Discount applied successfully
| Title |
|
Pages / Words |
Save |
|
Analysis of The YellowWallpaper
|
|
6 / 1429 |
|
|
Analysis of "An Occurrence at Owl Creek Bridge"
|
|
3 / 689 |
|
|
Analyzing Emily Dickenson in "Because I Could Not Stop for Death"
|
|
3 / 614 |
|
|
Analyzing Symbols in Chaucer
|
|
5 / 1380 |
|
|
Ananlysis Of Andrew Marvell Coy Mistress
|
|
2 / 348 |
|
|
Ancient Advances In Mathematics
|
|
6 / 1670 |
|
|
Andrew Wythe
|
|
3 / 653 |
|
|
Anger Management
|
|
4 / 907 |
|
|
Animal Farm
|
|
6 / 1569 |
|
|
Anna Karinna
|
|
5 / 1197 |
|
|
Anne Sexton "Cinderella"
|
|
4 / 1010 |
|
|
Anthem for Doomed Youth Commentary Wilfred Owen
|
|
5 / 1133 |
|
|
Anthrax
|
|
4 / 884 |
|
|
Appearance Vs. Reality
|
|
4 / 923 |
|
|
Argumentation In The Adventures Of Huckleberry Finn
|
|
2 / 376 |
|
|
Arthur Miller's Death of a Salesman as Social Commentary
|
|
2 / 492 |
|
|
As You Like It Play
|
|
82 / 22699 |
|
|
As you like it
|
|
22 / 6009 |
|
|
Aspectual Form
|
|
2 / 469 |
|
|
Auguste Rodin and Geoges Rouault
|
|
3 / 680 |
|
|
Australian Poet Slessor, use of imagery
|
|
3 / 669 |
|
|
Authenticity of Love
|
|
5 / 1291 |
|
|
BELIEVE IT OR NOT
|
|
6 / 1456 |
|
|
Bakhtin Nad T S Eliot
|
|
5 / 1232 |
|
|
Ballet National D' Cuba
|
|
4 / 987 |
|
|
Baroque
|
|
7 / 1882 |
|
|
Bartleby The Scrivener, Deeply Symbolic
|
|
4 / 1038 |
|
|
Bartolome de las Casas
|
|
5 / 1384 |
|
|
Basil's Changes As Related To Wilde's Opinion On Art
|
|
4 / 854 |
|
|
Battle Royal
|
|
8 / 2156 |
|
|
Beloved: Analysis
|
|
25 / 6879 |
|
|
Bend It Like Beckham
|
|
4 / 1013 |
|
|
Beowulf
|
|
6 / 1597 |
|
|
Bereft Commentary
|
|
2 / 433 |
|
|
Bernice Bobs Her Hair
|
|
5 / 1346 |
|
|
Beyond Binary Opposition ——
|
|
3 / 835 |
|
|
Bildungsroman Novels
|
|
16 / 4282 |
|
|
Biography of Charles Dickens
|
|
5 / 1125 |
|
|
Black Humor
|
|
8 / 2069 |
|
|
Blanche's Psychological Breakdown
|
|
6 / 1449 |
|
|
Blue Jeans, Black Leather Jackets,
|
|
21 / 5665 |
|
|
Boo
|
|
7 / 1751 |
|
|
Breaking down of a poem
|
|
3 / 757 |
|
|
Brendan Behan:Biography
|
|
12 / 3163 |
|
|
Broken Dreams and Fallen Themes: The corruption of the american dream in the Great Gatsby
|
|
6 / 1435 |
|
|
Brokenness: Subdued Completely
|
|
3 / 786 |
|
|
Bronte's Wuthering Heights: Apollonian and Daemonic Influences
|
|
9 / 2267 |
|
|
Byzantium
|
|
4 / 901 |
|
|
COMPARATIVE COMMENTARY Of two texts describing the problem of the global warming
|
|
3 / 649 |
|
|
Cabaret Information
|
|
49 / 13447 |
|
|
Caesar Info
|
|
40 / 10989 |
|
|
Candide
|
|
5 / 1182 |
|
|
Canterbury Tales
|
|
18 / 4919 |
|
|
Cat On A Hot Tin Roof Exam Question
|
