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Led by Claude Monet and including Camille Pissarro, Alfred Sisley and sometimes Pierre-Auguste Renoir, the "Pure" Impressionists painted out-of-doors, recording their impulsive reactions to light and atmosphere. The contesting division of Impressionists, led by Edgar Degas and included Gustave Caillebotte, Jean-Louis Forain and Jean Francois Raffaelli, were more fascinated with urban subjects, draftsmanship and the human figure...
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By the Third Impressionist Art Exhibition, the group had suffered a tremendous rift in style. At this point, each artist had formed such diverse techniques, that by the 1880s even Monet and Renoir had abandoned the purely outdoor Impressionist style in favor of a more philosophical approach to painting; this also applies in different ways to the work of Cezanne, Gauguin and Pissarro...
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