Discount applied successfully
Title |
|
Pages / Words |
Save |
Eqyptian Amulet Art
|
FREE |
4 / 1106 |
|
Leonardo da Vinci's "The Last Supper"
|
FREE |
8 / 2109 |
|
Raphael Sanzio Biography
|
FREE |
6 / 1525 |
|
Short Stories "The Knife" by Judah Waten Textual Analysis
|
FREE |
9 / 2345 |
|
Michael Jackson`s Biography
|
FREE |
10 / 2547 |
|
Harold Pinter’s
|
FREE |
10 / 2600 |
|
How to Read the Bible for al its Worth
|
FREE |
4 / 971 |
|
Conflict between Islamic and Western Civilizations
|
FREE |
9 / 2407 |
|
Technology under Asymmetric Information
|
FREE |
6 / 1547 |
|
Movie "Sully" and History
|
FREE |
9 / 2442 |
|
The "Hoosiers" Film Paper Analysis
|
FREE |
8 / 2183 |
|
Song "See You Again" by Wiz Khalifa
|
FREE |
5 / 1389 |
|
Songs: “Formation”, “Mirror”, “Same Love”, “Family Portrait”
|
FREE |
7 / 1830 |
|
The "Twelfth Night" by William Shakespeare
|
FREE |
6 / 1488 |
|
Canadian and American Politics
|
FREE |
7 / 1789 |
|
Japanese Politics
|
FREE |
10 / 2581 |
|
Aestheticization of Politics
|
FREE |
3 / 813 |
|
The Political Attitudes of UK
|
FREE |
6 / 1679 |
|
Middle Passage
|
|
5 / 1257 |
|
Blue Jeans, the Ultimate American Icon
|
|
5 / 1295 |
|
Chile
|
|
5 / 1174 |
|
Maya
|
|
12 / 3156 |
|
Nausicca
|
|
12 / 3085 |
|
The 1500s
|
|
7 / 1873 |
|
Why does the Iliad conclude with the funeral of Hektor?
|
|
6 / 1675 |
|
Art and technology - Schwartz & Moffat
|
|
11 / 2940 |
|
Australian Art 1930-1960
|
|
18 / 4990 |
|
Ceramics
|
|
9 / 2331 |
|
Commedia dell'arte
|
|
4 / 922 |
|
Hogarth
|
|
8 / 2117 |
|
Jaques Louis David
|
|
7 / 1890 |
|
Leoh Ming Pei & Eero Saarinen
|
|
2 / 538 |
|
Manet
|
|
12 / 3181 |
|
Middle Age Entertainers
|
|
8 / 1982 |
|
The History of Greek Theater
|
|
9 / 2442 |
|
Three Architecture Styles
|
|
5 / 1340 |
|
Malaysian Economic Policy and FDI
|
|
13 / 3540 |
|
Russian Culture: A look at its Religion and Art
|
|
5 / 1123 |
|
Aristotle
|
|
4 / 1044 |
|
Baruch Spinoza
|
|
7 / 1717 |
|
E. E. Cummings
|
|
1 / 260 |
|
Eduardo Paolozzi
|
|
1 / 242 |
|
Frederick Douglas
|
|
5 / 1209 |
|
Life of Elizabeth Barrett Browning
|
|
7 / 1778 |
|
Marc Chagall
|
|
5 / 1219 |
|
Pablo Ruiz Picasso
|
|
3 / 629 |
|
Pearl Sydenstricker Buck, 1892 - 1973
|
|
6 / 1469 |
|
1984 by George Orwell
|
|
3 / 635 |
|
A Doll's House
|
|
8 / 2043 |
|
A Midsummer Night's Dream, quote response/analysis
|
|
3 / 620 |
|
An inspector Calls
|
|
2 / 407 |
|
Character Sketch of Ethan Frome
|
|
3 / 786 |
|
Critical Analysis of Golding’s Use of Tone in Lord Of The Flies
|
|
5 / 1164 |
|
Educating Rita - Love Story
|
|
2 / 481 |
|
Educating Rita
|
|
3 / 758 |
|
How reliable is the narrator in Ethan Frome?
