Discount applied successfully
| Title |
|
Pages / Words |
Save |
|
An Analysis of Gatsby’s Success and Failure
|
|
4 / 868 |
|
|
Antigone
|
|
2 / 494 |
|
|
Antigone
|
|
3 / 790 |
|
|
Antigone
|
|
4 / 903 |
|
|
Antigone
|
|
5 / 1189 |
|
|
Beowulf vs. Gilgamesh
|
|
2 / 530 |
|
|
Bob Marley
|
|
5 / 1178 |
|
|
Change of Jem and Scout
|
|
3 / 588 |
|
|
Civilization: Savagery, Power, Fear
|
|
5 / 1297 |
|
|
Class Consciousness in Pride and Prejudice
|
|
4 / 1060 |
|
|
Comparision of Duddy Kravitz and Jay Gatsby
|
|
7 / 1852 |
|
|
Crime and Punishment
|
|
5 / 1281 |
|
|
Crime and Punishment
|
|
4 / 921 |
|
|
Cupidity's Stupidity
|
|
7 / 1842 |
|
|
Duffy “Little Red Cap” poem
|
|
7 / 1802 |
|
|
Emily Dickinson
|
|
13 / 3502 |
|
|
Etymology of Court
|
|
4 / 1029 |
|
|
Eveline by James Joyce
|
|
2 / 417 |
|
|
Exploring the Use of Time as a Manipulative Variable
|
|
4 / 1099 |
|
|
Frankenstein: Shelley Use of Mascuine and Feminine Roles
|
|
8 / 2008 |
|
|
Frends Forever
|
|
4 / 1038 |
|
|
Gregorik Andras
|
|
12 / 3357 |
|
|
Hemingway: Writer or Dreamer?
|
|
28 / 7782 |
|
|
How successful is Dickens in his presentation of female characters?
|
|
4 / 924 |
|
|
Human Consciousness
|
|
7 / 1734 |
|
|
Human Heart
|
|
4 / 1028 |
|
|
If You Could Study a Subject of our Choice
|
|
2 / 292 |
|
|
Importance of Fathers
|
|
2 / 366 |
|
|
Innocent Victim of Love
|
|
3 / 678 |
|
|
Ivan Denisovich and Humanity
|
|
4 / 1108 |
|
|
Jane Eyre: Religion
|
|
2 / 408 |
|
|
Jou Luck Club - Symbol and Image
|
|
2 / 547 |
|
|
Juliet Capulet
|
|
2 / 442 |
|
|
Kerouac and Tyler, On the Road and Saint Maybe
|
|
8 / 1977 |
|
|
Literature?
|
|
8 / 2078 |
|
|
Love Your Enemies
|
|
2 / 496 |
|
|
MacBeth
|
|
4 / 865 |
|
|
Mary Shelley and Parallels
|
|
4 / 990 |
|
|
Masculinity in Hemingway
|
|
5 / 1195 |
|
|
Milton’s Paradise Lost
|
|
15 / 4162 |
|
|
Misdirection of Anger
|
|
5 / 1313 |
|
|
Much Ado About Nothing
|
|
13 / 3465 |
|
|
My Papas Waltz
|
|
1 / 267 |
|
|
Odysseus: Epic Hero?
|
|
3 / 603 |
|
|
Oedipus MD
|
|
6 / 1635 |
|
|
On the Unfairness of A Teacher
|
|
7 / 1695 |
|
|
Our Town
|
|
2 / 365 |
|
|
Paid Term Paper Sites Exposed!
|
|
6 / 1513 |
|
|
Racism in "Master Harold"
|
|
7 / 1727 |
|
|
Reflections of a Culture Past
|
|
2 / 508 |
|
|
Romeo & Juliet
|
|
9 / 2316 |
|
|
Similarities and Difference between Oceania in 1984 and the USA
|
|
6 / 1535 |
|
|
Stoker and Wilde
|
|
9 / 2336 |
|
|
Strindberg's Miss Julie and Beckett's Waiting for Godot
|
|
9 / 2340 |
|
|
Technology
|
|
3 / 743 |
|
|
The Chrysalids
|
|
2 / 552 |
|
|
The Courtroom
|
|
6 / 1449 |
|
|
The Credibility of Expository Texts RE 'Unzipped' - Bronwyn Donaghy
|
|
3 / 760 |
|
|
The Glass Menagerie
|
|
3 / 701 |
|
|
The Great American Illusion
|
|
3 / 781 |
|
|
The Great Gatsby
|
|
7 / 1728 |
|
|
The Handmaid's Tale
|
|
4 / 878 |
|
|
The Hound of the Baskervilles - Women of the 18th Century
|
|
2 / 546 |
|
|
The Jilting of Granny Weatherall
|
|
3 / 822 |
|
|
The Scarlet Letter "A": Meanings and Connections
|
|
3 / 612 |
|
|
The Sentiment, Mood, and Philosophy of “The Best Slow Dancer”
|
|
4 / 973 |
|
|
The Servants of Twilight
|
|
3 / 626 |
|
|
The Storm, The Yellow Wallpaper, Young Goodman Brown
|
|
5 / 1141 |
|
|
Tragedy
|
|
8 / 2224 |
|
|
Unzipped
|
|
5 / 1186 |
|
|
Volpone Ben Jonson
|
|
5 / 1123 |
|
|
What Dilemma Did to Him
|
|
4 / 961 |
|
|
What Do You Find Interesting About The Ways The Writer Presents?
