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This contrasts with eerie music when Marla is introduced, and although the same music is played again, it is not joyful ? portraying her as a threat to his situation. At the end of the scene, the motionless frozen-time shot of Jack contrasts with a clock ticking quickly like a bomb. As time appears to pass quickly, it conveys a sense of urgency to move, in Jack's case, out of the consumerism trap...
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As time appears to pass quickly, it conveys a sense of urgency to move, in Jack's case, out of the consumerism trap.
Marla is conveyed as a threat to Jack's situation. First, once Marla appears, Jack is no longer in the centre of the frame; even when Jack is initially in the centre, the camera pans until he is on the right...
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