|
|
5 / 1267 |
|
I Wandered Lonely as a Cloud
|
|
3 / 574 |
|
Literary Critisism on Glass Manageri and Death of a Salesman
|
|
5 / 1341 |
|
Lord of the Flies
|
|
2 / 371 |
|
Lottery: a Breakdown of Jackson's Symbolism
|
|
6 / 1482 |
|
Neither So Good Nor So Bad
|
|
3 / 699 |
|
Pieces of the Puzzle: the Island as a Macrocosm of Man
|
|
7 / 1887 |
|
Prime of Miss Jean Brodie
|
|
4 / 1089 |
|
Puritianism and Literary Techniques in "The Scarlet Letter"
|
|
15 / 4024 |
|
Reunion
|
|
3 / 763 |
|
Reunion
|
|
3 / 763 |
|
The Age of Anxiety
|
|
10 / 2636 |
|
The Atomic Bomb
|
|
16 / 4454 |
|
The Great Gatsby
|
|
7 / 1805 |
|
The Storm
|
|
4 / 933 |
|
The Zen of Zinn: A look at the first 3 chapters of A People's History
|
|
8 / 2101 |
|
To Kill a Mockingbird
|
|
11 / 2856 |
|
Why My Lips Don't Want to Kiss Again
|
|
3 / 584 |
|
1984 Julia's Story Creative Piece
|
|
3 / 789 |
|
Eternal Creativity
|
|
3 / 823 |
|
He Loves Me
|
|
2 / 356 |
|
Infinity in a Moment
|
|
4 / 916 |
|
Journalism, Real Creativity and Reactionary Creativity
|
|
3 / 801 |
|
Just Another Day at the Office
|
|
3 / 818 |
|
Katherine Mansfield's "Her First Ball"
|
|
4 / 1052 |
|
Learning the Writing Business from Book Agents and Editors
|
|
8 / 2078 |
|
Oprah Winfrey
|
|
3 / 701 |
|
Poetry and Me
|
|
1 / 264 |
|
Pure Luck
|
|
3 / 624 |
|
Sights and Sounds of America
|
|
2 / 284 |
|
Sylvia's Use of Senses in Ariel
|
|
8 / 2141 |
|
The Rewards of Homeschooling
|
|
2 / 462 |
|
When the birds hit the windows.
|
|
7 / 1884 |
|
1984 vs Brave New World
|
|
5 / 1206 |
|
A View from the Bridge
|
|
27 / 7334 |
|
An Examination of Southern Dialect
|
|
10 / 2794 |
|
Antigone
|
|
4 / 903 |
|
Beowulf vs. Gilgamesh
|
|
2 / 530 |
|
Books are not Dying
|
|
3 / 764 |
|
Cupidity's Stupidity
|
|
7 / 1842 |
|
Different Types of Criticism and Literary Movements in Short Stories
|
|
8 / 2059 |
|
Dr Faustus and Seven Sins
|
|
6 / 1553 |
|
Duffy “Little Red Cap” poem
|
|
7 / 1802 |
|
Educating Rita
|
|
4 / 1050 |
|
Emily Dickinson
|
|
13 / 3502 |
|
Exploring the Use of Time as a Manipulative Variable
|
|
4 / 1099 |
|
Faustus: Renaissance Martyr or Tragic Hero
|
|
11 / 2899 |
|
Grendel: Apples and Pain
|
|
4 / 883 |
|
Hemingway: Writer or Dreamer?
|
|
28 / 7782 |
|
Hierarchy and the Disorder of Separation in the Bible
|
|
5 / 1355 |
|
How the Colonization Era affected Authors
|
|
4 / 1044 |
|
Inspector Calls
|
|
7 / 1818 |
|
Kerouac and Tyler, On the Road and Saint Maybe
|
|
8 / 1977 |
|
Knowledge in Name of the Rose
|
|
8 / 2015 |
|
Literature?
|
|
8 / 2078 |
|
Misdirection of Anger
|
|
5 / 1313 |
|
Mr Collins: Character Review
|
|
4 / 1077 |
|
Much Ado About Nothing
|
|
13 / 3465 |
|
My Papas Waltz
|
|
1 / 267 |
|
Oedipus MD
|
|
6 / 1635 |
|
Oedipus the King
|
|
10 / 2601 |
|
Personal Statement
|
|
2 / 386 |
|
Say it, Write it, Defend it and Judge it – in English!
|
|
14 / 3676 |
|
Syllabus vs Curriculum
|
|
15 / 3986 |
|
Tess of the D'Urbervilles
|
|
4 / 1083 |
|
The Great Gatsby
|
|
7 / 1728 |
|
The Last of the Mohicans as a Mixture of Genres
|
|
10 / 2573 |
|
The Macbeth Witches
|
|
3 / 727 |
|
The Sentiment, Mood, and Philosophy of “The Best Slow Dancer”
|
|
4 / 973 |
|
What Are Adjectives?
