The conductors have the ability to make the audience feel whatever they want them to feel. If they music were to be slow and mournful, the conductor could make the audience feel happy or whatever emotion he wanted to extract.
Stravinsky also considers conductors to be actors. This belief can be tied in with believing that conductors are great seducers...
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To be the seducer, the conductor must be some type of actress.
Stravinsky uses imagery to suggest that conductors must be great actors. "Thus, the film-actor type of conductor will act out a life of Napoleon in "his" Eroica, wear an expression of noble suffering on the retreat from Moscow?" (Stravinsky 37)...