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It is closer to the way we perceive in off screen life, and reintroduces ambiguity into the structure of the image"
The Cahiers du Cinema critics were very critical of the glossy, formulaic and studio-bound French cinema of the 1940s and 1950s. They praised French film makers such as Jean Renoir and Jean Vigo, who were prevalent in 1930s French cinema...
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They praised French film makers such as Jean Renoir and Jean Vigo, who were prevalent in 1930s French cinema. They also favoured such Italian neo-realists as Roberto Rossellini and Vittorio De Sica, as well as certain Hollywood directors as Alfred Hitchcock and Howard Hawks. The critics felt that these directors were auteurs of their own films because of distinctive themes that could be detected running through their body of work...
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