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The same occurs in Kennedy’s performance. The subsequent larghetto passage which precedes the final ritornello is also played the same by both violinists, without any tempo variation. Where differences have not been identified, it can be assumed that the interpretations are synonymous in tempo. Nevertheless, it is the differences shared by the performances which determine that Kennedy’s interpretation is an extension upon a traditional one, such as Mintz’s...
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Nevertheless, it is the differences shared by the performances which determine that Kennedy’s interpretation is an extension upon a traditional one, such as Mintz’s. The final bar of the movement is an ideal example of the interpretative differences shared by Mintz and Kennedy. Characteristic of a conventional Baroque recital, Mintz finishes with a pronounced ritardando whereas in Kennedy’s performance, the ritardando is only slight and does not replicate the traditional interpretation which is evident in Mintz’s performance...
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Allegro from L’Autunno Op.8 No.3 by Vivaldi: Mintz vs. Kennedy
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