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“But int the places where it isn’t faded and where the sun is just so-I can see a strange, provoking, formless sort of figure, that seems to skulk about behind that silly and conspicuous front design.â€(Gillman 213) Later in the story when her mind is slipping more she tries to help the “women†get out from the entrapment of the wallpaper, for instance, “As soon as it was moonlight and that poor thing began to crawl and shake the pattern, I got up and ran to help her...
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I wonder if they all come out of that wallpaper as I did?â€(Gillman 215) She is saying that there are many women out there that feel trapped just as she did.
Symbolism plays a soul part of The Yellow Wallpaper. Gillman gets her point across if the reader can catch what she is trying to say. Gillman put together a remarkable collection of symbols throughout her story...
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General points of the essay
The Man Who Liked Slow Tomatoe
Rick Blaine, nations front figure
Silly Old Bear
Faded Dreams
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