Discount applied successfully
Title |
|
Pages / Words |
Save |
Comparison of a Classic and Contemporary Work The Amazing Maurice and His Educated Rats, and The Lion the Witch and the Wardrobe
|
|
6 / 1527 |
|
Comparison of how Shusaku Endo in Wonderful Fool and Albert Camus in The Outsider have used moral issues to develop their works
|
|
6 / 1528 |
|
Comparison poem 'Octopus' and an article in the Toronto Globe and Mail
|
|
4 / 846 |
|
Comparsion between Fitzgerald and Babe Ruth
|
|
9 / 2306 |
|
Conrad Background
|
|
3 / 803 |
|
Conrad's Intent In Heart Of Darkness
|
|
4 / 1107 |
|
Consider the presentation of the mind of a murderer in "The Wasp Factory" and "The Silence of the Lambs".
|
|
14 / 3650 |
|
Contexts
|
|
5 / 1192 |
|
Coretta Scott King
|
|
1 / 279 |
|
Corruption of the rich based on The Great Gatsby by F. Scott Fitzgerald
|
|
3 / 838 |
|
Cotemporary Heroes and Anglo- Saxon Heroes
|
|
1 / 279 |
|
Covert War: Nature Vs. Culture in The Last of the Mohicans
|
|
1 / 223 |
|
Crime and Punishment, Fathers and Sons, We
|
|
5 / 1400 |
|
Critical Analysis Modest Motives
|
|
7 / 1737 |
|
Critical commentary on Cider with Rosie by Laurie Lee
|
|
4 / 1082 |
|
Cultural Confines Of Woman
|
|
3 / 666 |
|
Cultural Confines
|
|
3 / 671 |
|
Cultural Confines
|
|
3 / 670 |
|
Culture Analysis: Virgil
|
|
7 / 1850 |
|
Daddy by sylvia plath
|
|
7 / 1687 |
|
Dames, Coppers, and Crooks: A L:ook At Film Noir
|
|
11 / 2877 |
|
Dante
|
|
19 / 5218 |
|
Date Rape
|
|
4 / 1006 |
|
Deat penalty
|
|
10 / 2711 |
|
Death Penalty
|
|
5 / 1225 |
|
Death of a salesman
|
|
3 / 824 |
|
Deceit of Reality
|
|
8 / 2093 |
|
Deceptive simplicity in Frost's poems
|
|
3 / 675 |
|
Dickinson and Her religion
|
|
4 / 1058 |
|
Different Responses to War of Four WW1 Poets.
|
|
8 / 2142 |
|
Dinvince code
|
|
5 / 1325 |
|
Do0oda
|
|
3 / 570 |
|
Dr Jekyll & Mr Hyde Dual Personalities
|
|
5 / 1257 |
|
Dr. Strangelove
|
|
4 / 908 |
|
Drug Legalization
|
|
5 / 1217 |
|
Drugs and Sports
|
|
6 / 1558 |
|
Drugs: Good or Bad
|
|
6 / 1568 |
|
Dulce et decorum est commentary
|
|
3 / 726 |
|
Dylan Thomas
|
|
4 / 909 |
|
EU and the Fundamental rights..
|
|
5 / 1337 |
|
Edna O'Brien
|
|
18 / 4769 |
|
Edna Pontellier vs. Mrs. Mallard
|
|
3 / 757 |
|
Education
|
|
6 / 1410 |
|
Edward Albee
|
|
5 / 1228 |
|
Enders game journal entries
|
|
3 / 640 |
|
English Comparrison
|
|
7 / 1791 |
|
English Literature
|
|
17 / 4588 |
|
English
|
|
2 / 353 |
|
English
|
|
6 / 1614 |
|
Enstragement In Hamlet
|
|
6 / 1558 |
|
Entirely By Louis Macneice, A Commentary
|
|
3 / 585 |
|
Ernest Hemingway, A legacy for American Literature
|
|
6 / 1474 |
|
Ernest Hemingway
|
|
26 / 7191 |
|
Ethical issues of sex selection
|
|
8 / 2044 |
|
Ethnocentrism: With Whom Resides the Heart of Darkness?
|
|
3 / 753 |
|
Every transformed text is responding to the older known text in what it uses and in what it modifies. What has been achieved in 10 Things I Hate About You by such a response?
|
|
4 / 1078 |
|
Everything That Rises Must Converge\
|
|
6 / 1657 |
|
Examine the significance of blank spaces in Conrad's 'Heart of Darkness'?
