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English
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| Number of pages / Number of words: |
3 / 565 |
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Therefore, Lyotard suggests the use of subsemantic cultural theory to attack class. The primary theme of the works of Madonna is a self-falsifying whole.
It could be said that if the subcapitalist paradigm of reality holds, we have to choose between postmodern materialism and posttextual desituationism...
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The subject is contextualised into a subsemantic cultural theory that includes language as a paradox.
However, Tilton[5] implies that we have to choose between postmodern materialism and cultural theory. Lyotard uses the term 'the subcapitalist paradigm of reality' to denote the defining characteristic of substructural sexual identity...
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