|
|
4 / 878 |
|
|
Kissinger, Metternich, Realism
|
|
4 / 887 |
|
|
Lives of Women in the Renaissance
|
|
9 / 2408 |
|
|
Mary, Queen of Scots
|
|
3 / 756 |
|
|
Napoleon
|
|
13 / 3381 |
|
|
Voltaire: A History That Never Moved
|
|
12 / 3225 |
|
|
1960's
|
|
18 / 4933 |
|
|
British Monarchy
|
|
21 / 5772 |
|
|
Italian City
|
|
4 / 1031 |
|
|
Muhammad Ibn Abdullah: Good or Bad? You Decide
|
|
6 / 1516 |
|
|
Tale Of Two Cities
|
|
4 / 898 |
|
|
The Mystery of Dunkeld
|
|
5 / 1349 |
|
|
Walt Disney and Disneyland
|
|
6 / 1584 |
|
|
A Small Look Inside Lebanon
|
|
12 / 3244 |
|
|
Alienation in Modern Society
|
|
5 / 1263 |
|
|
Analysis of Easy Rider
|
|
4 / 915 |
|
|
Citizen Kane: An Accurate Portrayal of William Randolph Hearst?
|
|
14 / 3847 |
|
|
Critique La Ventura
|
|
3 / 813 |
|
|
General Patton Part V
|
|
1 / 198 |
|
|
Luc Besson
|
|
11 / 2855 |
|
|
Man with a Movie Camera vs Run Lola Run
|
|
12 / 3083 |
|
|
Meet me in St. Louis
|
|
2 / 421 |
|
|
Movies
|
|
2 / 463 |
|
|
Once Were Warriors
|
|
16 / 4422 |
|
|
Rainman
|
|
4 / 937 |
|
|
Save the Last Dance
|
|
4 / 873 |
|
|
Smoke Signals - Personal Reflection
|
|
2 / 450 |
|
|
The Intent of Forrest Gump
|
|
4 / 932 |
|
|
Analysis of "My Papa's Waltz"
|
|
2 / 342 |
|
|
British Poetry
|
|
15 / 4006 |
|
|
Compare the Poems “Havisham” and “The Laboratory”.
|
|
2 / 544 |
|
|
Donne
|
|
8 / 1981 |
|
|
Friendship in Wordsworth's Tintern Abbey
|
|
4 / 975 |
|
|
Ginsberg's Howl: A Counterculture Manifesto
|
|
14 / 3788 |
|
|
I Am Someone
|
|
2 / 453 |
|
|
Inferno
|
|
6 / 1465 |
|
|
Jim Morisson
|
|
24 / 6621 |
|
|
Muslims and Christians
|
|
1 / 103 |
|
|
My Life is like A Red Rose
|
|
2 / 522 |
|
|
My Papa's Waltz
|
|
1 / 208 |
|
|
Poems for the Eye
|
|
7 / 1789 |
|
|
Porphyria’s Lover
|
|
16 / 4295 |
|
|
Quote the Parrot, “Nevermore”
|
|
2 / 558 |
|
|
Resurrection of Nature and Modernity in Merwin's Drunk in the Furnace
|
|
6 / 1532 |
|
|
Sylvia Plath
|
|
8 / 1984 |
|
|
The Flea
|
|
3 / 684 |
|
|
The Tatyana-caste
|
|
7 / 1826 |
|
|
To My Books
|
|
2 / 348 |
|
|
A Mid Overlook of Shakespeare
|
|
2 / 336 |
|
|
Ambition
|
|
3 / 691 |
|
|
Analysing Shylock's Dual-Role as Villain and Victim
|
|
6 / 1476 |
|
|
Analysis of Othello and Iago in Act 1
|
|
3 / 612 |
|
|
Androgyny: Will of Shakespeare's Female Characters
|
|
6 / 1437 |
|
|
Appearance vs. Reality
|
|
4 / 1034 |
|
|
As you like it - Act 1
|
|
5 / 1277 |
|
|
Baz Luhrman?s Version of Romeo and Juliet
|
|
3 / 721 |
|
|
Benedick Transformed
|
|
6 / 1600 |
|
|
Biography and Theatre
|
|
8 / 2043 |
|
|
Brutus
|
|
7 / 1945 |
|
|
Character Analysis of Macbeth
|
|
4 / 978 |
|
|
Character Profile of Friar Lawrence
|
|
3 / 613 |
|
|
Classical Imagery in Shakespeare's Much Ado About Nothing
|
|
13 / 3449 |
|
|
Comedy in Shakespeare
|
|
8 / 2176 |
|
|
Evil character of Lady Macbeth
|
|
4 / 1117 |
|
|
Falstaff + Hotspur = Prince Hal: Their Actions on the Battlefield
|
|
4 / 941 |
|
|
Fate on Juliet in William Shakespeare's Romeo and Juliet
|
|
8 / 2240 |
|
|
Fate Playing a Role
|
|
6 / 1642 |
|
|
Fools and Foolishness in King Lear
|
|
6 / 1504 |
|
|
Gloucester Subplot in King Lear.
