Buy custom La Vague du Japonisme: The Effects of Japanese Art on French Art in the late 19th Century

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La Porte Chinoise, a tearoom dedicated to Japanese art on 36 rue Vivienne in Paris (Wichmann 1999, 9), opened in 1862 by Madame Desoye and attracted consumers like Manet, Monet, and Degas, who would be heavily influenced by Japanese art. Edmond de Goncourt, a French art critic and connoisseur of Japonisme, wrote on 31 March 1875,

“enthroned in her jewels like a Japanese idol, sits the fat Madame Desoye; almost a historic figure in our own time, for this shop has been the place, the school as it were, from which this great Japanese movement has evolved which today extends from painting to fashion” (Lambourne 2005, 37)...

Edmond de Goncourt, a French art critic and connoisseur of Japonisme, wrote on 31 March 1875,

“enthroned in her jewels like a Japanese idol, sits the fat Madame Desoye; almost a historic figure in our own time, for this shop has been the place, the school as it were, from which this great Japanese movement has evolved which today extends from painting to fashion” (Lambourne 2005, 37)...

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