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Essay's paper info
Topic: Music and Movies
Number of pages / Number of words: 4 / 852
Essay's paper body

*Pan's Labyrinth (2006) - Guillermo del Toro, Spain*

FIRST SHOT:

Camera Angle: Oblique/Canted

  • Camera is tilted to suggest transition & instability

Kind of shot: Close-up shot

  • Shows very little background
  • Concentrates on Pan’s facial expression
  • Allows the viewer to get into her mind
  • Viewers can get uncomfortable with this shot

Camera’s movement: CRANE SHOT

  • it moves gradually to the left, towards a 90° degree and then to an extreme close-up of Pan’s eye

SECOND SHOT:

Camera Angle: High Angle (left -> right)

  • The camera is elevated above the action using a crane to give general overview

Kind of shot: Extreme long shot

  • It is the scene setting, the actual establishing shot
  • It shows the exterior of Pan’s “Underground Realm”

Camera’s movement: CRANE SHOT + tilt low angle)

  • Sort of “Dolly shots” but in the air
  • It also moves up, then right, then left – similar to the first shot
  • It moves diagonally out of the action

THIRD SHOT:

Camera Angle: Eye level

  • Neutral shot; as if a human is observing the view(scene)

Kind of shot: Crane shot

  • It shows the image corresponding to the real distance between the audience and the scenario

Camera’s movement: DOLLY SHOT (Tracking shot)

  • Camera is placed on a moving vehicle
  • Camera moves around to show how Ofelia met the “outside world”

FOURTH SHOT:

Camera Angle: Eye level (low -> high -> extreme long)

  • Neutral shot, as if a human is observing the action
  • The camera is placed around 5feet from the ground

Kind of shot: Long shot

  • Shows the scene approximately as if we would see in real life
  • Includes a FULL SHOT of the cars, and the figures inside

Camera’s movement: DOLLY SHOT – possible pan or crane

  • Camera is placed on a moving vehicle
  • It moves alongside with the action
  • It follows the cars

FIFTH SHOT:

Camera Angle: P...


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*Pan's Labyrinth (2006) - Guillermo del Toro, Spain*

FIRST SHOT:

Camera Angle: Oblique/Canted

  • Camera is tilted to suggest transition & instability

Kind of shot: Close-up shot

  • Shows very little background
  • Concentrates on Pan’s facial expression
  • Allows the viewer to get into her mind
  • Viewers can get uncomfortable with this shot

Camera’s movement: CRANE SHOT

  • it moves gradually to the left, towards a 90° degree and then to an extreme close-up of Pan’s eye

SECOND SHOT:

Camera Angle: High Angle (left -> right)

  • The camera is elevated above the action using a crane to give general overview

Kind of shot: Extreme long shot

  • It is the scene setting, the actual establishing shot
  • It shows the exterior of Pan’s “Underground Realm”

Camera’s movement: CRANE SHOT + tilt low angle)

  • Sort of “Dolly shots” but in the air
  • It also moves up, then right, then left – similar to the first shot
  • It moves diagonally out of the action

THIRD SHOT:

Camera Angle: Eye level

  • Neutral shot; as if a human is observing the view(scene)

Kind of shot: Crane shot

  • It shows the image corresponding to the real distance between the audience and the scenario

Camera’s movement: DOLLY SHOT (Tracking shot)

  • Camera is placed on a moving vehicle
  • Camera moves around to show how Ofelia met the “outside world”

FOURTH SHOT:

Camera Angle: Eye level (low -> high -> extreme long)

  • Neutral shot, as if a human is observing the action
  • The camera is placed around 5feet from the ground

Kind of shot: Long shot

  • Shows the scene approximately as if we would see in real life
  • Includes a FULL SHOT of the cars, and the figures inside

Camera’s movement: DOLLY SHOT – possible pan or crane

  • Camera is placed on a moving vehicle
  • It moves alongside with the action
  • It follows the cars

FIFTH SHOT:

Camera Angle: P...


Essay fragment

General points of the essay

Man With The Movie Camera: Shot Change Constructs A New Perspective A shot by shot analysis of a major scene in Hitchcock's Notorious Shot by Shot Analysis Discuss How Mise-En-Scene And Camera Movement, Angle And Positioning Create Meaning For An Audience In The Final Gun Battle Sequence ‘scarface The Shot The Man Who Shot Congress Needs A Shot In The Arm The Day Lincoln Was Shot Lucky Shot Snap Shot of a Dog My Friend Hamilton -Who I shot A Shot that Ricocheted through History Why George Shot Lennie straight shot at the needle Greaser Hero Shot In Park

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