|
|
5 / 1300 |
|
Voltaire: A History That Never Moved
|
|
12 / 3225 |
|
Architecture of Transition and Production of Meaning
|
|
13 / 3593 |
|
Causes of WW1
|
|
8 / 2226 |
|
Collapse of the Soviet Union
|
|
4 / 933 |
|
Cyprus
|
|
14 / 3668 |
|
Intellectual Life of the Painters of the Early Renaissance
|
|
8 / 2191 |
|
Italian Immigration
|
|
6 / 1509 |
|
The Manhattan Project
|
|
6 / 1570 |
|
Alienation in Modern Society
|
|
5 / 1263 |
|
Critique La Ventura
|
|
3 / 813 |
|
Critique on Open City
|
|
4 / 1101 |
|
Man with a Movie Camera vs Run Lola Run
|
|
12 / 3083 |
|
Matrix Reloaded
|
|
14 / 3755 |
|
Once Were Warriors
|
|
16 / 4422 |
|
The Matrix
|
|
31 / 8428 |
|
Analysis of "My Papa's Waltz"
|
|
2 / 342 |
|
Before I Die
|
|
5 / 1284 |
|
Beowulf
|
|
3 / 804 |
|
British Poetry
|
|
15 / 4006 |
|
Desert Places - A Journey of a Human Mind
|
|
4 / 844 |
|
Difficulties of Identifying Sexual Status in Donne's 'The Flea'
|
|
5 / 1226 |
|
Dulce et Deorum Est
|
|
8 / 2120 |
|
Ginsberg's Howl: A Counterculture Manifesto
|
|
14 / 3788 |
|
Immortal Poetry
|
|
6 / 1453 |
|
Jim Morisson
|
|
24 / 6621 |
|
Poems for the Eye
|
|
7 / 1789 |
|
Poetry Intertextual
|
|
9 / 2331 |
|
Porphyria’s Lover
|
|
16 / 4295 |
|
Quote the Parrot, “Nevermore”
|
|
2 / 558 |
|
Resurrection of Nature and Modernity in Merwin's Drunk in the Furnace
|
|
6 / 1532 |
|
Sylvia Path's Daddy
|
|
3 / 755 |
|
Sylvia Plath
|
|
8 / 1984 |
|
Ted Hughes' 'The Jaguar'
|
|
9 / 2414 |
|
The Flea
|
|
3 / 684 |
|
The Hawk Essay
|
|
4 / 961 |
|
The Life of William Carlos Williams
|
|
4 / 957 |
|
The Tatyana-caste
|
|
7 / 1826 |
|
To Autumn by John Keates - Critical Analysis
|
|
3 / 575 |
|
As you like it - Act 1
|
|
5 / 1277 |
|
Classical Imagery in Shakespeare's Much Ado About Nothing
|
|
13 / 3449 |
|
Comedy in Shakespeare
|
|
8 / 2176 |
|
Gender Roles And Macbeth
|
|
7 / 1884 |
|
Hamlet
|
|
4 / 1043 |
|
Humanity's Fate in King Lear
|
|
7 / 1728 |
|
Julius Ceasar
|
|
26 / 7125 |
|
King Hamlet: The Devil in Disguise
|
|
5 / 1392 |
|
Macbeth - What was beyond his control?
|
|
5 / 1174 |
|
Much Ado About Nothing
|
|
2 / 514 |
|
Soliloquoy from Henry IV
|
|
2 / 499 |
|
The Forest in Shakespeare's Plays
|
|
7 / 1889 |
|
The Merchant of Venice: Is Shylock Villain Or Victim?
|
|
9 / 2278 |
|
The Tempest - Barbarism versus Civilization
|
|
3 / 793 |
|
The Tempest: Allegorical to the Bible
|
|
4 / 1120 |
|
Troubled Years
|
|
4 / 891 |
|
Who do you blame most for King Duncan's Death?
|
|
13 / 3604 |
|
Fever Pitch
|
|
6 / 1495 |
|
Scuba Diving
|
|
8 / 2191 |
|
Slamball Facility
|
|
5 / 1219 |
|
1950’s Youth Culture
|
|
7 / 1734 |
|
How did World War One Change American Society?
|
|
6 / 1571 |
|
The Dredd Scott
|
|
10 / 2659 |
|
Freedom Isn't Free
|
|
9 / 2304 |
|
Iraq Wars
|
|
18 / 5035 |
|
010101101
|
|
6 / 1671 |
|
12 angy men
|
|
2 / 323 |
|
1642
|
|
4 / 875 |
|
1793
|
|
8 / 1982 |
|
1920's
|
|
1 / 157 |
|
1920s DBQ Outline
|
|
4 / 1000 |
|
1952 The Way it Really Was
|
|
7 / 1892 |
|
1968: A Year of American Transformation
|
|
6 / 1458 |
|
1983 APUSH DBQ
|
|
4 / 1086 |
|
1st Battle of Bull run
|
|
3 / 646 |
|
20s And 30s
|
|
10 / 2537 |
|
20s
|
|
10 / 2632 |
|