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Timbre can also be analyzed in the aspects of its physical properties. The timbre of a sound is greatly affected by the following aspects of its envelope: attack time, decay, sustain, release and transients. For instance, if one takes away the attack from the sound of a piano, it becomes more difficult to identify the sound correctly, since the sound of the hammer hitting the strings is highly characteristic of that instrument...

The acoustic development from silence at the start of a note and back to silence at the end has three phases: the ‘onset’ or ‘attack’ (the built-up from silence), the ‘steady-state’, and the ‘offset’ or ‘release’ (the return to silence). The onset and offset portions of a note tend to last for a few tens of milliseconds, but the changes that occur during the onset and offset phases, and in particular during the onset, turn out to have an essential role in defining the timbre of a note...

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