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“Sound in the Cinema.†Film Art: An Introduction. Fifth Edition. Boston: McGraw Hill, 1997. 320-354.
Turner, Graeme. “Chapter 3: Film Languages.†Film as Social Practice. Fourth Edition. London: Routledge, 2006. Read ‘Sound’ (p80-86).
Talking film, sound, came as a result of the need for realism to which the human subject is in constant pursuit...
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Fourth Edition. London: Routledge, 2006. Read ‘Sound’ (p80-86).
Talking film, sound, came as a result of the need for realism to which the human subject is in constant pursuit. Turner writes “the camera itself is an apparatus that embodies a theory of reality, ideology, because it sees the world as an object of a single individual’s point of view...
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