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He fought sometimes, but was always thrashed, pummeled to a jelly” (Davis 24). His physical description is void of any masculine attributes. He is “thin,” “meek,” and has a “woman’s face.”

In her essay, “Representing and Self-Mutilating the Laboring Male,” Caroline S. Miles uses part of this same passage to show her view of the loss of Hugh’s masculine persona...

Miles uses part of this same passage to show her view of the loss of Hugh’s masculine persona. She writes, “This disquieting, unromantic, and feminizing portrait of Wolfe prepares the reader for a text that represents the worker’s identity as necessarily embodied, but that fails to reconcile the laboring body’s materiality with a nineteenth-century American rhetoric that equated white manhood with transcending and replacing the material body” (Miles 89)...

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