Buy custom A discussion into whether ?J Horror' is a term of national identity, or cinematic sub-genre, using the texts; Ringu (1998), Audition (2000) and Ju-On (The Grudge) (2003).
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J Horror is a conflict in terms as it encapsulates two ideas.
Firstly is the sense of national identity, this is found in the ?J', in J Horror, this was meant to represent Japanese. Giving the fan a reference; the original source of the text i.e. Japan. However with the emergence of similar films (similar narratives, visual styles and characters), but from different countries, how can these films be considered Japanese in origin? It questions these films's cultural background, do these films have a distinct style, whether it be narrative, visual, character, pacing or mise en scene that can be attributed to Japan's culture or history?...
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Giving the fan a reference; the original source of the text i.e. Japan. However with the emergence of similar films (similar narratives, visual styles and characters), but from different countries, how can these films be considered Japanese in origin? It questions these films's cultural background, do these films have a distinct style, whether it be narrative, visual, character, pacing or mise en scene that can be attributed to Japan's culture or history?...
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