|
6 / 1619 |
|
|
Catcher In The Rye
|
|
2 / 303 |
|
|
Catcher In The Rye: Psychological Profile
|
|
11 / 3039 |
|
|
Character Analysis Utterson
|
|
1 / 275 |
|
|
Character Satire in Chaucer's Canterbury Tales
|
|
9 / 2251 |
|
|
Charcter and Free Play - Moll Flanders
|
|
9 / 2519 |
|
|
Charles Darnay Essay
|
|
3 / 658 |
|
|
Charles Dickens - Oliver Twist
|
|
7 / 1809 |
|
|
Charles Dickens and His Contributions to Classic English Literature
|
|
3 / 726 |
|
|
Charles Dickens
|
|
5 / 1127 |
|
|
Charles Dickens; Reforming From Experience
|
|
13 / 3493 |
|
|
Charles Dickens
|
|
5 / 1164 |
|
|
Charles Dickens
|
|
10 / 2680 |
|
|
Chaucer The Pardoner
|
|
7 / 1824 |
|
|
Citizen Kane
|
|
12 / 3152 |
|
|
Close critical analysis of Coleridge's 'Frost at Midnight'
|
|
6 / 1638 |
|
|
Clueless A Transformation Of Emma
|
|
16 / 4416 |
|
|
Colerige's The Eolian Harp
|
|
6 / 1467 |
|
|
College Essay
|
|
2 / 522 |
|
|
College Essay: If You Could Meet Anyone, Who Would It Be And Why - Pol
|
|
2 / 439 |
|
|
Combining Educational Aspects
|
|
4 / 1031 |
|
|
Comfort Of Strangers Commentary
|
|
5 / 1174 |
|
|
Comical Elements in Romeo & Juliet
|
|
6 / 1459 |
|
|
Commentary On Newman's ?Portrait Of A Gentleman'
|
|
2 / 445 |
|
|
Commentary On ‘A Gift’ By Rahila Gupta
|
|
3 / 644 |
|
|
Commentary On “lifeguard By John Updike:
|
|
2 / 555 |
|
|
Commentary on A Handmaid's Tale
|
|
4 / 841 |
|
|
Commentary on Beowulf Lines 710 - 727
|
|
2 / 283 |
|
|
Commentary on "Abstract Inquiry and the Patrolling of Black/White Borders through Linguistic Stylization" by John Taggart Clark: Teachers and the ethnicity of their students
|
|
3 / 684 |
|
|
Commentary on ?The Lesson' by Roger McGough
|
|
3 / 819 |
|
|
Commentary on "Where Are You Going, Where Have You Been"
|
|
6 / 1473 |
|
|
Commentary on "Where Are You Going, Where Have You Been"
|
|
6 / 1472 |
|
|
Commentary on british architectures
|
|
4 / 849 |
|
|
Commentary on passge (page 124-125) of Things Fall Apart by Chnua Achebe
|
|
4 / 930 |
|
|
Commentary on the poem 'My Grandmother' by Elizabeth Jennings
|
|
4 / 1005 |
|
|
Commentary on the poem “Ozymandias King of Egypt” by Percy Bysshe Shelley
|
|
4 / 899 |
|
|
Comments on Waiting for Godot
|
|
16 / 4374 |
|
|
Comparative Analysis of The Three Musketeers and The Count of Monte Christo
|
|
4 / 1077 |
|
|
Comparative Essay on Don Quixote and Sir Gawain
|
|
3 / 622 |
|
|
Compare and Contrast between the Flood in Gilgamesh and The Old Testament
|
|
7 / 1942 |
|
|
Compare and Contrast the ways in which the writers present the horrors of the war in "Regeneration" and "Journey's End".
