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The resistance of Italian critics to the canonization of the neorealist phenomenon was made manifest at the Pesaro conference in 1974, where no consensus was reached on a definition of neorealist cinema.7 Also typifying such resistance, Micciche insists that neorealism cannot be considered a coherent movement, since "on the level of its expressive levels, namely films, it could be decomposed and recomposed almost as desired...

The resistance of Italian critics to the canonization of the neorealist phenomenon was made manifest at the Pesaro conference in 1974, where no consensus was reached on a definition of neorealist cinema.7 Also typifying such resistance, Micciche insists that neorealism cannot be considered a coherent movement, since "on the level of its expressive levels, namely films, it could be decomposed and recomposed almost as desired...

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