Buy custom Addison's "Campaign" and Gray's "Elegy".
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English
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4 / 886 |
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Roger Lonsdale, in The Poems of Gray, Collins, and Goldsmith, cites Pope's Temple of Fame and Blair's Grave as the most immediate sources for the sea-of-blood topos in Gray's Elegy, and in both these instances the stance is one of outraged rejection. Addison, on the other hand, registers little sense of horror, but blandly celebrates Marlborough as an ineluctable force of nature, an idea he seems to have borrowed from Marvell's "Horatian Ode upon Cromwel's Return from Ireland": "And pleased the Almighty's orders to perform, / Rides in the whirlwind and directs the storm" (1: 50)...
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Roger Lonsdale, in The Poems of Gray, Collins, and Goldsmith, cites Pope's Temple of Fame and Blair's Grave as the most immediate sources for the sea-of-blood topos in Gray's Elegy, and in both these instances the stance is one of outraged rejection. Addison, on the other hand, registers little sense of horror, but blandly celebrates Marlborough as an ineluctable force of nature, an idea he seems to have borrowed from Marvell's "Horatian Ode upon Cromwel's Return from Ireland": "And pleased the Almighty's orders to perform, / Rides in the whirlwind and directs the storm" (1: 50)...
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