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The group chose to sing several Coasters songs, demonstrating their love of comic irony, as well as a profound understanding of Leiber and Stoller's musical theatrics (193). "The Coasters were, in effect, the first rock group to dramatize successfully the disparate vocal personalities of each of its separate members: a talent that Lennon, McCartney, Harrison, and (later) Ringo Starr would perfect as well" (193)...
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Dick Rowe wasn't highly impressed by the group though and made the decision to pass, as well as nearly every other London recording company. George Martin however, saw something in the group and offered them a provisional contract with Parlophone. After a second audition at EMI studios, the groups' raw talent captured Martin's attention and a final contract was made, even though Martin had several concerns about the groups' song-writing capabilities...
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