Other characters, such as Pedrolino, would play on the audience for sympathy. The degree of response by the people watching towards the masks indicated the action the troupe would continue to further their scenarios.
The masks themselves often reflected the Italian people, Their warts, apart from hiding imperfections in the leather, alluded to the boils on the malnourished poor of Itlay...
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In similar ways, the costumes echoed the people. Zanni often wore loose white clothes made of potatoes sacks, while the higher status masks wore fashionable garments, with lace becoming seen as it became fashionable in Europe.
The performers were always outside, where actors could "breath the fresh air of intervention"...