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| Topic: |
History
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| Number of pages / Number of words: |
3 / 786 |
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As Rosalind Krauss mentions in her essay “Informe without Conclusionâ€, the abject working as mediator is an “uncrossable boudar[y] and undifferentiable substance[e]†in which the objecthood disappears. (Krauss, 397). Knowles’ “Giveaway Construction†employs this technique as does “No Ghost Just a Shell†by Huyghe and Phillipe Parreno in which they purchased a character from a Japanese animation company and invited other artists to incorporate her into their work; a kind of “giveaway†constructed animated character...
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With both of these pieces, a chain is created, whether by the concept of finding, creating, and the giving away of an object or “finding†an object and having other artists generate pieces that are all linked by one subject, here being the animation character.
Contemporaries of Alison Knowles understand the readymade as a concept that employs awareness of time and space in a way that reminds society that the every day can be aesthetically pleasing and thought provoking at the same time...
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