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Some film historians regard Stranger on the Third Floor (1940) as the first "true" film noir. Orson Welles's Touch of Evil (1958) is often cited as the last film in the classic period.
Some scholars believe film noir never really ended, but declined in popularity, only to be later revived in a slightly different form...
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Other critics -? probably a majority -? regard films made outside the classic period to be something other than genuine film noir. These critics regard true film noir as belonging to a cycle or period, and that subsequent films that try to evoke the classic films are different because the creators are conscious of a noir "style" in a way that the original makers of film noir perhaps were not...
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To what extent do the conventions and codes of film noir used in double indemnity reflect the social, economic and cultural content of the period?
To what extent is Laura Mulvey's article ?Visual Pleasure and Narrative Cinema' true to the representation of women in film noir?
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