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            | Topic: | 
            
                
                    English
                
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            | Number of pages / Number of words: | 
            
                8 / 1971             | 
        
                
    
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He says, âthe Negro folk song- the rhythmic cry of the slave-stands today not simply as the sole American music, but as the most beautiful expression of human experience born this side of the seasâ (251). He goes on to describe the Sorrow Songs, and says that although their meaning can be veilied, for his purposes of including them in his story, the music is all âDistinctly sorrowful...
        
        
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The ten master songs I have mentioned tell in word and music of trouble and exile, of strife and hidingâ (257). In short, the Sorrow Songs that DuBois chooses to utilize in The Souls of Black Folk display a straightforward and idealistic message about the hardships of being a black man in America to his mostly white readership in 1903...
        
        
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            General points of the essay
            
                                    American Negro Slavery
                                    american modernist poetry and the new negro renaissance
                                    James Weldon Johnson
                                    Moulin Rouge: An Expression of Love through Music
                                    The Human Mind Exploring the Evil side of Human Life
                                    James Weldon Johnson and Zora Neal Hurston
                                    Slave Experience
                                    Music as a Form of Expression
                                    Bartok and Folk music
                                    James Devine's Rhythmic Dance
                                    The Parents Music Resource Center and Music Today
                                    Today's Society in a Song
                                    Unique American culture and blue ridge folk music
                                    Can a work of art have value regardless of who creates it? Can, and should, we look past the character of the artist - however immoral we consider them to be - and simply experience and esteem the work itself?
                                    From Negro to African American
                            
                    
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