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Topic: History
Number of pages / Number of words: 11 / 2856
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Ito presents three explanations for the use of yellowface after the period of Asian immigrations which should have increased the number of Asian actors and actresses: one, because the audience preferred to be able to relate to the actors and actresses, therefore, they expected to see White actors, not Oriental, even if the characters were supposed to be Asians; two, because they lacked ?qualified' Asians or Asian American actors; and three, White actors were able to depict ?Orientals' better than Asian actors (4)...


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All these justifications are not acceptable, but they show the struggles for maintaining the power of White society.

Beginning in the mid-20th century, while the idea of ?yellowfacing' started to fade away, and the number of Asian actors and actresses started to increase, the film makers still produced stereotypes of Asians by requiring the Asian actors and actresses to act in certain ways...


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General points of the essay

Asian American Experience Impact Of The Asian Currency Unit (Acu) On The East Asian Economies: Lessons From The European Monetary Unit (Emu). Transnational Actors and International Organizations in Global Politics Actors In The Environmental Arena Actors and Actresses of the 50s: Vivien Leigh, Audrey Hepburn, Marlon Brando, Grace Kelly, Bette Davis, Katharine Hepburn, Burt Lancaster, Bing Crosby, Dorothy Dandridge, Judy Garland, Elizabeth Taylor, and Doris Day. Clausewitz Applicability To Non-State Actors Portrayl of Asian American in Film Actors Asian American Stereotypes Asian American Greek Actors Making Asian American Space Recording six actors in search for a plot Asian American Stereotypes in Film The State And Other Actors In Contemporary World Politics

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