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Topic: Music and Movies
Number of pages / Number of words: 2 / 305
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Abbott, Megan E.

The street was mine: white masculinity in hardboiled fiction and film noir New York: Palgrave Macmillan, 2002.

--MAIN: PS374.D4 A23 2002

Agostinelli, Alessandro.

Una filosofia del cinema americano : individualismo e noir Pisa : ETS, 2004. Scritture della visione ; 6

--PFA PN1995...


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Abbott, Megan E.

The street was mine: white masculinity in hardboiled fiction and film noir New York: Palgrave Macmillan, 2002.

--MAIN: PS374.D4 A23 2002

Agostinelli, Alessandro.

Una filosofia del cinema americano : individualismo e noir Pisa : ETS, 2004. Scritture della visione ; 6

--PFA PN1995...


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General points of the essay

Kiss Me Deadly and Film Noir Barnett, Tong And Alan Whiteside. “Chapter 14: Globalization, Inequality, Hiv/Aids And The Intimacies Of Self.” Aids In The Twenty-First Century: Disease And Globalization. New York: Palgrave, 2002. 347-365. Chinatown: Above the Film Noir Genre Conceptions of Femininity and Masculinity in The Woman in White Dames, Coppers, and Crooks: A L:ook At Film Noir La Confidential And Film Noir The Contemporary Male ? The New masculinity in Film To what extent is Laura Mulvey's article ?Visual Pleasure and Narrative Cinema' true to the representation of women in film noir? "Chinatown" as film noir Film Noir At It'S Finest Film Noir femme fatale in film noir l.a confidential film noir To what extent do the conventions and codes of film noir used in double indemnity reflect the social, economic and cultural content of the period? Representations Of Masculinity And Femininity In Miguel Street

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