Despite the fact that often excluded from the company of Surrealists, Dali deliberately chose the lapse into his previous surrealist style to accomplish the portrayal of hell (the left side of the painting), while his newer style of âReligious Mysticismâ is used on the right side of the painting in the portrayal of Our Lady of Fatima...
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The parts most visible in this human form are the left chest, the left arm, and the head. âVision of Hellâ is Daliâs vision portrayal of death. Whenever an artist seriously approaches the subject of death, expect profundity. When this part of the painting is placed side by side with Daliâs famous birth painting, the comparison is startling...