|
|
6 / 1452 |
|
|
Hamlet (Use of Minor Characters)
|
|
2 / 516 |
|
|
Hamlet and Isolation
|
|
5 / 1272 |
|
|
Hamlet
|
|
4 / 876 |
|
|
Hamlet
|
|
4 / 1043 |
|
|
Hamlet
|
|
4 / 1002 |
|
|
Hamlet: Act II
|
|
2 / 343 |
|
|
Hamlet's Alienation of Characters
|
|
3 / 579 |
|
|
Honesty: Characters of Othello
|
|
3 / 739 |
|
|
Humanity's Fate in King Lear
|
|
7 / 1728 |
|
|
Iago’s opinion of women.
|
|
3 / 773 |
|
|
Is Hamlet Sane or Insane...
|
|
5 / 1394 |
|
|
Julius Caesar - Was the Murder of Caesar Right?
|
|
2 / 298 |
|
|
Julius Caesar : An Analysis of Brutus' Character
|
|
3 / 758 |
|
|
Julius Ceasar
|
|
26 / 7125 |
|
|
King Lear
|
|
5 / 1219 |
|
|
King Lear Act 1 Scene
|
|
5 / 1255 |
|
|
King Lear
|
|
3 / 728 |
|
|
King Lear
|
|
5 / 1121 |
|
|
King Lear
|
|
2 / 425 |
|
|
King Lear: A Lesson in Loyalty
|
|
3 / 793 |
|
|
Lady Macbeth
|
|
4 / 965 |
|
|
Love and Lies
|
|
4 / 886 |
|
|
Love In Midsummer Night's Dream
|
|
3 / 757 |
|
|
Love: Looks or Words?
|
|
4 / 886 |
|
|
Macbeth - What was beyond his control?
|
|
5 / 1174 |
|
|
Macbeth vs. Lady Macbeth
|
|
13 / 3413 |
|
|
Macbeth, King Lear and Much Ado About No
|
|
4 / 926 |
|
|
Macbeth
|
|
3 / 595 |
|
|
Macbeth: A Tragic Hero?
|
|
3 / 657 |
|
|
Macbeth: The consequences of Evil
|
|
7 / 1707 |
|
|
Madness in Shakespeare's Hamlet
|
|
3 / 725 |
|
|
Merchant of Venice
|
|
4 / 946 |
|
|
Merchant of Venice: Shylock, victim or villain?
|
|
3 / 684 |
|
|
Midsummer Night's Dream Act 2 Scene 2
|
|
3 / 764 |
|
|
Motiff of King Lear
|
|
2 / 554 |
|
|
Much Ado About Dogberry
|
|
2 / 431 |
|
|
Much Ado About Nothing
|
|
2 / 514 |
|
|
Othello
|
|
3 / 729 |
|
|
Othello
|
|
7 / 1853 |
|
|
Othello: All the Makings of a Tragedy
|
|
5 / 1386 |
|
|
Revenge In Hamlet
|
|
4 / 994 |
|
|
Romeo & Juliet Vs. West Side Story
|
|
2 / 554 |
|
|
Romeo & Juliet
|
|
2 / 525 |
|
|
Romeo & Juliet
|
|
3 / 746 |
|
|
Romeo & Juliet
|
|
6 / 1665 |
|
|
Romeo and Juliet - Friar Laurence
|
|
4 / 918 |
|
|
Romeo and Juliet Poster Project
|
|
6 / 1586 |
|
|
Romeo and Juliet Victims of Fate
|
|
3 / 728 |
|
|
Romeo and Juliet vs. West Side Story
|
|
2 / 515 |
|
|
Romeo And Juliet
|
|
2 / 534 |
|
|
Romeo and Juliet
|
|
3 / 754 |
|
|
Romeo and Juliet: Act 1 Scene 5
|
|
3 / 733 |
|
|
Romeo and Juliet: Fate or Free Will
|
|
2 / 491 |
|
|
Romeo and the Impact of Mercutio's Death
|
|
5 / 1185 |
|
|
Shakespeare in Love
|
|
2 / 481 |
|
|
Shakespeare's Rosalind
|
|
4 / 937 |
|
|
Summary of Romeo and Juliet
|
|
7 / 1682 |
|
|
Taming of the Shrew: Male Domination
|
|
4 / 965 |
|
|
The Causes of Ophelia's Breakdown
|
|
3 / 754 |
|
