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I agree that when the door finally opens for Garcin, Sartre is presenting us with, perhaps, the most important scene of the play. I think that this is a perfect example of Sartre’s “bad faith.” Each one of the characters rely on the others to make their existence real, but in doing so, falls victim to a form of self-deception, which in turn does the opposite...

I agree that when the door finally opens for Garcin, Sartre is presenting us with, perhaps, the most important scene of the play. I think that this is a perfect example of Sartre’s “bad faith.” Each one of the characters rely on the others to make their existence real, but in doing so, falls victim to a form of self-deception, which in turn does the opposite...

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