|
|
8 / 2103 |
|
|
Compare and Contrast: Dr. Heidigger vs. Colonel Killigrew
|
|
3 / 837 |
|
|
Compare how the authors capture the readers’ sympathy for their eponymous heroines in 'The French Lieutenant's Woman' and 'Tess of the D'Urbervilles'
|
|
9 / 2446 |
|
|
Comparison Of Dorian Gray To Lord Henry And Sibyl Vane
|
|
2 / 463 |
|
|
Comparison Of Two Irish Writers (no bibliography)
|
|
5 / 1222 |
|
|
Comparison of how Shusaku Endo in Wonderful Fool and Albert Camus in The Outsider have used moral issues to develop their works
|
|
6 / 1528 |
|
|
Comparison poem 'Octopus' and an article in the Toronto Globe and Mail
|
|
4 / 846 |
|
|
Conflict In Nathaniel Hawthorne'S The Scarlet Letter
|
|
4 / 973 |
|
|
Conrad's Intent In Heart Of Darkness
|
|
4 / 1107 |
|
|
Consequence of a Rebellious Adolesant
|
|
6 / 1451 |
|
|
Consider the presentation of the mind of a murderer in "The Wasp Factory" and "The Silence of the Lambs".
|
|
14 / 3650 |
|
|
Contrast and Comparison of the Knight and the Wife of Bath
|
|
5 / 1134 |
|
|
Contratries in Marriage of Heaven and Hell
|
|
5 / 1332 |
|
|
Cotemporary Heroes and Anglo- Saxon Heroes
|
|
1 / 279 |
|
|
Covert War: Nature Vs. Culture in The Last of the Mohicans
|
|
1 / 223 |
|
|
Crime and Punishment, Fathers and Sons, We
|
|
5 / 1400 |
|
|
Critical Analysis of a passage from Horace Walpole's Castle of Otranto
|
|
4 / 864 |
|
|
Critical commentary on Cider with Rosie by Laurie Lee
|
|
4 / 1082 |
|
|
Cross-cultural communication
|
|
5 / 1295 |
|
|
Cubism
|
|
5 / 1293 |
|
|
Cultural Confines Of Woman
|
|
3 / 666 |
|
|
Cultural Confines
|
|
3 / 671 |
|
|
Cultural Confines
|
|
3 / 670 |
|
|
Dance
|
|
9 / 2512 |
|
|
Dante
|
|
19 / 5218 |
|
|
Dead Soldiers
|
|
3 / 700 |
|
|
Death Of A Salesman (Happy)
|
|
2 / 403 |
|
|
Death Of A Salesman
|
|
7 / 1799 |
|
|
Death as a theme in the writings of Emily Dickinson
|
|
11 / 2937 |
|
|
Death of An Illusion
|
|
3 / 728 |
|
|
Death of a Salesman Vs. Our Town
|
|
7 / 1733 |
|
|
Death of a salesman
|
|
3 / 824 |
|
|
Deceptive simplicity in Frost's poems
|
|
3 / 675 |
|
|
Descartes' Skeptical Argument And Reponses By Bouwsma And Malcolm
|
|
9 / 2355 |
|
|
Destiny
|
|
5 / 1196 |
|
|
Devil's Grasp
|
|
2 / 397 |
|
|
Dicken's Idea's On Gentility As Shown Through His Novel, "Great Expect
|
|
8 / 2074 |
|
|
Dickinson and Her religion
|
|
4 / 1058 |
|
|
Dickinson
|
|
6 / 1541 |
|
|
Differences between Il Pecorne and A Merchant of Venice
|
|
3 / 706 |
|
|
Dinvince code
|
|
5 / 1325 |
|
|
Discuss Tennessee Williams' use of symbolism in \
|
|
4 / 869 |
|
|
Discuss The Use Of The Narrative Voice In The Extracts. How Successful Are They At Introducing The Character In The Openings To The Novel?
