Buy custom Transculturating Bodies: Politics Of Identity Of Contemporary Dance In China
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| Topic: |
History
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| Number of pages / Number of words: |
23 / 6260 |
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Wu drew his movement from daily life and martial arts. He also took the cue from Laban’s quality of feeling, strength, and direction as well as Shijingmo’s idea of visual aspect of dance. His repertoire, such as The Fire in Hunger, reflects on the outrage and tragic life of ordinary Chinese after the Japan war, resulting in a series of politically-themed dance concerts...
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Eventually, Wu opened the Heavenly Horse Dance Studio, where he tried to apply German modern dance concepts to Chinese themes and music.
Dai – trained in the Royal School of Ballet, Ballet Rambert in the United Kingdom and stints with Mary Wigman and Jooss-Leeder schools – returned home to pursue her passion...
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General points of the essay
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Japanese Martial Arts
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Transculturating Bodies: Politics Of Identity Of Contemporary Dance In China
Analyze The Differences In Leisure Activities Shown In The Two Paintings, And Reflect About The Social Life Of Peasants (The Peasant Dance) And Of Urban Dwellers In The 19Th Century (Sunday Afternoon On The Island Of The Grande Jatte).
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