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This might seem to be an odd statement because the majority of these New Wave films are set in a 1960's Paris, but Godard's Paris is a very different kind of Paris than that of Truffaut, Renais, or Rohmer. He doesn't just shoot the film in Paris. He creates a world in which the audience can experience in the lives of the characters in a very personal, but always detached way...

He doesn't just shoot the film in Paris. He creates a world in which the audience can experience in the lives of the characters in a very personal, but always detached way. Richard Roud writes in his book Jean Luc Godard, "His City is Paris, and it is the Paris of hotel rooms, chambres de bonnes, and, above all, cafes, with their pin-ball machines and the endless conversations nursing the lait chaud against the inevitable moment when one has to go out on the streets or back to the dreary hotel room...

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