Alison returns to visit, having lost Jimmy's baby. Helena can no longer stand living with Jimmy and leaves. Finally Alison returns to Jimmy and his angry life.
The problem is with the melodramatic qualities of the narrative. Osborne's script became almost a template for the new school of writers, and it is difficult to present his work without being aware that there is a faint whiff of formula about it...
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But despite the plot's shortcomings, it still has the power to startle. There was an audible intake of breath from the audience when Jimmy fell into Helena's arms. The language, too, still has the power to shock, such as when Jimmy, unaware of Alison's pregnancy, says to her: âIf only somethingâsomething would happen to you, and wake you out of your beauty sleep! If you could have a child, and it would die...