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He writes â there is a complicity between the women and the painter. This complicity includes both retinence and abandon , day and night. The curtain of the bed which Hendrickje lifts up her hand , marks the threshold between daytime and nighttime.â( 129) From this painting I could not see any of this...
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The writing paints this picture in the readers mind, much better than the actual image. This explanation also enables a reader to relate to the writing. From this writing I can see this girl in the bed and almost feel what she is thinking. From the picture all I saw was a girl laying in bed, nothing more...
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