|
|
4 / 916 |
|
|
Dismantling the Da Vinci Code
|
|
14 / 3807 |
|
|
Do0oda
|
|
3 / 570 |
|
|
Documentation
|
|
6 / 1539 |
|
|
Dont Judge A Book By It's Cover:A Twelfth Night Comparrison Of Feste A
|
|
3 / 627 |
|
|
Dorian Gray
|
|
4 / 1117 |
|
|
Down At The Cross
|
|
4 / 1029 |
|
|
Dr Jekyll & Mr Hyde Dual Personalities
|
|
5 / 1257 |
|
|
Dr. Jeckyll And Hyde
|
|
18 / 5032 |
|
|
Dr. Jekyll and Mr. Hyde
|
|
4 / 1100 |
|
|
Dr. Jekyll and Mr. Hyde: Tragic Hero
|
|
2 / 444 |
|
|
Dracula
|
|
5 / 1173 |
|
|
Drama: Alive And Well
|
|
5 / 1255 |
|
|
Dream Versus Reality: Setting and Atmosphere in James Joyce's "Araby"
|
|
3 / 736 |
|
|
Drugs and Sports
|
|
6 / 1558 |
|
|
Duality of Man in Dr. jekyll and Mr Hyde
|
|
2 / 433 |
|
|
Duddy Kravitz
|
|
5 / 1179 |
|
|
Dulce et decorum est commentary
|
|
3 / 726 |
|
|
Dulce et decorum est
|
|
8 / 2207 |
|
|
Dylan Thomas
|
|
4 / 909 |
|
|
E.E. Cummings' on the death of romance in \
|
|
4 / 1012 |
|
|
EMMA
|
|
8 / 1966 |
|
|
Edgar Allan Poe and Stephen King: A Comparison and Contrast of Their W
|
|
10 / 2572 |
|
|
Edgar Allan Poe's Element of Symbolism
|
|
2 / 544 |
|
|
Edgar Allan Poe
|
|
2 / 500 |
|
|
Edgar Allen Poe
|
|
4 / 995 |
|
|
Edgar Allen Poe
|
|
2 / 545 |
|
|
Edgar Allen Poe
|
|
6 / 1487 |
|
|
Edgar Allen Poe
|
|
12 / 3219 |
|
|
Edgar allan poe
|
|
3 / 831 |
|
|
Edith Wharton
|
|
6 / 1535 |
|
|
Edmond Spenser
|
|
5 / 1209 |
|
|
Edna O'Brien
|
|
18 / 4769 |
|
|
Edna Pontellier vs. Mrs. Mallard
|
|
3 / 757 |
|
|
Edna Pontellier's Suicide
|
|
6 / 1522 |
|
|
Effects on the American Dream, Both Positive and Negative
|
|
4 / 978 |
|
|
Elizabethan poetry
|
|
4 / 922 |
|
|
Emily Bronte Bibliography
|
|
4 / 1029 |
|
|
Emily Bronte's Writing Technique in Wuthering Heights
|
|
4 / 903 |
|
|
Emily Dickinson
|
|
2 / 449 |
|
|
Emily Dickinson
|
|
9 / 2407 |
|
|
Emily Dickinson
|
|
10 / 2659 |
|
|
Emily Grierson: A Woman Gone Mad for Love
|
|
4 / 922 |
|
|
Emily's psychology problem
|
|
1 / 272 |
|
|
Emma
|
|
4 / 881 |
|
|
English Comparrison
|
|
7 / 1791 |
|
|
English Grammar
|
|
16 / 4450 |
|
|
English Literature
|
|
17 / 4588 |
|
|
English Traits
|
|
7 / 1847 |
|
|
English
|
|
2 / 353 |
|
|
English
|
|
13 / 3422 |
|
|
English
|
|
3 / 702 |
|
|
Entirely By Louis Macneice, A Commentary
|
|
3 / 585 |
|
|
Ernest Hemingway
|
|
26 / 7191 |
|
|
Essay Analysis Paper
|
|
3 / 634 |
|
|
Ethics
|
|
4 / 990 |
|
|
Ethnocentrism: With Whom Resides the Heart of Darkness?
|
|
3 / 753 |
|
|
Etiquette_sitting Order
|
|
3 / 648 |
|
|
Evelina
|
|
16 / 4444 |
|
|
Evelina
|
|
17 / 4739 |
|
|
Every transformed text is responding to the older known text in what it uses and in what it modifies. What has been achieved in 10 Things I Hate About You by such a response?
|
|
4 / 1078 |
|
|
Everyday Use
|
|
3 / 616 |
|
|
Everyday Use
|
|
2 / 307 |
|
|
Everyday Use
|
|
3 / 707 |
|
|
Everything That Rises Must Converge\
|
|
6 / 1657 |
|
