Buy custom THE USE OF DRAMATIC ELEMENTS IN THE DIES IRAE SEQUENCE OF THE REQUIEMS OF BERLIOZ AND VERDI
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The Grand Masse des Morts starts with the cellos and string basses playing the Dies Irae plainchant in an Aeolian mode. (See Ex. 1.) In measure 13, the cellos and basses drop out and the higher woodwinds and the sopranos enter with a different melody. The text here is altered from the original liturgical text as Berlioz repeats the words ?dies irae, dies illa' in succession...
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(See Ex. 1.) In measure 13, the cellos and basses drop out and the higher woodwinds and the sopranos enter with a different melody. The text here is altered from the original liturgical text as Berlioz repeats the words ?dies irae, dies illa' in succession. Before the sopranos can finish the first stanza, the basses enter with the same melody as the tenors provide a counterpoint melody...
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