|
|
2 / 342 |
|
Before I Die
|
|
5 / 1284 |
|
Beowulf Young and Old
|
|
3 / 675 |
|
Beowulf
|
|
2 / 510 |
|
British Poetry
|
|
15 / 4006 |
|
Death Be Not Proud
|
|
3 / 810 |
|
Desert Places - A Journey of a Human Mind
|
|
4 / 844 |
|
Difficulties of Identifying Sexual Status in Donne's 'The Flea'
|
|
5 / 1226 |
|
Donne
|
|
8 / 1981 |
|
I Am Someone
|
|
2 / 453 |
|
Jim Morisson
|
|
24 / 6621 |
|
Poems, their subject and purpose
|
|
3 / 639 |
|
Poetry Intertextual
|
|
9 / 2331 |
|
Porphyria’s Lover
|
|
16 / 4295 |
|
Resurrection of Nature and Modernity in Merwin's Drunk in the Furnace
|
|
6 / 1532 |
|
Robert Frost's "The Road Not Taken"
|
|
3 / 733 |
|
Sylvia Plath
|
|
8 / 1984 |
|
The Echoing Green
|
|
3 / 705 |
|
The Flea
|
|
3 / 684 |
|
The Hawk Essay
|
|
4 / 961 |
|
A View From The Bridge
|
|
10 / 2731 |
|
Analysing Shylock's Dual-Role as Villain and Victim
|
|
6 / 1476 |
|
Analysis of Othello and Iago in Act 1
|
|
3 / 612 |
|
Androgyny: Will of Shakespeare's Female Characters
|
|
6 / 1437 |
|
Appearance vs. Reality
|
|
4 / 1034 |
|
As you like it - Act 1
|
|
5 / 1277 |
|
Baz Luhrman?s Version of Romeo and Juliet
|
|
3 / 721 |
|
Benedick Transformed
|
|
6 / 1600 |
|
Biography and Theatre
|
|
8 / 2043 |
|
Brutus
|
|
2 / 415 |
|
Character Profile of Friar Lawrence
|
|
3 / 613 |
|
Character Sketch on Juliet
|
|
1 / 90 |
|
Classical Imagery in Shakespeare's Much Ado About Nothing
|
|
13 / 3449 |
|
Comedy in Shakespeare
|
|
8 / 2176 |
|
Evil character of Lady Macbeth
|
|
4 / 1117 |
|
Falstaff + Hotspur = Prince Hal: Their Actions on the Battlefield
|
|
4 / 941 |
|
Fate on Juliet in William Shakespeare's Romeo and Juliet
|
|
8 / 2240 |
|
Fate Playing a Role
|
|
6 / 1642 |
|
Fools and Foolishness in King Lear
|
|
6 / 1504 |
|
Friar Laurence
|
|
1 / 215 |
|
Gender Roles And Macbeth
|
|
7 / 1884 |
|
Gloucester Subplot in King Lear.
|
|
6 / 1452 |
|