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Topic: Music and Movies
Number of pages / Number of words: 8 / 1972
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The textless ‘chace’ for two voices that Jehan Lebeuf d'Abbeville en Pontieu added in 1362 to a late 11th-century plainchant manuscript appears to be an extremely simple circular canon, and the pilgrims' songs labelled ‘caca’ in the late 14th-century ‘Llibre vermell’ are round canons for two or three voices that untrained singers might easily have learnt without the benefit of notation...


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The other three chaces in the Ivrea manuscript are extended, continuous canons. Although they are not identified as chaces, realization in canon at the unison for three voices at a time interval of five longs is inherent in their melodic and rhythmic structure. Hareu, hareu, je la voy, listed in the index of the lost Tremoille manuscript, is identified as a ‘cantus trium vocum cum fuga 9 temporum’ in Coussemaker's inventory of the lost Strasbourg manuscript; it too seems to be a mimetic chace on a hunting theme...


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