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Topic: Miscellaneous
Number of pages / Number of words: 8 / 2149
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The audience has no choice but to leave with the rapidly fading memory of their dramatic stimulation and return to the underwhelming reality that awaits them outside of the theatre. This is Brecht's unflattering version of Aristotle's catharsis.

Brecht also wanted the audience to see the characters as part of a larger problem instead of focusing on the plight of the individual...


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His theory of verfremdung was conceived to prevent the audience from empathizing with the characters on stage so that his goal could be achieved. As Brecht said,

"Estrangement (verfremdung) means to historicize, that is, consider people and incidents as historically conditioned and transitory... The spectator will no longer see the characters on stage as unalterable, uninfluencable, helplessly delivered over to their fate...


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