|
|
10 / 2721 |
|
Expatriates
|
|
6 / 1569 |
|
F. Scott Fitzgerald
|
|
2 / 324 |
|
F. Scott Fitzgerald
|
|
3 / 615 |
|
F. Scott Fitzgerald/ Great Gatsby
|
|
3 / 794 |
|
F.Scott Fitsgerald's "The Great Gatsby"-The surface and deeper readings that are presented
|
|
10 / 2565 |
|
F.Scott Fitzgerald's "The Great Gatsby" comparison and contrasted with Jane Austens Pride and Prejudice
|
|
6 / 1620 |
|
Fahrenheit
|
|
1 / 172 |
|
Fate
|
|
12 / 3284 |
|
Faulkner and Fitzgerald
|
|
3 / 776 |
|
Faulkner
|
|
29 / 7923 |
|
Feature Article On Raw
|
|
3 / 819 |
|
Federigo's Falcon
|
|
2 / 391 |
|
Film studies
|
|
12 / 3337 |
|
Focalization in Richard Wrights
|
|
6 / 1496 |
|
Foreshadowing And Flashback
|
|
5 / 1143 |
|
Formal Commentary On One Hundred Years Of Solitude
|
|
2 / 334 |
|
Frankenstein Info.
|
|
5 / 1302 |
|
Frankenstein Vs. Bladerunner
|
|
7 / 1682 |
|
Frankenstein Vs. Bladerunner
|
|
12 / 3098 |
|
Frankenstein, the Novel
|
|
6 / 1598 |
|
Frankenstein: The Memorable Monster
|
|
4 / 1057 |
|
Freedom Songs
|
|
6 / 1436 |
|
GREAT GATSBY: Symbolism
|
|
6 / 1623 |
|
GRENDEL & FRANKENSTEIN
|
|
9 / 2520 |
|
Gardens symbolism
|
|
8 / 2123 |
|
Gatsby Color
|
|
3 / 643 |
|
Gatsby's Pursuit Of The American Dream
|
|
3 / 822 |
|
Gatsby's sacrifices
|
|
7 / 1769 |
|
Gatsby-biography
|
|
8 / 1987 |
|
Gatsby
|
|
4 / 944 |
|
Gatsby
|
|
1 / 87 |
|
Gatsby
|
|
6 / 1420 |
|
Gender Identities in Tragedy and Romance
|
|
8 / 2059 |
|
Ghost
|
|
11 / 3018 |
|
Global-War-On-Terrorism-Religious-War
|
|
36 / 9841 |
|
Godard
|
|
27 / 7463 |
|
Going Blind
|
|
15 / 4133 |
|
Good Queen Bess
|
|
3 / 811 |
|
Granny
|
|
3 / 726 |
|
Great Gasby
|
|
3 / 772 |
|
Great Gatsby - personalities of the lost generation
|
|
6 / 1405 |
|
Great Gatsby Essay
|
|
3 / 827 |
|
Great Gatsby In comparison To Catcher in the Rye
|
|
6 / 1621 |
|
Great Gatsby and the 20's
|
|
7 / 1780 |
|
Great Gatsby and the influence of money and greed on characters
|
|
7 / 1732 |
|
Great Gatsby-American Dream
|
|
2 / 524 |
|
Great Gatsby
|
|
4 / 1062 |
|
Great Gatsby
|
|
6 / 1406 |
|
Great Gatsby
|
|
4 / 1009 |
|
Great Gatsby
|
|
2 / 443 |
|
Great Gatsby
|
|
2 / 495 |
|
Great Gatsby
|
|
7 / 1706 |
|
Great Gatsby
|
|
5 / 1213 |
|
Great Gatsby: Decline of American Dream
|
|
5 / 1254 |
|
Greed
|
|
6 / 1597 |
|
Gulliver's Travels: Satire's Paradise
|
|
11 / 3056 |
|
Hamlet Essay
|
|
7 / 1758 |
|
Hamlet'S Motive
|
|
6 / 1489 |
|
Hamlet
|
|
4 / 962 |
|
Handmaid's Tale
|
|
9 / 2353 |
|
Harriet Beecher Stowe
|
|
4 / 887 |
|
Hawthorne and Young Goodman Brown
|
|
4 / 957 |
|
Heart of Darkness key points
|
|
5 / 1172 |
|
Heart of darkness
|
|
4 / 848 |
|
Hemmingway
|
|
24 / 6502 |
|
Hemmingway
|
|
3 / 618 |
|
Heroes in Anglo-Saxon culture
|
|
5 / 1166 |
|
Historiographic metafiction in \
|
|
5 / 1366 |
|
Hits and Misses of Frances Ford Coppola
|
|
5 / 1224 |
|
Hj
|
|
40 / 10943 |
|
Holden
|
|
8 / 2213 |
|
Homecoming By Bruce Dawe
|
|
2 / 456 |
|
Homeschool Regulation
|
|
8 / 2033 |
|
How Is It Possible
|
|
3 / 648 |
|
How does Dickens use the first four chapters of ?Hard Times' to introduce the characters and themes of the novel?
