Dali himself was not paranoid but was able to place himself in paranoid states. In one of his more famous statements he said, âThe only difference between me and a madman is that I am not mad.â He was able to look at reality and dream of new ideas and paint them, which he called his âhand-painted dream photographs...
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The result was a new, imaginative visual presentation of reality. By the forties, however, Dali began his move from Surrealism into what he called his classic era. Just before World War II, Dali and his wife fled from Europe to the United States. They spent the next decade in the States where Dali went through a metamorphosis of sorts...