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The "if" is particularly important, as it does not imply that any circumstances exist or are actually truthful. As an actor has no other source from which to draw experiences from except her own life, she must use her imagination to create events that she has not experienced. Stanislavski developed the use of the "magic if" in order to help the actor develop the imaginary and predicted circumstances...
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Stanislavski developed the use of the "magic if" in order to help the actor develop the imaginary and predicted circumstances.
The "inner monologue" is the third imaginational technique developed by Stanislavski. This is an important procedure in consciously creating the subconscious thoughts that are the stimuli behind the physical actions...
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