|
|
4 / 1086 |
|
How does Shakespeare present love and marriage in ?Much Ado About Nothing' and how might a modern audience respond to the presentation of these themes?
|
|
6 / 1639 |
|
How is the Fool presented in 'King Lear'?
|
|
8 / 2000 |
|
Hsc Modules Overview
|
|
11 / 2967 |
|
Hshj kjajah jha
|
|
34 / 9359 |
|
Huck Finn Essay
|
|
4 / 904 |
|
Huck Finn passage analysis
|
|
6 / 1506 |
|
Huckleberry Finn- survival
|
|
5 / 1334 |
|
Hume's Influences
|
|
36 / 10027 |
|
I Didn't Know My Dad Was A Writer
|
|
2 / 432 |
|
Immitation of Jonathan Swift's Modest Proposal
|
|
6 / 1589 |
|
In Cold Blood notes
|
|
25 / 6746 |
|
In The First Three Chapters Of “The Great Gatsby” How Does F. Scott Fitzgerald Introduce His Readers To The Character Of Gatsby?
|
|
3 / 731 |
|
In The Wild Response Sample
|
|
8 / 2010 |
|
Incorporating Modifications To The Canadian Anti-Terrorism Act
|
|
12 / 3277 |
|
Indian Killer
|
|
5 / 1256 |
|
Indolence, Keats's muse of guilt
|
|
16 / 4328 |
|
Innocence of a child
|
|
12 / 3151 |
|
Interpersonal Communication
|
|
10 / 2791 |
|
Interpersonal Communication
|
|
10 / 2791 |
|
Interpreting Sir Thomas Wyatt's Whoso List
|
|
7 / 1795 |
|
Interveiw Robert Burns
|
|
2 / 406 |
|
Interview with the vampire
|
|
4 / 1080 |
|
Invention of Gatsby
|
|
3 / 798 |
|
Invisible Man
|
|
5 / 1190 |
|
Isolation In American Literature
|
|
3 / 596 |
|
It's just a dream
|
|
6 / 1457 |
|
Jack Kerouac
|
|
10 / 2550 |
|
Jane Austen critical analysis
|
|
8 / 2184 |
|
Jane Austen’s novels and the contemporary social and literary conventions.
|
|
46 / 12664 |
|
Jane Eyre Compared to The Great Gatsby
|
|
5 / 1282 |
|
Jane Eyre and Victorian Era
|
|
11 / 2930 |
|
Jane Eyre
|
|
38 / 10602 |
|
Jane Eyre
|
|
7 / 1778 |
|
Jane Eyre
|
|
1 / 272 |
|
Jay Gatsby and the American Dream
|
|
4 / 893 |
|
Jim in Huckleberry Finn
|
|
4 / 1099 |
|
Jim
|
|
11 / 2852 |
|
John Berger
|
|
7 / 1919 |
|
John Donne
|
|
24 / 6511 |
|
John Keats
|
|
4 / 1089 |
|
John Updike
|
|
4 / 1048 |
|
Johnathon Swift Satire
|
|
4 / 882 |
|
Jonah and the Whale English Commentary
|
|
3 / 721 |
|
Journal Of Short Stories
|
|
8 / 1997 |
|
Journalism
|
|
6 / 1549 |
|
Journey
|
|
2 / 437 |
|
Journeys.
|
|
4 / 1089 |
|
Julius Caesar's Influential Themes
|
|
11 / 2947 |
|
Keeper of the House English Commentary
|
|
4 / 1009 |
|
Kenyon's The Blue Bowl
|
|
5 / 1156 |
|
Kerouac
|
|
5 / 1294 |
|
Key Passage Commentary on Things Fall Apart
|
|
4 / 853 |
|
King Lear
|
|
15 / 4047 |
|
Laci Peterson
|
|
3 / 732 |
|
Leda and the Swan
|
|
17 / 4605 |
|
Life And Works Of George Orwell
|
|
13 / 3447 |
|
Life On the Global Assembly Line
|
|
3 / 722 |
|
Life
|
|
3 / 691 |
|
Light And Darkness In Macbeth
|
|
2 / 458 |
|
Lindsay Grahams 9/11 speech
|
|
3 / 588 |
|
Literary Terms (got from my teacher but very useful)
|
|
18 / 4863 |
|
Literature
|
|
15 / 4015 |
|
Litreture
|
|
10 / 2793 |
|
"As due by many titles I resign My self to thee, O God ?" (Donne) What do you see as the most interesting or challenging aspects of therelationship between the human and divine in the texts ?Jane Eyre' and the poetry of John Donne?
|
|
9 / 2353 |
|
"Honor" In Henry IV, Part I ? Falstaff vs. Hotspur
|
|
6 / 1514 |
|
"Tender is the Night" Zeigiest
|
|
2 / 411 |
|
a country doctor
|
|
3 / 693 |
|