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The paradox that concludes the poem both uses impersonal, public terms- ‘honor’ more obviously, though ‘yield’ also (it suggests a set of broader power relations, and would be associated somewhat, I would argue, with images of sexual relations in terms of larger-scale social hierarchies).

The very slightest charge we could level at Donne is that he seems tempted to sacrifice logic for rhetorical finesse- “three sins for killing three” is of course, not true- to kill three and commit sacrilege would make four sins...

This is not simple pedantry, but rather I think it alerts us to a prioritisation of tried-and-tested stylistics over the logical progression that Donne’s tricky arguments, grounded in points of intellectual studies of his age, asks us to focus on. The Flea seems to have its whole dramatic structure- the outrage at killing the flea, the resolution based on creating an (apparently) convincing argument, based around the reception of his logic and the lack of any conceptually engaging debates to contradict him...

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